- TL Audio Fat Track – Now you can capture your recordings with two premium TL Audio tube preamps as used on the legendary M-Series consoles. Everything’s contained within two full-featured channel strips, complete with 3-band swept musical EQ, taken directly from the M1 console. You can also use the Fat Track for summing and mixdown, with four stereo and two mono returns. In no time, you’ll become aware of the richness and clarity of the sound you gain when summing your audio analog via the Fat Track. You can even bring your entire mix back via the two mono channels to add some EQ or additional tube warmth. Or patch in a compressor to the master inserts for a complete mastering solution as well! The multitude of inputs and outputs available within easy reach on the top panel makes for a flexible, intuitive workstation where cable changes are fast and easy.
- AKG C 214 – This is the “little brother” of AKG’s legendary C 414 condenser, the mic you’ve heard on thousands of hit singles and albums, on stage with countless artists, and on air from leading broadcast facilities all over the world. The affordable C 214 actually uses the same one-inch dual-capsule as the C 414 in a single-diaphgram, cardioid-only design. The result? Highly detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C 414 B-XLS. Built in Vienna, Austria, all AKG mics are engineered from the ground up to perform perfectly. The C 214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. Plus, the double-mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting the mic’s acoustical performance.
- AKG K 271 MK II – These dynamic, around-ear, closed-back headphones provide incredible sound and comfort, and they’re ideal for both recording and live monitoring applications. These headphones feature both leatherette and velvet earpads for great fit and maximum comfort. The AKG K 271 MK II headphones include a detachable 10′ straight cable and a 16′ coiled cable. They offer an ultra-wide frequency range from 16Hz to 28kHz, giving you great live and studio monitoring with the added functionality of single-ear use when required. If you want efficient, dynamic listening, you’ll appreciate the great sound you get from the K 271 MK II.
