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Sony C-800G: Hip-hop’s (Not So) Secret Weapon

Sony C-800G: Hip-hop’s (Not So) Secret Weapon

The Sony C-800G large-diaphragm condenser microphone is considered reverently even in high-end studio circles. Indeed, this high-priced large-diaphragm tube condenser is one of the most coveted vocal mics on the planet and is used by artists in a wide range of musical genres. Although the C-800G has been used by everybody from David Gilmour to Ozzy Osbourne to Mariah Carey, its crystal clear sonic character has carved out a rock-solid position within the hip-hop community. In this article, we’ll dive into the Sony C-800G — its history, design, and why it’s the go-to vocal mic for top-tier rap artists.

A Mic Unlike Any Other

First produced in 1992, the Sony C-800G is a peculiar beast. The microphone begins with a large-diaphragm, dual-diaphragm, center-terminated, K67-style capsule with a distinctive back-plate drilling pattern. The C-800G is a tube condenser, with a 6AU6 housed in its body and two 6AU6 tubes in its power supply, the latter tubes being employed as rectifiers. However, its most striking visual feature is a large Peltier heat sink protruding from the rear of the microphone. This built-in thermoelectric cooling system, which earned the C-800G the moniker “The Uzi” in rap circles, is designed to maintain the tube at an optimal temperature, thereby giving the mic its ultra-low noise and ultra-low distortion characteristics. The C-800G also features a 2-part aluminum body that safeguards against acoustic vibration, ensuring the utmost clarity.

When Is It Time to Upgrade Your Mic Locker?

The Multi-platinum Vocal Mic

The Sony C-800G is among the most detailed vocal microphones in the world. It delivers maximum clarity with a pleasantly bright airiness, which enables a vocal track to fit perfectly into your mix — no EQ required. It yields near-perfect recordings, particularly in the highest frequencies, with nonexistent self-noise levels. Its expansive dynamic range captures subtle nuances that most other mics miss. Its high sensitivity and low distortion ensure a rich, natural sound with unparalleled transient response. To top it off, it adds a low-midrange sheen to any voice you put it on, giving the track a finished quality without any added processing. Given that rappers place so much importance on their lyrics, it’s no mystery why they’re drawn to the hyper-articulate yet eminently flattering sonic signature of the Sony C-800G.

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Doctor Recommended, Doctor Approved

These days, the Sony C-800G is omnipresent in rap production. This ubiquity is arguably due to the influence of celebrated hip-hop artist and producer Dr. Dre, who has been using the microphone in his signal chain since the 1990s to achieve the articulate, squeaky-clean vocal tracks that are his sonic signature.

“I like my vocals to sound ‘crystal,'” Dr. Dre explains in a 2003 interview with EQ. magazine. He continues:

I use the Sony C-800G for vocals because it has a clean sound and about 85% of the people that get behind it sound great. My main objective is that the vocal sound is present and clean and ultimately does not distort. I get the sound I want out of the EQ on the SSL. We’ve used it forever and have made many hits on it . . .

According to Dr. Dre’s engineer Mauricio “Veto” Iragorri, their preferred vocal chain involves running a C-800G into a Neve 1073 channel strip — without engaging the EQ. The signal is then routed into the line-level input of an Avalon VT-737-sp tube channel strip, bypassing the preamp and going directly to the compressor, which is set to a 7:1 ratio with a medium attack, fast release, and 3dB to 7dB of gain reduction. The output is patched into a Solid State Logic 4000 G console with E modules and then bused to Avid Pro Tools.

Mics of the Masters

An Industry-recognized Status Symbol

As one of the most expensive current-production microphones with what’s debatably the best vocal sound money can buy, the Sony C-800G has become a status symbol within hip-hop circles — it’s one of those elusive things that separates a professional artist from a run-of-the-mill SoundCloud rapper. Recording with a C-800G is solid proof that you’ve reached a level where you can access the industry’s finest recording equipment.

The Case for Owning a High-end Vocal Microphone

Project Studio Alternatives

With an asking price in excess of $10,000, the Sony C-800G is generally only found in the highest end of elite professional studios. So, what’s a humble project studio owner to do? How do the rest of us get in on the action? Luckily, there are options.

First on our list is the Warm Audio WA-8000 large-diaphragm tube condenser microphone. The WA-8000 includes many of the C-800G’s coveted features, including a precision-made K67-style capsule, a customized external heat sink, an NOS 6AU6 tube, and custom-designed Lundahl transformers. And with a $1,199 price tag, the WA-8000 is accessible to almost anyone.

Sony created the price tag–busting Sony C-80 condenser microphone for music makers with smaller budgets. There are significant differences between the C-800G and the C-80. For starters, the C-80 features solid-state amplification rather than a tube design. The C-80 also dispenses with the external heat sink. Nonetheless, the C-80 still borrows heavily from its elite-priced predecessor, sporting a C-800G-inspired internal isolation structure that safeguards against unwanted extraneous noises and an ultra-pure sonic character on par with many top-dollar mics.

Finally, engineers in the Slate Digital VMS or Universal Audio Sphere ecosystems can access spot-on emulations of the C-800G.

Affordable Microphones Inspired by Studio Classics

Upgrade Your Mic Locker with Sweetwater!

When it comes time to upgrade your mic locker, call your Sweetwater Sales Engineer at (800) 222-4700. We’ve used just about every microphone on the planet, and we’ll be happy to recommend the perfect mic for your individual needs.

About Mac McDonough

Jeffrey “Mac” McDonough started studying classical violin at the age of nine, but his destiny changed significantly after he plugged an electric guitar into a distortion pedal for the first time — a Pandora’s box that his parents probably wish he hadn’t opened. Mac was bitten by the recording bug in the late 1980s while experimenting with a TASCAM Portastudio and a malfunctioning Shure SM58. He interned in several pro studios throughout the 1990s, after which he began tracking and mixing in an ADAT-based project studio. Aside from writing about gear, Mac currently works on freelance recording projects in his home studio, affectionately named “Mac’s Playpen.”
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