Named for Alan Blumlein (chief engineer at EMI in London during the 1930’s, and a pioneer in stereo audio), a Blumlein pair uses two coincident bi-directional (or figure 8) pattern microphones set up at 90 degrees to each other. This stereo miking technique provides a strong center image, and good room ambience. When using this technique, absolute polarity in the entire audio system is essential, mic distance from the source is critical in balancing ambience with direct sound, and since so much ambience is captured, a good sounding room is critical. (See also WFTD “Coincident“)
Related Articles:
1
Brandon Ellis’s Tips for Killer Leads — “It’s More Important Than Ever to Sound Human”
2
The Akai MPK Mini Plus II Wants to Help You Write the Song
3
Yamaha Reface YC Demo
4
Bass This Deep in a Speaker This Small Would Be Impossible Without THIS
5
PRS Tekton: A First Look
6
Roland Jupiter-08 Mini Synth Demo
7
Building a Track from Scratch: Victor Wooten, Carl Verheyen, and Nick D'Virgilio Take the SSL EVO for a Spin
8
Audient Horizon Thunderbolt 3 Audio Interface Deep Dive
Inspiration. Information. Passion.
Being music makers ourselves, we love geeking out on all things gear. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more.