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API Select T12 2-channel Tube Microphone Preamp

Tube Mic/Instrument Preamp with Custom API Input and Output Transformers, Variable Impedance, Highpass Filter, and Stepped Controls
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Item ID: T12
API Select T12 2-channel Tube Microphone Preamp
Price:$2,195 and 00 cents
$366.00 suggested monthly payment§ with 6 month special financing‡

We Can Get It Fast!

While this isn't an item we normally stock, we can still get it to you as fast as possible due to our great relationship with API. Go ahead and place your order and we'll follow up shortly to let you know when to expect it. Estimated May 2026.

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API Select T12 2-channel Tube Microphone Preamp
We Can Get It Fast!
Price:$2,195 and 00 cents
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Pump It Up

Massive, punchy drums. Enormous guitars. Gorgeously open vocals. This is the bold American sound of API. Countless iconic records were recorded through API consoles in the Golden Age of Analog, with every mic pumped up larger-than-life through the legendary 312 microphone preamplifier outfitted on every channel. Since the late ’60s, the revered pro audio company has been synonymous with world-class solid-state gear. So we’re especially excited about the API Select T12 — an all-tube, 2-channel Class A mic/instrument preamplifier with custom API input and output transformers. The API Select series represents a new variation of API preamplifier technology, and it promises tantalizing sonic possibilities. With its unique tonal options, the T12 is perfect for a broad swath of production duties, including stereo applications. And with 70dB of gain on tap, you’ll even be able to use your favorite passive ribbon mics on quiet sources. Meticulously engineered to deliver classic tube performance and sound, the T12 serves up API’s renowned warmth, punch, and clarity in an inspiring new way.

Versatility and performance

For over half a century, professional engineers and producers have relied on API consoles and processing gear to deliver the radio-ready sound that makes their recordings stand out from the crowd. API gear boasts military-grade build quality and componentry such as the proprietary transformers found in the T12. Versatility is a hallmark of API equipment, and to that end, the T12 features a comprehensive control set that provides immense tone-shaping flexibility while retaining that inimitable API sound quality. The result is one of the best-sounding mic preamps you’re ever likely to own, one of those rare preamps that enhances every signal that you send through it. Whether it’s a microphone or a DI instrument source, the T12 imparts sheer size, sparkling dimension, and stunning liquid clarity to pianos, drums, strings, horns, bass, guitars, vocals — you name it. But mere words cannot do it justice: you simply have to hear it for yourself.

The absolute sound

Like all great tube preamps, the API Select T12 brings a euphonic warmth to source material; however, there’s no trace of sluggishness or the “flabby” character tube gear can exhibit, because the T12 is packing big iron: its inputs and outputs are balanced with custom-wound API transformers. The T12 is infinitely adjustable, making it easy to nail the absolute sound for any source. Its full feature set includes rear-panel mic and convenient front-panel hi-Z instrument inputs, variable microphone input impedance that lets you wring optimum performance out of all you mics, 48V phantom power, a 20dB input pad, an 11-step preamp gain control, a highpass filter with three fixed frequencies, an LED peak indicator, and an 11-step output trim with 0.5dB increments for precise control. All controls are detented for effortless recall and channel matching when using the T12 for stereo operation. And we would be remiss if we didn’t mention the T12’s totally boss visuals, complete with glowing tube vent windows and round VU output meters that highlight this advanced vintage-modern design.

An exciting new direction: API Select

The iconic API sound has never been associated with tubes — until now. Along with its API Select stablemates, the T12 heralds an exciting new direction for the storied pro audio firm. Company President Larry Droppa explains: “Over the years, we’ve acquired the technology and experience to engineer and produce audio products that don’t necessarily conform to API’s classic component structure or topography. . . . API Select gives us the opportunity to offer gear that’s very high quality, but that’s different from API’s legendary line of classic products.” The API Select series is certainly a momentous development in the pro audio world: a new generation of modern classics that offer enticing sound-shaping possibilities for audio professionals in music recording, broadcast, and post production.

API: an American pro audio legend

Launched in 1968 by Saul Walker, Automated Processes Inc. began building high-quality consoles for broadcast applications. Soon, the company’s products found favor with recording studios, and a string of industry-leading innovations (including the 500 Series module, the first VCA, computerized console automation, and more) followed. API produced the 2520 amplifier, one of the most famous op-amps in the recording industry, and their consoles and products found homes in such iconic studio facilities as the Hit Factory, Record Plant, Ocean Way, Sunset Sound, and many others. In fact, there are over 700 vintage API consoles around the globe — many of which are still in use. Clearly, the company isn’t resting on its laurels; today’s API products give you the same unbeatable combination of utility, innovation, and stellar sound. That’s why, at Sweetwater, the name API commands reverence.

