In audio terms, coincident is normally used in the context of stereo microphone pairs. The idea is to get the capsules of the two mics as close together as possible to minimize phase problems in the final recording. Often the mics are directional (i.e. cardioid) and are “stacked” one atop the other, commonly at an angle of 90 degrees. Another coincident miking approach is called “MS” or “Mid-Side”. Here a bi-directional (figure 8) and cardioid mic are placed close together. By combining the outputs of the two mics in varying amounts, the apparent width of the stereo field can be changed.
Related Articles:
1
Reb Beach Interview: “Make Your Own Thing — Don’t Be a Clone of Someone Else”
2
Why Forte3D Instruments Are Innovative
3
Nicole Row Sterling Music Man Session StingRay Demo: Iconic ’90s Character & 5-string Sonic Roots
4
Electro-Voice Evolve G2 Column Speakers Overview
5
MOTU OctaLite USB Audio Interface Overview
6
Dweezil Zappa | On Tour Now — Discover His Sound!
7
Get Your Church’s Wireless Mics Ready for the Busiest Services of the Year
8
Allen & Heath Qu-3 & Qu3-D Overview
Inspiration. Information. Passion.
Being music makers ourselves, we love geeking out on all things gear. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more.