Kevin Osborn is a staff writer for Sweetwater and a gear geek of more than 20 years. He caught the music-making bug at age 12 when he discovered a love for drums, songwriting, and multitrack recording. He holds degrees in tech writing from Missouri State University and recording arts from Recording Workshop. Outside of Sweetwater, Kevin plays guitar for his church and releases music with Faatherton and Geoff Jeffries.
Good tuning is foundational to getting a good drum tone. As with any instrument, it can take years to develop an ear for what a properly tuned... Read more »
No drummer is an island, entire of itself. It’s only in listening to and learning from our peers and idols that we’re able to reach our full... Read more »
While there are loads of steps you can take to shape drum tones — muffling, miking, processing, etc. — the most holistic approach is tuning.... Read more »
There are certain drummers who are as remembered for their iconic setups as their contributions to some of modern music’s greatest hits. No,... Read more »
Pop radio is full of songs where the bass line is the focal point. Pink Floyd’s “Money.” Queen’s “Another One Bites the Dust.” Paul Simon’s “You... Read more »
The stomp-strum movement that has emerged in recent years has empowered many guitarists to take their full-band live energy to the solo stage.... Read more »
You’re not likely to find a building with as many unswerving amp apologists as Sweetwater. If we’re not playing ’em or recording ’em, then we’re... Read more »
It would have seemed impossible to get a truly professional large-diaphragm condenser microphone for less than $500 just 15 years ago. Anyone... Read more »
Pound for pound, today’s large-format guitar pedals offer tones and features you’d be hard-pressed to find in a mini equivalent. Whether it’s an... Read more »
Guitar modelers have been a real game changer for the self-produced guitarist. Floorboards from Kemper, Line 6, HeadRush, BOSS, Zoom, and Neural... Read more »