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New Friedman Jose 100-watt Amplifier Head

100W, 1-channel Tube Guitar Amp Head with 3-band EQ, 3 Gain Styles, 2 Presence Circuits, Pre-/Post-EQ Master Volumes, Fat Switch, Plexi/Drive Switch, and Bypassable FX Loop
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Item ID: Jose100H
Friedman Jose 100-watt Amplifier Head
Price:$3,799 and 99 cents
Special Financing - Ends Aug 2, 2026. $106/month with 36 month financing*

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Friedman Jose 100-watt Amplifier Head
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A Modern Tribute to Jose Arredondo’s Legendary Mods

Jose Arredondo was one of the pioneering forces behind the high-gain revolution, whose myth-making modded British amplifiers continue to inspire to this day. The culmination of Dave Friedman’s longstanding admiration for Jose’s craft, the Friedman Jose flawlessly captures the sonic signature of these coveted amps, further supported by a modern, streamlined design. Meticulously built on a classic 4-input, 100-watt British-style platform, this EL34-fueled tube amp head brandishes multiple Jose-inspired mods, enabling it to achieve old-school Plexi-flavored crunch and searing metallic textures with equal confidence. The Jose features a Gain Style switch, offering three distinct Jose-designed gain structures, along with two unique Presence circuits and advanced Master Volume switching, which includes a Pre-EQ option hot-rodded with clipping diodes. You also get a bypassable effects loop for seamless pedalboard integration. Moreover, the Jose features a Fat switch for bolstering the amp’s low-end response and a Plexi/Drive switch for authentic 4-input, British-style tones with zero added gain stages in the signal path. Dave has worked on myriad Jose-modded amps over the years, so he knows them inside out. As such, the Jose offers a definitive take on the deep tonal versatility and unmistakable character of a Jose-modded amplifier. Players craving this elusive sound — harmonically rich, superlatively saturated, and immaculately articulate — will be fully satiated the first time they plug into the Friedman Jose.

Jose Arredondo: from repair bench to high-gain visionary

Jose Arredondo first came to prominence as a skilled electronics technician and amplifier repairman in Van Nuys, California, earning a reputation for expert workmanship long before his name became synonymous with high‑gain guitar tones. Working in an era when amp modification grew organically out of repair work, Jose developed a deep understanding of classic British amplifier circuits and their limitations. By the late 1970s and early 1980s, his innovations in gain staging, master volume design, and clipping techniques enabled him to transform the humble British-style amps of the day from classic crunch machines into fire-breathing high-gain goliaths, wielded on Sunset Strip stages and in Bay Area thrash pits with equal earthshaking amplitude. Though much of his life and work remains undocumented, Jose’s influence is undeniable — the Jose mod stands as one of the most revered and sought‑after voices in rock guitar history. Developed in loving tribute alongside Jose’s daughter, Marisol Arredondo, the Friedman Jose encapsulates the spirit of innovation and the pursuit of heavenly high gain, to which both Dave Friedman and Jose Arredondo devoted their lives.

The mods that shaped hard rock history

Meticulously engineered to deliver the iconic high-gain tone and feel of a Jose-modded amplifier, the Friedman Jose is, at heart, a classic 4-input, 100-watt, EL34-fueled British-style amplifier. That said, it features several Jose-inspired mods, enabling you to reach the tonal realms explored by the most celebrated guitar heroes of the high-gain rock era. For starters, the Jose flaunts two Master Volume controls: Pre-EQ for quieter, higher-gain tones with more low end and Post-EQ for louder, lower-gain tones with less low end. Next, a 3-way Gain Style switch provides access to three specific Jose-modded gain structures: the basic Jose mod with an added tube stage and no clipping diodes, clipping diodes combined with the Pre-EQ Master Volume (the pulled-out state on an actual Jose-modded amp), and clipping diodes combined with the Post-EQ Master Volume (the pushed-in state on an actual Jose-modded amp). Finally, you also get two Presence controls: N. Presence, which delivers modern-style performance with a warmer, mid-heavy sound, and V. Presence, which yields vintage-style performance for a brighter, scratchier sound. Furthermore, an internally jumpered input stage simplifies gain staging, while a bypassable effects loop enables seamless integration with your pedalboard and outboard gear.

