More videos like this Moog Matriarch Deep Dive — Daniel Fisher https://www.youtube.com/playlist?list=PLlczpwSXEOyYH2rOZMvQuwWOOZIf198m-
Shop the Moog Matriarch Semi-modular Analog Synthesizer and Step Sequencer at Sweetwater https://www.sweetwater.com/store/detail/Matriarch–moog-matriarch-semi-modular-analog-synthesizer-and-step-sequencer/?utm_source=YouTube&utm_medium=Referral&utm_campaign=g4OrmqtZ8S8
If you’re wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=g4OrmqtZ8S8
The Moog Matriarch semi-modular analog synth is a staple among sound designers and synthesists the world over, and who better to share its stellar features and tucked-away secrets than Sweetwater’s very own Daniel Fisher? In this video, Daniel provides an in-depth look at everything the Matriarch has to offer, covered in great detail to ensure you come out on the path toward Matriarch mastery. Ninety patch points, rich oscillators, dual ladder filters, powerful arpeggiation and sequencing, stereo analog delay — all this and more solidify the Moog Matriarch as the powerhouse centerpiece you crave for your modular synth setup.
After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=g4OrmqtZ8S8
0:00 – Intro
0:43 – Goals for this Deep Dive
1:15 – Updating Matriarch’s Firmware & Calibration
2:20 – The Four Oscillators
4:01 – Pulse Width Modulation (PWM)
4:59 – Using the 2nd LFO for PWM
5:37 – Using a Multiple (MULT)
7:08 – Attenuators (Attenuverters)
9:20 – Envelope to PWM
12:57 – LFO 2 to Pitch
14:21 – LFO 1 to Pitch & Mod Wheel
15:24 – LFO 1 Pitch Mod Assign
15:39– Oscillator Sync
18:25 – Oscillator Frequency Ranges
22:39 – LFO Shapes on PWM
24:01 – Envelopes to PWM
26:16 – Ext. Control Voltages (CV) to each Oscillator’s Pitch
26:48 – Noise as a Modulator
29:05 – Oscillator WAVE OUT Jacks
29:21 – FM with OSC PITCH IN
31:21 – FM with OSC LINEAR FM IN
32:32 – Modulating Attenuators with LFO 2
33:44 – 4-Note Paraphony
40:12 – The FILTER Section
41:02 – STEREO LP/LP Filters
42:07 – Filter SPACING
43:40 – SERIES HP/LP Filters
44:28 – PARALLEL HP/LP Filters
45:25 – FILTER IN Jacks
48:19 – MODULATION Section
57:07 – STEREO DELAYs
1:00:56 – DELAY SYNC
1:04:15 – DELAY SPACING
1:06:44 – CV Sources on Back Panel
1:09:04 – Key Velocity CV OUT
1:13:32 – What Have I Got Left Over?
1:14:46 – GLOBAL Settings – Intro
1:15:41 – GLOBAL Note Priority
1:18:00 – GLOBAL Glide Type
1:22:24 – GLOBAL Pitch Bend Depth
1:25:01 – GLOBAL Pitch Variance
1:27:55 – GLOBAL OSC FREQ Knob Range
1:30:55 – GLOBAL Square LFO Polarity
1:33:32 – GLOBAL Noise Filter Cutoff
1:36:11 – GLOBAL Delay Filter Brightness
1:39:55 – GLOBAL Delay Sync CV Bend
1:40:33 – GLOBAL MIDI Settings
1:41:01 – GLOBAL Sequencer Transpose
1:43:18 – GLOBAL FW/BW Repeat
1:44:44 – GLOBAL ARP/SEQ Swing
1:44:53 – GLOBAL Delayed Keyboard Octave Shift
1:45:34 – GLOBAL Round Robin Mode
1:45:51 – GLOBAL Unison + Stealing Modes
1:46:19 – GLOBAL Wrap Up
1:46:36 – Thanks for Watching!
#Sweetwater #Moog
