Although most of today’s high-end sample players use one sample for each note to be played (that is, middle C, C#, D and so forth are all individual; there is no transposing), older gear (or less expensive software samplers) still have to rely on at least some transposition. The Root Key is then the actual note without any transposition. For example Middle C might be the root note in a set of samples and the B below it, as well as the C# above it are created digitally from the Middle C sample. In the early days of sampling, transposing a note by as much as three whole steps wasn’t unheard of.
Related Articles:
1
Building a Track from Scratch: Victor Wooten, Carl Verheyen, and Nick D'Virgilio Take the SSL EVO for a Spin
2
Audient Horizon Thunderbolt 3 Audio Interface Deep Dive
3
How to Set Up Your PA System for Your Worship Team
4
S.E. Shires Q Series Trumpet Demo & Overview
5
SSL Bus Comp Classic VCA Compressor Overview
6
Which Headset Mic Is Best for Worship?
7
The Sound That Changed Music | The History of Fender Amps
8
3 Great Powered Speakers for Your Hi-fi Setup
Inspiration. Information. Passion.
Being music makers ourselves, we love geeking out on all things gear. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more.