Friedman Amplification: world-class tone, personally guaranteed

A bona fide modern amp guru, Dave Friedman is the brilliant architect behind the signature tones of rock icons such as Edward Van Halen, Steve Stevens, Jerry Cantrell, and myriad others. Born and raised in Detroit and later immersed in Los Angeles’s elite studio scene, Dave has spent more than 25 years building, modding, and repairing amplifiers for the world’s top players, earning a reputation for meticulously detailed craftsmanship and player‑tailored tonal refinement. His deep circuit knowledge and relentless pursuit of superior tone led to the creation of Friedman Amplification, bringing his once‑exclusive, custom‑level designs to players all around the world, including many of us here at Sweetwater. Today, every Friedman amplifier is handbuilt in the USA using hand-selected components, rigorously tested, and personally inspected and signed by Dave himself, ensuring that each amp meets the exacting standards that made the Friedman name synonymous with world-class tone.

Friedman Jose Features:

  • A modern tube head inspired by Jose Arredondo’s legendary modded British amps
  • Developed in loving tribute alongside Jose’s daughter, Marisol Arredondo
  • Houses multiple Jose-inspired mods in a single 4-input, 100W, EL34-fueled amp
  • 3-band EQ — Bass, Middle, and Treble — provides classic British-style tone-shaping
  • Gain Style switch yields 3 distinct Jose-designed gain structures ranging from Plexi-flavored crunch to searing metallic textures
  • 2 unique Presence circuits provide both modern and vintage voicings
  • Advanced Master Volume switching, including a Pre-EQ option hot-rodded with clipping diodes
  • Internally jumpered input stage simplifies gain staging
  • Bypassable FX loop for seamless pedalboard integration
  • Fat switch bolsters the amp’s low-end response
  • Plexi/Drive switch unleashes authentic 4-input, British-style tones with zero added gain stages in the signal path
  • Includes 4 x EL34 power tubes and 4 x 12AX7 preamp tubes; custom, US-made transformers
  • 4-, 8-, and 16-ohm impedance jacks accommodate the gamut of speaker cabs

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Tech Specs

  • Type: Tube
  • Number of Channels: Single
  • Output Power: 100W
  • Preamp Tubes: 4 x 12AX7
  • Power Tubes: 4 x EL34
  • EQ: 3-band EQ
  • Inputs: 1 x 1/4"
  • Outputs: 1 x 1/4" (4 ohm/8 ohm), 1 x 1/4" (8 ohm), 1 x 1/4" (8 ohm/16 ohm), 2 x 1/4" (16 ohm)
  • Effects Loop: Yes, 2 x 1/4" (send/return)
  • Power Source: Standard IEC AC cable
  • Height: 8.5"
  • Width: 29"
  • Depth: 11.5"
  • Weight: 47 lbs.
  • Manufacturer Part Number: FRIEDMAN JOSE 100

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Reviews

This is an interesting Friedman amp and accomplishes what it was meant to be
This amp is a very cool, one channel amp and is capable of producing all the plexi based Marshall tones up to the point where the Mesa Dual Rectifier and Soldono SLO took design in a different direction. I believe that this amp is first and foremost a studio amp but is for the amp enthusiast would like to fully understand and hear the different modifications of Jose Arredondo. Unlike other models and companies that definitely utilize Jose mods as a basis, this amp sets out to let you explore each one separately and as combined.

It sounds amazing as you would expect with a lot of signature Friedman character and definition but the amp is different. I believe the M.V.C. on this amp are period correct, which means that while you can get any volume you need for home, studio or live, it doesn't have the extended long taper that say, the BE 100 series MV has. In the manual it is mentioned these are 'transitional'. As mentioned, it does sound so good and tight but an additional standout is that you can taylor the diode clipping mods to not have that 'obvious' diode clipping tone artifacts. For me this is where the two styles of presence are way valuable. I hear a lot of current amp tone when I'm using the Modern Presence but having the diode clipping with the vintage style presence just sounds so much more natural. It is those types of subtleties and tweakable combinations that also makes this a standout.

One last thing that is AWESOME about his amp... All tone switches are on the front! Thank you! It is so frustrating to me to have these types of controls on the back ( yes, Im lazy). I would really like to check out the SS100 MK II but so far I think this is the best sounding friedman amp for hard rock, metal that i've heard.