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sE Electronics sE7 Small-diaphragm Condenser Microphone - Matched Pair

Small-diaphragm Cardioid Condenser Mic with 80Hz Highpass Filter, Pad, and Gold-plated XLR (pair)
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Item ID: sE7P
sE Electronics sE7 Small-diaphragm Condenser Microphone - Matched Pair
Price:$249 and 00 cents
$42.00 suggested monthly payments with 6 month financing‡ 36 month financing available* with $399.00 minimum purchase on one invoice.

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sE Electronics sE7 Small-diaphragm Condenser Microphone - Matched Pair
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Value-packed Small-diaphragm Condenser Mics

The sE Electronics sE7 is a high-quality small-diaphragm, back-electret condenser microphone designed for a broad range of studio and live sound applications. With its optimized acoustic design, discrete Class A circuitry, versatile attenuation and highpass switches, and a transformerless output, the sE7 delivers clear, natural sound at all frequencies on any source. The low end is punchy and the high end is sweet and silky smooth. The sE7's discrete Class A signal path doesn't employ ICs or transformers, and this is key to the mic's remarkably natural performance in capturing acoustic instruments such as guitar, piano, strings, woodwinds, and percussion.

Impressive quality and value

sE didn't just design a great-sounding mic — they included features not even found on small-diaphragm mics costing much more! A 6dB/octave 80Hz highpass filter lets you roll off unwanted mud and rumble, while the 20dB pre-attenuation pad increases the mic's impressive usefulness by letting you mic more raucous sources, like toms, snares, and electric guitar. The sE7's class-leading SPL handling capability and dynamic range ensure that you will capture every nuance of these sources without fear of overload. The high-quality build is typical sE and includes a gold-plated XLR connector for optimal signal integrity over many years of daily use in your studio. The sE7 is such an incredible value, we'd advise you to go for the stereo pair — perfect for drum overheads!

sE Electronics sE7 Small-diaphragm Condenser Microphone Stereo Pair Features:

  • Innovative back-electret design delivers detailed, balanced sound and superior transient response
  • High-quality condenser capsule delivers balanced, neutral sound
  • Ultra-thin diaphragm for excellent transient response
  • Versatile cardioid polar pattern, ideal for most studio or onstage applications
  • State-of-the-art discrete Class A circuitry with class-leading low self-noise
  • Frequency response: 20Hz–20kHz
  • Signal to noise ratio: 78dB
  • Transformerless design for pristine sound quality
  • Switchable 20dB pre-attenuation pad provides extended dynamic range, enables close-miking of loud sources, and prevents preamp overload
  • Maximum SPL (0.5% THD): 136/156dB (0/20dB pad)
  • Switchable 80Hz, 6dB/octave highpass filter eliminates low-frequency rumble and compensates for proximity effect
  • Powering: 48-volt phantom power
  • Gold-plated XLR connector for reliable, loss-free signal connection
  • All-metal housing for rejection of noise and electrical interference
  • High-quality finish ensures a great look for many years
  • Includes mic clip (with thread adapter) and windscreen

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Tech Specs

  • Microphone Type: Condenser
  • Mono/Stereo: Stereo Pair
  • Polar Pattern: Cardioid
  • Diaphragm Size: 0.5" capsule
  • Frequency Range: 20Hz-20kHz
  • Max SPL: 136dB SPL, 156dB (with pad)
  • Output Impedance: <200 ohms
  • Signal to Noise Ratio: 78dB
  • Self Noise: 16dB (A)
  • Sensitivity: 19mV/Pa (-34.5dBV)
  • Low Cut Filter: 80Hz, 6dB/Octave
  • Pads: 20dB
  • Connector: XLR
  • Color: Black
  • Power Source: 48V phantom power
  • Dimensions: 4.72" x 0.91"
  • Weight: 0.28 lbs.
  • Manufacturer Part Number: SE7-PAIR-U

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Reviews

Great for stereo
I was trying to decide between the Rodes M5, Lewitt LCT 040, or these sE07's. After talking with Bill Sears, we decided on these based on his experience and my needs. Couldn't be more pleased. I do notice the sound to be more crisp than running a single large condenser. I use a Lewitt 440 pure for acoustic guitar and a sE2200 for vocals. I am using Rodes stereo arm for setting up the pair.
Great set of mics
I purchased these to amplify my congas/bongos set and they work like a charm. I placed them on an overhead mic stand with an adaptor that allows them to sit side by side for a stereo effect.
sE Electroniics sE7
These mics work wonderfully when recording our 25 piece big band. 5 Stars!!!
Music background: Guitar Teacher with over 40 years experience, numerous bands and session work.
sE7 matched pair for Studio and Orchestra Recording
I originally purchased an sE7 pair for some XY orchestral and choir recording later this year. I have checked them out on a simulation test and they seem to work with a lot of clear definition for strings. The tonal reproduction and color from an XY configuration recording of Acoustic guitar (about 18 inches away) is very rich too. So impressed I purchased a second pair. Great value for the money.
Music background: Musician, studio engineer
Mic'ing A Choir
I have logged plenty of hours working sound and playing in bands over the last 5 decades, but I never was asked to mic a choir. I became de facto sound man when my wife joined this singing group. To make a long story short, I inherited a sound system that wasn't up to the job, but included 3 pretty good Shure choral mics.

With my Sweetwater sales pro Ted Hunter's help, I beefed up the sound system, and purchased 3 more of the same mics, thinking that if suspended properly, would be perfect. Problem was, after our rec center was remodeled, nothing could be suspended from the new ceilings. Unable to work up a plan B, I took to the internet to do some research on how to mic a singing group.

I watched lots of how to videos and listened to mic shoot outs, and came away with the realization I was approaching the situation all wrong. I eventually learned that I only needed 2 mics, and set up according to the basic rules of mic'ing a 22-26 member choir. I didn't know about the sE7 matched pair mics, until my sales pro recommended them based on the other mics I was considering.

I'm glad I listened. I just ran a test of the microphones, listening thru the headphone output of the mixer. With just the pair of sE7's positioned correctly, the group sounded like the Mormon Tabernacle Choir in my cans. I'm hoping that it will sound as good thru the FOH speakers at tech rehearsal!

Another satisfied Sweetwater Customer!
Music background: I've been playing assorted musical instruments for 63 years. I used to private teach, but am retired from that. Still play 30-50 gigs per year!