This hollowbody Gretsch guitar began life in 1976 as a Chet Atkins-conceived prototype. It was originally going to be called the “High Roller” because the square pearl fingerboard inlays were engraved with dice-like dots. The Super Axe was designed with extra-wide white binding on all the body edges. The scrolled, cutaway, 16-inch wide all-maple body had a machine-contoured top and back and a standard orange-red finish Gretsch called Red Rosewood. But the thing most people remember about the Super Axe, which was in production for about two years, was the 9-volt-driven bank of onboard effects matched with a pair of DiMarzio pickups. Mounted on a football-shaped black plastic panel on the guitar’s top were a compressor, phaser, sustain control, and master volume, along with individual tone and volume controls. However, by this time, there was very little interest among guitar players for Baldwin-produced instruments, and the last Baldwin-built Gretsches rolled off the production line in about 1970.
Related Articles:
1
Building a Track from Scratch: Victor Wooten, Carl Verheyen, and Nick D'Virgilio Take the SSL EVO for a Spin
2
Audient Horizon Thunderbolt 3 Audio Interface Deep Dive
3
How to Set Up Your PA System for Your Worship Team
4
S.E. Shires Q Series Trumpet Demo & Overview
5
SSL Bus Comp Classic VCA Compressor Overview
6
Which Headset Mic Is Best for Worship?
7
The Sound That Changed Music | The History of Fender Amps
8
3 Great Powered Speakers for Your Hi-fi Setup
Inspiration. Information. Passion.
Being music makers ourselves, we love geeking out on all things gear. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more.