The H90 Harmonizer is Eventide’s flagship effects pedal, loaded with everything you need to inspire your creativity. This all-encompassing stompbox provides you with 66 studio-grade effect algorithms and hundreds of program combinations curated for myriad instruments and genres. Moreover, these sounds are all easily navigated utilizing the H90 Harmonizer’s intuitive, player-focused UI. To top it all off, the H90’s dual-algorithm design sports true spillover between programs, series/parallel effect routing, immensely flexible I/O, and wireless control via Bluetooth, Mac, PC, or iPad.
Eventide’s Anthology XII plug-in bundle brings more than 50 years of pioneering audio technology straight into your DAW. This collection features a whopping 32 plug-ins engineered to enhance, sculpt, and tweak your sound, ranging from Eventide’s revolutionary SplitEQ and Physion Structural Effects plug-ins to the all-out sound manipulation of Blackhole and Octavox. In addition, you also get spot-on emulations of Eventide studio staples, including the H910, the H949, the H3000, and the legendary reverbs of the SP2016. Dive into Eventide’s Anthology XII plug-in collection to enjoy endless sonic inspiration from Eventide’s sweeping collection of groundbreaking music-production staples.
The meticulously designed H9000 multi-effects processor represents the very height of Eventide’s cutting-edge creativity, engineered to provide you with unparalleled audio-processing potential. Fueled by a quartet of quad-core ARM processors, the H9000 boasts 16 DSP engines and more than 1,600 customizable algorithms. Merging the best of Eventide’s past, present, and future into a single unit, the H9000 is your fully customizable gateway to exquisite audio and endless sonic exploration.
Combining the functions of an analog compressor, an expander, a noise gate, and a limiter into a single convenient package, the 50th anniversary reissue Omnipressor 2830Au is a professional-grade dynamic modifier in every respect. This device’s dynamic reversal feature makes high-level signals lower than a corresponding low-level input. Musically, this reverses the attack-decay envelope of instruments like drums, plucked strings, and more, resulting in a “talking backward” effect when applied to a voice signal.
