Summer NAMM 2004: BOSS SYB-5
The BOSS SYB-3 was the world’s first bass synthesizer to be packed into a compact pedal, and it found favor with experimentalists and tone... Read more »
Keyboard News
Jul 23, 2004, 8:02 AM
Jul 23, 2004, 8:02 AM
Summer NAMM 2004: Roland EXR-7
Roland is proud to introduce the EXR-7 Interactive Arranger, the new crown jewel in the acclaimed EXR Arranger Keyboard Series. Featuring a... Read more »
Jul 23, 2004, 8:02 AM
Summer NAMM 2004: Roland GK-3B
Bass players looking to expand their tone palette won’t want to miss Roland’s new GK-3B pickup, designed for driving synth-bass rigs such as the... Read more »
Jul 23, 2004, 8:02 AM
Summer NAMM 2004: Roland GR-20
Bass players can tap fully into Roland’s popular GR-20 guitar synthesizer with the new Version 2 software. The same popular patches and instant... Read more »
Jul 23, 2004, 8:02 AM
Summer NAMM 2004: Roland Juno-D
Roland proudly announces the Juno-D – the most competitively priced and full-featured synthesizer in its class. Hundreds of radio-ready sounds... Read more »
Jul 23, 2004, 8:02 AM
Summer NAMM 2004: Roland MV-8000 / MV8-VGA
Roland’s MV-8000 sampling workstation takes a quantum leap forward with the new MV8-VGA expander option and Version 2 software, which transforms... Read more »
Jul 16, 2004, 12:00 AM
Apogee Big Ben Review
Apogee’s Big Ben is an incredible addition to any professional digital recording studio. Anyone who is doing professional digital audio ranging... Read more »
Jul 15, 2004, 12:00 AM
Multi-threading Concepts and SONAR 3.1
In simple terms, DAW software, or any computer program, is a series of instructions that are executed sequentially by a central processing unit... Read more »
Jul 15, 2004, 12:00 AM
Kurzweil K2661 Review
If you are composer, film scorer, stage musician or you just love playing keyboards, then the Kurzweil K2661 is the one for you. It’s almost... Read more »
Jul 14, 2004, 12:00 AM
Song Form
The structure of a song that outlines its repeating sections, harmonic structure, and introduction of new melodies or harmonies. We’ll ignore... Read more »