137th AES Convention: IsoAcoustics Arista
Continuing their legacy of creating amazing “floating design” monitor stands, IsoAcoustics has released their new Arista speaker stands.... Read more »
Recording News
Oct 10, 2014, 12:00 PM
Oct 10, 2014, 12:00 PM
137th AES Convention: AEA N8
Loaded with active electronics that include a sweet German transformer design, the AEA N8 is ideally suited for long-distance miking and long... Read more »
Oct 10, 2014, 12:00 PM
137th AES Convention: PreSonus Temblor T8
Ideal for smaller mixing suites, PreSonus’s Temblor T8 delivers the smooth low-end sound and flexibility of their original T10 model, but in a... Read more »
Oct 10, 2014, 12:00 PM
137th AES Convention: Antelope Audio Pure2
Antelope Audio has released an amazing new mastering-grade 2-channel digital-to-analog converter, the Pure2, which brings top-quality stereo... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: Chandler Limited REDD-47
If you’ve always wanted to add a bit of ’60s Abbey Road Studios mojo to your recording rig, then you’ll want to check out the Chandler Limited... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: iZotope Ozone 6
iZotope announced Ozone 6 at this year’s AES convention, promising mix and mastering engineers everywhere an upgraded version of their acclaimed... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: Latch Lake micKing 1100
The next step in Latch Lake’s micKing studio boom mic stand line, the micKing 1100 offers tried-and-true functionality and extreme stability. As... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: Neumann U 47 fet Collector’s Edition
Recapture the creative spirit of the ’70s with a Neumann Collector’s Edition U 47 fet. A reproduction of the transistorized successor of the U... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: Audio-Technica AT5045
The next model in Audio-Technica’s flagship 50 series microphones, the AT5045 brings top-notch sound quality to instrument miking. This... Read more »
Oct 10, 2014, 11:59 AM
137th AES Convention: Benchmark AHB2
For serious mix engineers who use passive studio monitors, one of the biggest bottlenecks in their monitoring chain is the noise floor of their... Read more »