Roland Octapad SPD-30 - White

Percussion Controller with Eight Velocity-sensitive Pads, 540 Sounds, 90 Patches, Effects, and Trigger Inputs - White
Roland Octapad SPD-30 - White image 1
Roland Octapad SPD-30 - White image 1
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Roland Octapad SPD-30 - White
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Make This Controller an Integral Part of Your Ultimate Kit!

Roland's powerful Octapad drum controller makes a great drum/percussion instrument on its own, and its versatility makes it an essential for both electronic and acoustic drummers! Loaded with over 600 instruments arranged in 50 kits (plus effects), the Octapad features eight large touch-sensitive pads, an easy-to-use interface, a hi-hat controller, a Phrase Loop function, and USB connectivity. Trigger inputs allow you to use it with acoustic drums, or you can stand mount the Octapad and use it to augment your kit in the studio or onstage.

Roland Octapad SPD-30 Drum Controller Features:

  • Eight large, touch-sensitive pads
  • Uses the latest V-Drums triggering technology
  • Easy-to-use controls, large display, and USB connectivity
  • Over 600 drum and percussion sounds arranged in 50 kits
  • Phrase Loop function, multi-effects
  • Four dual-trigger inputs, hi-hat controller
  • Finish: white

Additional Media

Roland Expands Mavericks Compatibility
Roland Expands Windows 8.1 Compatibility
Roland Octapad SPD-30 Review

Tech Specs

Pads 8
Manufacturer Part Number SPD-30

Customer Reviews

Based on 17 reviews
Write your review

Roland SPD 30

This is the third Roland pad that i have owned. I started with an SPD 8, then purchased a SPD 11, now have an SPD 30. Absolutely incredible! A quality piece of equipment, with amazing sounds! None better!
Music background: Drums & Percussion , currently playing in 4 bands

Octapad SPD-30

Don really likes it. Versital, Easy. Size is great for small spaces and gigs. Easy to transport.
Music background: Professional Musician

A great alternative to humping around acoustic congas

My percussionist has a lovely Latin Percussion conga set with a matching LP bongo pair mounted on the same stand, along with cowbells, and who knows what all -- she's a percussionist, right, and any thing you can hit with your hands or a stick is fair game -- but there are times when we don't have the room for all her acoustic instruments at a gig. The answer is the Roland Octapad: many drum kits (she mostly uses the Cuban, which includes timbales, something missing from her kit). I have a fair amount of experience with drum machines, starting with a mid-80s Yamaha R-something that had 8-bit samples (!) through a more modern Alesis SR-16 and I have done a fair amount of recording drum kits, so I know what the real thing is like. I plug it into a Genz-Benz Shuttle 3.0-10T combo amp, which has proven to be a good choice: some of the samples in the Octapad go 'way down in the frequency spectrum. The thing that blew me away was the fact that the pads are touch-sensitive. Varying your hand or stick attack changes the sound, just like the real thing, and sometimes in organic, surprising ways. The only issue is that she's not used to hearing the sound coming out of the speaker instead of off the heads, but all of bass/guitar players know about that. The kit selections are varied, and there are probably a lot of the kits that will never be selected, but too many is better than not enough, right?
Music background: guitar, Dobro, pedal steel, harmonica, bass and recording engineering


I gave this to my son for Christmas. He is in love with it. We also bought the Roland kick drum trigger - also fantastic. He's using it stand-alone and integrated into a hybrid drum kit. Fantastic. And the Sweetwater service? Bar none the best in the biz.
Music background: Former professional guitarist

Roland Octapads

a set of these added to your drums bring a whole new demention to your sounds... its amazing what these sound like...
Music background: hobbyist, and a little bit of everything else...

Sweetwater Advice

Shawn Fitzgerald

I originally bought an Octapad because I wanted to add special sounds to my acoustic kit live. Roland's factory sounds make it particularly attractive, and while the pads are super playable, I love that I can use triggers connected to my kick and snare to play sounds. It's exactly what I wanted and more! What surprised me the most about the Octapad is that it's also a perfect practice tool. One of the ways I use it is to record troublesome rhythms, slow them down, isolate parts, and work my way up to tempo.

Andy Miller

The venerable Roland Octapad has returned to market wearing a brand new suit. But it isn't just good looks that'll get drummers talking; it's great sound quality, V-Drum trigger pad technology, and tri-layer phrase looping, that'll make this a triumphant return. As I do with most line-level gear, I checked out the new Octapad sound-set using Etymotic Er-4p ear-canal phones because they're very accurate and isolated. Popping through the different kits, I hear a nice array of sounds ranging from standard drum kits & world percussion to synth basses, glocks, atmospheric sounds, and various effect noises to annoy the neighbors with. About 600 great samples in all to keep you smiling. The new pads are large and made of thick, soft rubber that has the perfect amount of bounce and keeps striking noise to a minimum. Better yet, they will not cross trigger despite having enough sensitivity to track a buzz roll. That by itself makes this a great buy, but Roland has also added the ability to record phrase loops with up to three layers, each with a different kit. It's stupid fun and improves your chops in the process.
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See also: Electronic Percussion, Roland, Roland Electronic Drum Controllers & Multipads