API Select T12 2-channel Tube Microphone Preamp Features:

  • All-tube, Class A microphone preamplifier
  • Gain range: 0dB to +70dB
  • Proprietary AP2516 input transformer
  • Audio circuit uses 12AT7WC preamp and 12BH7 output dual-triode vacuum tubes
  • Custom API output transformer
  • Variable microphone input impedance
  • Switchable 48V phantom power
  • High-impedance, unbalanced 1/4-inch instrument inputs
  • Mic/hi-Z input switches
  • 20dB input pads
  • 11-step detented preamp gain controls
  • Highpass filters with 3 fixed frequencies
  • 11-step detented output trims with 0.5dB steps for precise control
  • Detented controls for accurate recall and channel matching
  • LED peak indicators
  • Classic analog VU output meters
  • XLR and 1/4-inch TRS input and output connections
  • Internal power supply, 115/230VAC selectable

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Tech Specs

  • Preamp Type: Tube
  • Number of Channels: 2
  • Phantom Power: Yes
  • Pads: -20dB
  • Polarity Switch: Yes
  • EQ: Low Cut (60Hz, 120Hz, 240Hz)
  • Tubes: 12AT7WC, 12BH7
  • Analog Inputs: 2 x XLR, 2 x 1/4" TRS, 2 x 1/4" TS (Hi-Z)
  • Analog Outputs: 2 x XLR, 2 x 1/4" TRS
  • Frequency Response: 20Hz-30kHz
  • Rack Spaces: 2U
  • Power Source: Standard IEC AC cable
  • Height: 3.5"
  • Depth: 12"
  • Width: 19"
  • Weight: 14 lbs.
  • Manufacturer Part Number: T12

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Reviews

Brings it to life
I have been mixing "in the box" for the last 10 years, and finally decided to venture out and pick up my first piece of outboard gear. I was browsing different types of channel strips and preamps, figuring it'd probably be the most important and first component to build into my signal chain.

I was looking for something with two channels because I often record with stereo synthesizers, and will occasionally mic instruments with two mics. There arent too many 2 channel preamp or channel strip options out there, but this one caught my eye. I was hesitant since it was so new when I purchased it, but I've grown to appreciate the api sound from the api plugin emulations I've used over the years, and it had the two channels I needed AND tubes on board.

I got it set up and plugged my bass into it, and it instantly sounded big and musical. It was so fat, warm, and round. Next I tried my Juno 106 and it sounded like it was alive. Everything has just sounded like it has some extra vibrancy and life to it.

It also adds some really nice curb appeal to my output platform desk.

I haven't tested and played with a ton of outboard preamps/gear, but I can safely say that this thing has already been an inspiring piece of gear to own, and would recommend it to someone who wants their recordings to sound a little bit fuller and more colorful.
Music background: Composer/Producer
Awesome first pre-amp
I've had this for a month now and have intentionally tested every signal source I have on it (guitar, bass, synths, eurorack, etc.). Could I write this review after a year's worth of use? Sure, but this thing isn't really that deep. It's a simple to use and great sounding tube preamp. I would describe its sound as surprisingly clean from Gain stages 1-5 (the gain knob has 11 total settings or clicks, or zero through 10, if you will), and Gain stages 6-10 get warm and full but not "way too" saturated. Signals going through Gain stage/setting 10 (the most gain) sound really full and just tickles distortion. It's not distorted such that you can't/don't want to use the signal, its just enough distortion to sound great or like you know what you're doing, like you meant to do it. I also think it's a more universally usable signal than say a Manley tube pre-amp, but that's an opinion There's something about it that feels "tubey" without being over the top. The low cut signal choices are also nice and even the 60Hz cut on a bass signal sounds really good, not like too much is being taken away from the low end at all. It sounds clean, but not thin. I haven't had enough need to change the mic impedance or polarity settings, so can't speak to those.

The only downside is that the Level knob on here is pretty useless. I was expecting to really push the gain to 10 for beautiful saturation and then turn the Level down to pass a not-too-hot signal to the compressor in my signal chain. The Level knob just isn't that effective. It may have 4db or so of actual level change either way, but the Gain level can put out way more than that, so it's hard to "even out" the signal with lots of gain and an equal amount of Level taken away.

Overall I would highly recommend, especially as a first preamp. It's versatile, has that tube color, but isn't overly complex.
See also: Stu Preamp, API, API Preamps