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USB Audio Interfaces: Not Just Entry Level Anymore

USB Audio Interfaces: Not Just Entry Level Anymore

If you’re anything like the thousands of Sweetwater musicians who’ve started producing audio over the years, then odds are there’s an entry-level USB interface collecting dust on a shelf or jammed in a closet somewhere. While many of us owe a lot to these hardworking pieces of gear, their sonic results have sometimes left something to be desired. Today, many of the industry’s most reputable manufacturers have taken what was initially a simple, inexpensive recording solution and transformed it into a USB interface worthy of a spot in big studios from Nashville to L.A. and beyond. From flexible I/O to cutting-edge preamps and grab-and-go-portability, these pro-level interfaces ensure you have everything needed for studio-quality recordings at home and on the road.


Prism Sound Lyra 2 2 x 4 USB Audio Interface

When it comes to taking your studio sound on the road, the Prism Sound Lyra 2 2 x 4 USB audio interface more than delivers. This 2-in/4-out audio interface packs top-of-the-line clocking, reference-grade AD/DA conversion, and a pair of audiophile-quality mic preamps into a compact form factor capable of helming your portable rig while possessing enough power to sit as the centerpiece of your home studio. In situations where second chances aren’t allowed — such as broadcast and live sound environments — the Lyra 2’s Overkiller soft limiter is a godsend, preventing digital clipping with zero artifacts while perfectly maintaining sonic quality. Add in a wealth of advanced features including an M/S matrix function, polarity reversal, and an optical input for adding additional channels, and there’s little the Lyra 2 can’t do in any situation!


Cranborne Audio 500R8 USB Audio Interface and 8-slot 500 Series Chassis

Take one glance at the Cranborne Audio 500R8 USB audio interface and 8-slot 500 Series chassis, and you may find yourself scratching your head and wondering, “Is this really an audio interface?” While it is undoubtedly a USB audio interface upon closer inspection, this only scratches the surface of the 500R8’s offerings. This 8-slot 500 Series chassis is, essentially, a studio packed into a rack with 28-in/30-out functionality, an analog summing mixer, a zero-latency artist mixer, and a monitor controller right out of the box. While you get top-notch AD/DA conversion and reference-grade headphone amplifiers like many of the offerings on this list, the ability to add in 500 Series modules to taste expands this interface’s functionality into the stratosphere as it’s something not commonly found in other comparable products. Add the power of 500 Series modules to your studio setup with the Cranborne Audio 500R8!


Apogee Symphony Desktop 10 x 14 USB-C Audio Interface

The Apogee Symphony Desktop 10 x 14 USB-C audio interface arms you with the manufacturer’s world-renowned AD/DA conversion in an easy-to-use desktop interface complete with lifelike preamp emulations, ultra-powerful DSP, and squeaky-clean results. Industry-leading digital sound quality up to 24-bit/192kHz ensures all your tracks sound great with plenty of Apogee’s designed-in-house plug-ins to flavor instruments and vocals to taste. As the go-to choice of famed audio engineer Bob Clearmountain, Apogee preamps have a high bar to reach and do so in spades — their Advanced Stepped Gain Architecture keeps unwanted distortion to a minimum with up to 75dB of gain on hand to match everything from thumping kick drums to intricate fingerpicking and more.


RME Fireface UCX II 40-channel USB Interface

Though slim and slender, the RME Fireface UCX II 40-channel USB interface offers seemingly limitless flexibility in a compact, portable package. The Fireface UCX II features 20 x 20 I/O in a clean half-rack design loaded with plenty of functionality to match the needs of today’s discerning producers. A pair of digitally controlled mic preamps yields reference-quality recordings with analog, digital, MIDI, and word-clock connectivity options to play nicely with whatever setup you’re currently running. DC-coupled outputs make it a breeze to integrate modular synths and other studio hardware into your rig, allowing you to send CV/gate voltage-control information without additional gear. Look around back, and you’ll see a handy DURec port that allows for recording and playback of up to 40 channels of audio from a thumb drive or an external hard drive. Throw in ultra-stable SteadyClock FS technology for femtosecond jitter specs, and RME’s Fireface UCX II is ready to rock whenever you need it.


Focusrite Clarett+ 8Pre USB-C Audio Interface

The Focusrite Clarett+ 8Pre USB-C audio interface is another formidable entry in the world of portable audio interfaces tucked into a 1U chassis that’s perfect for home studios as well as for traveling rigs. Eight exceptional-sounding mic preamplifiers are joined by low-latency performance, courtesy of the USB-C connection — not to mention S/PDIF, ADAT, and MIDI I/O to expand your connectivity options even further. As for the sound? Plug your mic into this impressive interface’s preamps to access Focusrite’s Air feature. This switchable effect is an analog model of the acclaimed ISA mic pre, your soon-to-be secret weapon for adding welcome shimmer and presence into every recording.


Lynx Aurora (n) 16-USB 16-channel AD/DA Converter with USB Interface

By itself, the Lynx Aurora (n) 16-USB 16-channel AD/DA converter with USB interface is a phenomenal AD/DA converter capable of pro-quality digital conversion. Throw in an LT-USB card, and the Aurora (n) turns into a high-speed USB interface with low-latency operation. The LT-USB card provides digital input and output over USB 2.0, which pairs perfectly with the Aurora (n)’s electronically balanced analog I/O and a pair of great-sounding headphone outs to make any audiophile more than happy. The onboard microSD card allows up to 32 channels of real-time recording and playback with an onboard digital mixer for quick and flexible routing for any situation. And, with Lynx’s SynchroLock-2 jitter-reduction tech, the Aurora (n) provides jitter reduction of up to 300,000:1 for crystal-clear clock output.


Studio-quality Sound Is Yours with These USB Interfaces!

If this list proves anything, then it’s that the days of scoffing at your bandmate’s USB interface are long gone. While there are plenty of models aimed at beginner and intermediate producers, adding any of the above interfaces to your arsenal is a surefire way to enhance recordings of all kinds with award-worthy sound. Though the initial cost may seem high, features like effortless portability and expandability are sure to prick up the ears of today’s working producers as well as those of veterans on the cusp of everything new and exciting in the industry. Did you see a USB interface that caught your eye? Give your Sweetwater Sales Engineer a call today at (800) 222-4700 to give your sound the studio polish it deserves!

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