Way Huge Supa-Puss Analog Delay Pedal with Tap Tempo

Analog Delay Pedal with Up to Three Seconds of Delay Time, Tap Tempo, and Chase Mode
Way Huge Supa-Puss Analog Delay Pedal with Tap Tempo image 1
Way Huge Supa-Puss Analog Delay Pedal with Tap Tempo image 1
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Way Huge Supa-Puss Analog Delay Pedal with Tap Tempo
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From Short Slapback to Grand Canyon Echoes!

Create surreal sonic echoes with the Way Huge Supa-Puss analog delay pedal! You get up to three seconds of delay time for ultra-ambient effects, plus Tap Tempo so you can dial-in the effect on the fly. You can choose from four different time divisions, including dotted eighths and triplets. For truly wild effects, use the Chase Mode to automatically cycle through the time divisions in different ways. If rich analog delay is a must-have part of your tone, you'll more than satisfied with the Way Huge Supa-Puss analog delay pedal.

Way Huge Supa-Puss Analog Delay Pedal at a Glance:
  • Long delay times for a wide range of effects
  • Chase Mode creates sounds you haven't heard from a delay pedal before
Long delay times for a wide range of effects

With the rate knob on the Way Huge Supa-Puss, you can dial in delay times up to 900ms. Use the tap tempo footswitch, and you'll have access to up to three seconds of delay time. With the Supa-Puss, you can explore everything from near-instant slapback delays to haunting, ambient echoes.

Chase Mode creates sounds you haven't heard from a delay pedal before

The Supa-Puss lets you choose from four different time division values, from quarter notes through 16th notes. But for wilder delay effects, the Supa-Puss has a Chase Mode that automatically cycles through these different time divisions, creating gobs of analog-delay-weirdness along the way.

Way Huge Supa-Puss Analog Delay Pedal Features:
  • All-analog delay pedal with up to three seconds of delay time
  • Expression pedal input for controlling delay time
  • Gain control adds grit to the delayed signal
  • Tone control lets you choose how dark or bright you want the delay to sound
  • Four note division values: quarter note, dotted eighth note, eighth note triplets, and 16th notes
  • Chase Mode automatically cycles through the time division values for wild effects
  • Requires 1 x 9V or power supply (not included)
Drench your tone with analog delay, with the Way Huge Supa-Puss!

Additional Media

Supa-Puss Expression Pedal Input
Delay Trails?

Tech Specs

Pedal Type Delay
Maximum Delay Time 3 seconds (3000ms)
Inputs 1 x Instrument
Outputs 1 x 1/4"
Batteries 1 x 9V
Height 1.75"
Width 3.75"
Depth 4.7"
Weight 0.9 lbs.
Power Supply Included No
Manufacturer Part Number WHE707

Customer Reviews

Based on 6 reviews
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I have lots of other delay pedals but there's something about this that brings out different ways of playing. It has some grit so it's not a super clean digital delay. While it doesn't have presets it has that immediacy of hands on knobs. The modulation and tone controls give a surprising amount of flexibility. The delay knob gives up to 900 ms delay and you can stretch it up to 3 seconds using the tap tempo but that results in some wild aliasing (like ring modulation) effects, which are either really annoying or maybe interesting (your call, right). It is kind of pricey and I got mine used but I was comparing it to a deluxe memory man and it won (and I love EHX stuff)...
Music background: Pro (30+years)

One Delay Pedal to Rule Them All

Wow. Wow. This is a fantastic delay pedal that sounds so good and has so many features. It has an exquisite analog sound w/ low noise, delays that decay with such character and texture, and a long list of features: expression pedal input, very easily-accessible battery compartment, tap tempo, 4 time divisions plus some crazy "Chase" modes that cycle through the note divisions as you play, modulation that gives you some really cool sounds to blend in with the delayed signal, drive control to add some crunch to the delayed signal, tone control to make the delayed signal sound dark to bright, and the choice to instantly kill the delays when the pedal is bypassed or have them trail off naturally. Like the Sweetwater product description says, you can get everything from short slap-back delays to massively wide-sounding swells. Add just a little bit of a delay from this pedal to anything to give your guitar sound a little extra depth and richness, or crank up the delay and the modulation to get some gnarly sounds! The ONLY thing I would change about this pedal is make it possible to control multiple parameters with an expression pedal. You will not be disappointed with the beautiful tones from this pedal. Worth every penny!

The only analog delay pedal you'll ever need.

Full Disclosure: I don't work for Way Huge/MXR/Dunlop, and am not getting paid for this review; but I REALLY love Way Huge! I own the Swollen Pickle, the Fat Sandwich, the Green Rhino, and the Pork Loin. When it comes to pedals, if Jorge Tripps designed it, I want it. With that in mind... This pedal = MIND: BLOWN! A schedule conflict took me away from it, and now over 7 hours later, I can't stop thinking about the killer tones I was getting. This pedal has the richest feature set of any analog delay (and most digital ones) on the market (AFAIK). I won't waste your time rehashing the description. But I will tell you a few things you won't find in the description: 1. Like all Way Huge products, the build quality is crazy good. Everything feels solid and built to withstand the rigors of regular gigging or a lifetime of getting stepped on. 2. Dimensionally, this pedal is the same length and height as the others in the line, but it is a bit wider. 3. The "Gain" knob is VERY sensitive. Just a little dab'll do ya. Unless you WANT a crazy, out-of-control-noise-feedback-freakout, then go for it. 4. The modulation is awesome. I was able to add just enough to get a very convincing U2 "Bad" / "Unforgettable Fire" sound. Again, lots of range on these knobs, go slow. 5. The "Tone" knob is very helpful in getting the perfect amount of dark "grunt" out of your delayed notes. 6. Sounds great after a good OD pedal. Plays nice with other pedals. 7. For as much as it does, it's exceptionally user friendly. I've used or owned most of the other delays on the market: Boss, Line 6, TC Electronic, Digitech. If I could only take one delay with me on a world tour, it would be the Supa Puss. It's that good.
Music background: Serious hobbyist / gear nerd.

Awesome Delay

Awesome modulation, great controls. Some people say the sound is a bit bright like a surf slap but it gets really cool underwater sounding crazy feedback etc.
Music background: Audio Engineer, pro audio sales, circuit designer

Beautiful sound, very fussy balance control

Sonically I am very happy with this. In the most basic settings, it makes you want to play music which is the highest compliment. As you will see in other reviews there are many levels beyond basic settings that allow for unanticipated inspiration, another big plus. On the minus side the wet/dry control goes from totally dry to 50% dry and 50% wet within the first little teeny bit of rotation. It is quite difficult to fine tune anything in between. Then you have most of the rest of the travel of the knob without much change until you reach all the other side where you suddenly slam to no dry and all wet. Fine for the studio but if you want to grab a knob in a live setting and adjust the balance it's really hit or miss (a lot of miss). If it had a normal intuitive and user friendly mix knob this would get 5 stars from me.
Music background: Film composer, producer and occasional gigging musician
See also: Reverb Pedals, Way Huge, Way Huge Reverbs and Delays