Audix OM7

Low-Output Dynamic Hypercardioid Microphone with Extra-Tight Response
Audix OM7 image 1
Audix OM7 image 1
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Audix OM7
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Transform Your Live Vocals

All around great mics for vocals and a wide range of instruments, the OM mics feature a proprietary anti-feedback design for great handling, and are built to last!

The top of the line in the OM Series, the OM-7 does wonders for lead and background vocals! Designed specifically for pro touring, the OM-7 features a "controlled low-gain output stage" resulting in significantly higher gain before feedback. This means clear, natural and undistorted sound even under the most critical live conditions!

Audix OM7 features:
  • Hand Held Dynamic
  • Hypercardioid pattern
  • 144dB SPL
  • Proprietary anti-feedback design
  • Durable scratch resistant spring steel grille
  • Black E-coat Finish
  • Less strain to be heard above the band
  • Gold plated contacts
  • VLM Very low mass diphragm
  • Reduced phase shift
  • Superior transient response
  • Pouch & clip included
  • Application specific microphones
  • Individually tested & hand assembled
  • Highest levels of gain before feedback
  • Exceptional off-axis rejection
  • Built to last a lifetime

Additional Media

OM7 Spec Sheet
Studio Microphone Buying Guide

Tech Specs

Microphone Type Dynamic
Polar Pattern Hypercardioid
Frequency Response 48Hz-19kHz
Output Impedance 150 ohms
Color Black
Connector XLR
Weight 0.68 lbs.
Manufacturer Part Number OM7

Customer Reviews

Based on 16 reviews
Write your review

Excellent for high volume environments

The clarity of this microphone makes it hard to believe that it isn't a condenser microphone. If you have speech-level vocal training than you'll have no problem with this microphone. Pop resistance is fantastic and if you eat the microphone, than this is your microphone. It is designed to be within in inch from your mouth. I wouldn't share it, though. Little to no eq is needed at the board and if you have a bedroom studio and/or can't treat for acoustic, this is definitely the microphone to record with. I have been continuously blown away by audix time and again.

Audix OM7

This mic is Awesome! It's great for lead and backup vocals. You just sing "naturally" into the mic and it picks up the natural tone of your voice. No more shouting into the mic! This also means less strain on your vocal cords. So, don't forget to pack your diaphragm muscle and your your voice box too!


agree with review. perfect for male vocals.
Music background: hoppyist

best out there

Used to use shure sm and beta 58a. Was having feedback issues. Not only did this mic solve the issue, the natural quality of sound was a pleasant surprise. No mud or boominess when you get on top of it. I love it. Now have to convince the other guys in the band to get one.
Music background: over 30 yrs performing

Great Microphone for Vocal EFX Processing

Wholeheartedly agree with the previous reviews. One more thing - and this is something that I came across in user forums during the course of pre-purchase research: If you use any type of vocal processing in your signal chain, the OM7 is the mic to have. It takes EQ extremely well, maintaining a clear and open sound. Compression can be applied without having to worry about feedback from the PA. I send this through a TC-Helicon VoiceLive 2 vocal effects pedal. I am able to stay right on top of the mic capsule and the sound is nice n'clean with little or no proximity effect - and no distortion. The OM7's off-axis rejection prevents extraneous PA signal from creeping in and "confusing" the VL2 pedal. So, the pedal's DSP-generated harmonies are as crystal clear as the live vocal. Lastly, the OM7 is built like a tank. This is truly a professional-grade microphone.
Music background: Recording Engineer, Musician
See also: Dynamic Mics, Audix, Audix Dynamic Microphones