ART Tube MP/C

Tube Preamp/Opto-compressor with Independent Circuits, XLR and 1/4" I/O, Transformer-isolated XLR Output, and 12AX7a Tube
ART Tube MP/C image 1
ART Tube MP/C image 1
$99.00
Sweetwater Savings: $30.00 MSRP: $129.00

Or make 3 easy payments of $33.00/month!

Plus $10 processing fee. Use any credit card! Sweetwater's Flexible Payment Plan lets you get your gear now and stretch your payments over time. Plus, we won't charge interest! Learn more

In Stock!
Available for immediate delivery! (Hurry, limited quantity available)

The Sweetwater Difference

Share this with your friends:

Most popular accessories & related items...

ART Tube MP/C
In Stock!

Affordable, Great-sounding Tube Channel Strip

The ART Tube MP/C rocks. For around a hundred bucks, you get a great-sounding tube preamp and opto-compressor in a compact chassis. The Tube MP/C sports an XLR mic input, as well as an instrument input, a 20dB gain boost, and a low-cut filter. The independent compressor circuit is bypassable, and boasts threshold, as well as speed and slope controls. Lastly, you have your choice of either XLR output or unbalanced TS. This flexibility makes the Tube MP/C perfect for re-amping or DI duties. If you're in the market for an affordable, transparent-sounding channel strip, audition the ART Tube MP/C!

ART quality and value

ART is known for its high-quality/low cost tube mojo, and the Tube MP/C delivers. If you're in need of a mic preamp, why not buy a warm-sounding tube preamp and get a great-sounding soft-knee optical compressor as a bonus? Throw in the DI/re-amping functionality, and you have a formidable, transparent-sounding channel strip bundled into a tidy little package that won't take up much space on your desktop - or make to big a dent in your wallet.

ART Tube MP/C Preamp/Compressor/DI Features at a Glance:
  • Tube-based mic/line preamplifier with up to 70dB of gain
  • Hand-selected 12AX7a tube
  • Optical (VCA-less) compressor circuitry = transparent dynamics control
  • Bypassable compression circuitry
  • 1/4" TS unbalanced inputs and outputs (front panel hi-Z instrument input)
  • XLR balanced inputs and outputs
  • Transformer isolated XLR output
  • Selectable output range for Line/Instrument interface levels
  • LED meters for Tube Warmth, Gain Reduction and Output level
  • +48V phantom power
  • Phase reversal switch
  • Selectable release time settings
  • Greater than 90dB dynamic range
  • Custom extruded aluminum chassis
The ART Tube MP/C - proof that great sound comes in small packages!

Additional Media

Studio Preamp Buying Guide
Tube MP/C User Manual

Tech Specs

Preamp Type Hybrid
Number of Channels 1
Frequency Response 30Hz-60kHz (±1dB)
Phantom Power Yes
Compressor Threshold Variable
Compressor Ratio 2:1 (compress), 11:1 (limit)
Analog Inputs 1 x XLR, 1 x TS
Analog Outputs 1 x XLR, 1 x TS
Height 1.75"
Depth 6.5"
Width 5.9"
Weight 2.9 lbs.
Manufacturer Part Number Tube MP/C

Customer Reviews

4.5/5
Based on 4 reviews
Write your review
5/5

Amazingly good for pulpit-mic management

At my itinerant church, where the sound system packs into a closet every week, the ART Tube MP/C has substantially improved our quality of life. The super-transparent compressor is proving ideal for our live sound reinforcement needs. We can hear worship leaders and Scripture-readers above the noise of children, but the preacher doesn't hurt our ears when he raises his voice for emphasis. The MP/C powers a Shure lectern mic (which we mount to a mic stand) and outputs to our Fender Passport Pro 150 PA system (using an XLR-to-TRS adaptor; plugging into the XLR input yielded a buzz). I use the compressor in Limit mode, I set the threshold just above the preacher's conversational voice level, and I don't have to ride the volume knob anymore. It's luxurious. When I took it home to track a choral rehearsal recording, I was yet more impressed with how unobtrusive the compressor is—the main impression was that loud passages just didn't hurt my ears coming out of the headphones anymore. Just for fun, I switched it to limit mode and recorded a few lines of a Jason Mraz song, exaggerating the whisper-then-shout technique. The Tube MP/C was unfazed. The absence of an expander/gate or de-esser became apparent with that kind of pushing, but it still sounded quite remarkably polished. Also, it just feels classy. Compared with the ART Tube MP V3, the connections feel more secure, the XLR input locks, and the knobs feel sturdy. Praise the Lord.
Music background: worship leader, composer, church live sound manager
5/5

everything and more

Simply put, it does everything it says it will. I am using it as a preamp for my bass rig. The tube pre delivers a warm rich tone with that sweet break up when pushed just over the limit. The compressor it's absolutely marvelous. It is so smooth. You actually never really hear it working until you turn it off. The compressor itself is worth the purchase. I absolutely love it and totally recommend this product. I'm sure it will work fabulously for your application as well.
4.5/5

Worked for the Mandolin

It did the job I needed. Provided the boost I needed for the contact mike on my mandolin.
Music background: Singer / songwriter
4/5

great preamp

guitar, moog, vocals, whatever this thing is running always sounds great. the +48v switch works wonders and the gain sounds way better than my on board mixer's. the compressor sounds great. you cannot run dual inputs (meaning, no XLR and TRS at the same time) but thats probably for the best. for a good smooth setting it helps to follow the instructions provided the first few times, until you know what to look for.
Music background: Musician
See also: ART, ART Channel Strips