Nothing can make a performer cringe and occasionally dive for cover like the whine and squeal of microphone feedback through a PA system. The... Read more »
Whether you’re chasing a special effect for a particular studio session or experimenting with different sounds for better stage mixes, stacking... Read more »
Here at Sweetwater, we believe that there are two types of engineers: those who love ribbon mics and those who haven’t discovered them yet.... Read more »
Synthesis is all around us. Synthesizers have become so commonplace in music that we often don’t even realize that we’re hearing them, and the... Read more »
From subtle air to washes of lush ambience, reverb is one of the audio engineer’s most often used tools — it’s common to almost every musical... Read more »
Choosing a snare drum mic is important, as I discussed in “Best Mics for Recording Snare Drums,” but positioning the mic is equally important.... Read more »
Many of us who record or mix these days don’t have the luxury of working in purpose-built control rooms that sound great. We make do with the... Read more »
A question that I get asked often is, “What’s the best order for my pedals?” The easy answer is, “Whatever order you think works best for you,”... Read more »
If your guitar’s open strings are in tune but as you fret up the neck the tuning starts to go bad, it’s time to set your guitar’s intonation. A... Read more »
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