Transform Your Bass Tone with Multiband Saturation and Tremolo
If you're a bass player with an ear for nontraditional fuzz/distortion sounds and synthy cascades of color, there's a slew of gooey, glitchy character tones to be discovered in the Source Audio Ultrawave Bass pedal. A unique multiband approach to tone structuring gives the Ultrawave Bass the edge for the hard-clipped squelchy fuzzes and infinite-sustain exploratory leads that are so hard to achieve with traditional clipping circuits. Ultrawave Bass splits monophonic and polyphonic signals in up to 10 bands and lets users crank and saturate each to taste, yielding some of the filthiest riff distinguishers on the planet. Naturally, Ultrawave Bass does doom, desert, and industrial with aplomb. But this pedal's softer side will surprise you. A mature multiband compressor and a custom-waveform stereo tremolo can be called up quickly using the free Neuro Editor desktop/mobile app. Speaking of which, tone chasers will love all the bells and whistles inside Neuro Editor, where you'll find loads of fresh-baked factory presets waiting to transform your pedestrian bass lines into surges of supermassive hysteria.
Related Videos: Ultrawave Multiband Bass Processor Pedal
A pioneering approach to traditional bass effects
The Source Audio Ultrawave Bass pedal takes a pioneering approach to traditional broadband overdrive, tremolo, and compression effects. By splitting each band of a monophonic or polyphonic bass signal into up to 10 specially tuned bass bands and letting users treat each band as its own signal — each complete with its own adjustable parameters — Ultrawave Bass is able to forge new ground for the adventurous sonic spelunker.
What can the Ultrawave Bass do?
- Heaps of utterly unique overdrive tones: Ultrawave Bass's band-split technology can be applied to a plethora of exciting overdrive types: tube, op-amp, diode, gated, octave-up, foldback, and more.
- Foldback distortion: This synth-derived distortion type is a callback to Source Audio's Soundblox Multiwave pedal. Fans describe its sound as aggressive, glitchy, squelchy, and over-the-top buzzy — in short, it knows how to make an entrance.
- Rich, gritty octaves: Many of our favorite clipping circuits of the past have a tendency to scoop out those vital lows. That's not the case with Ultrawave Bass. Since signals can be split into separate bands and processed individually, this pedal succeeds in preserving those earthquaking fundamentals and chunky second-order octave harmonics, no matter how much gain is slathered on.
- Pulsing waves of dancing, driven tremolo: Rhythmic arpeggiated soundscapes and old-school harmonic amp tremolo are two areas where Ultrawave Bass really shines.
- Advanced stereo effects: Want to send two entirely different drive effects to each of Ultrawave Bass's outputs? Looking for a ping-pong stereo that bounces from ear to ear? You'll find these and much more in this pedal.
- Compression, tremolo, and more: There's plenty more tone-shaping potential to be discovered in Ultrawave Bass by engaging its Sound Processing Blocks.
Ripe for sonic experimentation
The Source Audio Ultrawave Bass is built for any bass player who's mental about the experimental. If you've got a will for uncovering a particular type of uncommon distortion effect, the Ultrawave Bass more than likely has a way.
Spans nuanced effects to sonic extremes
The multiband Ultrawave Bass can achieve so many tones that it's hard to put a finger on what it sounds like. It's West Coast doom with a high-rising terminal. Retrofuturism with a side of synthwave. A sputtering Tesla coil fed by a starved watched battery. A symphony of clipping diodes. A pathway to chiptune nirvana. A synthesist's holiday. Stoner rock a-go-go.
And that's just to call out its extremes. The Source Audio Ultrawave Bass certainly packs more nuanced effects, including tubelike overdrive, throbbing opto-tremolo, and even ultra-clean multiband compression and arpeggiation.
Sound Processing Blocks
Here at Sweetwater, we think the Source Audio Ultrawave Bass's additional Sound Processing Blocks take it from great to legendary. Here you'll discover a stack of mature tone enhancers to use on their own or in conjunction with this pedal's mark-making bass tones.
- Dual-channel Compressor: A studio-level compressor that can be placed before or after the drive circuit, it can squash signals running into a fuzz or balance out levels coming out of a sputtery overdrive.
- Multiband Tremolo: This block supplies an impressive range of juicy trem effects with both traditional (Depth, Rate) and unconventional (Onset, LFO Wave Shape) controls. Manipulating these, you can create everything from traditional amp tremolo to sequencer-type chased note sequences.
- Morph: How would you like to blend seamlessly between two turbocharged tones using an optional expression pedal? It's all possible within the Source Audio Ultrawave Bass pedal.
Tap into Ultrawave Bass's potential with the Neuro Editor (Mac/PC/iOS)
Obviously, a pedal as sophisticated as the Source Audio Ultrawave Bass can be a little daunting for players to dive right into. Fortunately, a wealth of artist presets can be accessed within the free Source Audio Neuro Editor desktop software and mobile app. Whether you're looking for a special tone to make a bass part pop or you just want an entry point to building the tone of your dreams, the Neuro Editor is the place to start working your way into all Ultrawave Bass can accomplish. Neuro Editor also makes a one-stop shop for the sonic fruits of your tonal labors — you can catalog favorites and user presets for later recall.
Source Audio Ultrawave Bass Multiband Processor Pedal Features:
- Specially tuned for bass guitar
- Takes a pioneering approach to traditional broadband bass effects
- Jam-packed with nontraditional fuzz/distortion tones and synthy cascades of color
- Splits incoming signals into as many as 10 bands, each with independent Drive and Level controls
- Band splitting can be applied to traditional (tube, op-amp, diode) as well as nontraditional (octave, foldback) saturation effects
- Rich stereo tremolo with variable LFO wave shape
- Able to create sounds reminiscent of sequencer and arpeggiator effects
- Multiband compressor can be placed before or after drive circuits
- Neuro Editor software (Mac/PC/iOS) lets you save and call up presets or discover fresh tones
- Dual outputs can be assigned to stereo ping-pong effects or to sending out 2 entirely different signals
