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Royer SF-24 Stereo Ribbon Microphone

Phantom-Powered Stereo Ribbon Microphone with Sling Shockmount
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Item ID: SF24
Royer SF-24 Stereo Ribbon Microphone
Price:$4,299 and 00 cents
Special Financing - Ends Aug 2, 2026. $120/month with 36 month financing*

We Can Get It Fast!

While this isn't an item we normally stock, we can still get it to you as fast as possible due to our great relationship with Royer. Go ahead and place your order and we'll follow up shortly to let you know when to expect it. Estimated May 2026.

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Royer SF-24 Stereo Ribbon Microphone
We Can Get It Fast!
Price:$4,299 and 00 cents
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This article was Written By

Our Product Research Team

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The Phantom Powered Stereo Ribbon Mic!

The new SF-24 stereo ribbon microphone is a phantom powered version of the popular Royer SF-12 stereo ribbon microphone, combining the SF-12's high quality audio performance, outstanding stereo separation and imaging with Royer's exclusive active electronics system for ribbon microphones. The SF-24's output of -38dB is a full 14dB more sensitive than the non-powered Royer SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18dB. News: Royer Labs has been given a GRAMMY award for their outstanding ribbon mics! In the words of the Academy, these mics "were revolutionary and moved the art of recording forward."

Matched Pair In One

Like an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet/polepiece structure of each ribbon transducer allows a wide, uniform frequency range with no substantial peaks or dips, and the two 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible. The SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled "Upper" and "Lower" for the upper and lower capsules of the microphone (when held vertically).

More to Gain...

Royer's Active Series ribbon mics (SF-24 and R-122) are as sensitive as phantom powered condenser microphones, allowing you to use almost any mic preamplifier or board pre. Conventional ribbon microphones average 15 to 20dB lower sensitivity than condenser mics, necessitating the use of high-quality, high-gain microphone preamplifiers for recording softer sound sources like acoustic instruments, vocals and room ambiance. The SF-24 contains two fully balanced, discrete head amplifier systems utilizing ultra-low noise FET's, each delivering a sensitivity of -38dB. This lets you mate an SF-24 to any preamplifier with average gain characteristics. Even with quiet sound sources, you'll have enough gain to drive any recording medium.

Impedance Matching

The electronics in the SF-24 provide a perfect load to the ribbon elements at all times, allowing the microphone to deliver 100% of its full sonic potential regardless of the input characteristics of the following mic-pre. Due to its low-impedance output, SF-24's can also be used on extremely long cable runs with minimal signal loss.

A good impedance match is critical to ribbon microphones. Impedance mis-matching loads a ribbon improperly, resulting in loss of low end, diminished body, lowered sensitivity and an overall compromised performance. With our Active Series ribbon mics, the ribbon element lives in a perfect world. It sees an optimum impedance match at all times regardless of the following equipment, so its performance will never be compromised by the effects of improper loading. In addition, the ribbon element cannot be damaged by phantom power, electrical glitches or miswired cables.

Royer SF-24 Features:
  • True stereophonic recording from one microphone
  • Active electronics provide high output capability
  • Extremely low self noise
  • Ribbon element not affected by load presented to microphone element unaffected by heat or humidity
  • Equal sensitivity from front and back of elements
  • Consistent frequency response regardless of distance to sound source
  • Very low magnetic leakage
  • Requires +48V phantom power
  • Includes an RSM-SS24 "Sling-Shock" shockmount

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Tech Specs

  • Microphone Type: Ribbon
  • Ribbon Type: 2.5-micron Aluminum, active 48V phantom
  • Mono/Stereo: Stereo
  • Polar Pattern: Crossed Figure-8 (Blumlein)
  • Frequency Response: 40Hz-15kHz
  • Max SPL: 130dB
  • Output Impedance: 200 ohms
  • Connector: 5-Pin XLR
  • Power Source: 48V phantom power
  • Dimensions: 10.6" x 1.5"(base), 1"(top)
  • Weight: 1.29 lbs.
  • Included Accessories: Sling shockmount
  • Manufacturer Part Number: SF-24

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Reviews

Opens up a whole new world for classical
Amateur here (ex Juilliard violinist now recording cellist son) with the SF-24 and a Zoom F6 in Japan. Easy to
find placement in a medium-sized hall to record cello and piano. Warm sound of the cello even in the most pianissimo moments, crispness and articulation of the piano all came through amazingly realistically.

Very happy with this purchase. And with the combination use of the Zoom F6 for easy use during international travel.
Music background: Ex Juilliard.
One and only.
This mic reminds me of my wife. If I had to only choose one mic to take with me to a mission to Mars, it would be this one.

All cheesiness aside, this mic shines on everything. Guitar, piano, voice, and maintains mono compatibility of course. Weirdly, it actually makes my voice sound (spoken and singing) like it does to me in my head, i.e. via bone conduction. REALLY. I don't understand how that is possible.

If its good enough. For Gary Paczosa, it's good enough for me. Get it.
Music background: Nerd
Yes! You get what you pay for.
I agonized over the price of this mic but after talking with folks at Royer and at Sweetwater, I decided to go ahead. I've never found a mic that was just right for the classical guitar, until now. It's just unbelievable. I honestly can't tell the recording from the live sound, except that the mic puts it in perfect stereo. You get what you pay for.
Music background: Guitarist
Que Bella!!!
This mic IS the best sounding mic (ribbon or not) I've ever heard. There's a reason for the $4000+ price tag...it's just that good!
Music background: Professional Recording Engineer
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What Do Our In-house Gear Experts Think?
Forrest Powell
Royer's SF24 is the authoritative phantom-powered stereo ribbon microphone. The SF24 produces incredible transparancy at any frequency, and shines through brightest and clearest with acoustic instruments such as guitars and pianos. Placed 10 feet back from a drum kit at floor level, you will be astounded at the presence and snap of the kick. The rosin sings when an SF24 sits a foot or so from the soundboard of a cello. Fantastic!

When Royer Labs got their Technical Grammy in 2013, they couldn't wait to come to Sweetwater to show it off. One thing they impressed on us was how much our amazing relationship helped to get the word out about their products. Of course, getting the word out about their amazing ribbon mics was easy - we've never regretted recommending them. In fact, it wouldn't be immodest to say that Royer was one of the biggest forces behind the ribbon mic's recent return to popularity. In addition to providing greater clarity and transparency to the classic ribbon sound, Royer's designs dramatically reduced the bulk and weight of these mics. That's made it easy for the engineers at Sweetwater Studios to use Royer ribbons for close-miking amps and getting deep into drum kits and acoustic pianos. We absolutely love them, and we're sure you will too.