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Neumann U67 Collector's Edition Large-diaphragm Tube Condenser Microphone

Large-diaphragm Tube Condenser Microphone with Cardioid, Omnidirectional, and Figure-8 Polar Patterns, Highpass Filter, 10dB Pad, and External Power Supply
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Item ID: U67
Neumann U67 Collector's Edition Large-diaphragm Tube Condenser Microphone
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Price:$8,299 and 00 cents
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Neumann U67 Collector's Edition Large-diaphragm Tube Condenser Microphone
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Neumann U67 Collector's Edition Large-diaphragm Tube Condenser Microphone
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The One, the Only: Neumann U 67

"Sound of tomorrow," the adverts proclaimed. It was 1960, and Neumann had a new microphone. The U 67 was developed to replace the venerable U 47 as the company's flagship large-diaphragm condenser. From Sinatra to the Beatles, the bold sound of the '47 was heard on countless hits. Fortuitously, it was based on a vacuum tube that had ceased production. So Neumann started design work on its successor, the microphone that would take the company — and the recording industry — into the future.

The Legend Returns

Based on the readily available EF86 pentode tube that was already being used in Neumann's small-diaphragm KM56, the U 67 incorporated a new K 67 capsule and transformer-balanced tube circuit along with modern innovations that delivered significant sonic and operational improvements on its predecessor. The U 67 was enthusiastically welcomed by the pro studio community and assumed its place as the large-diaphragm Neumann workhorse in daily use at virtually every major facility on the planet. It would not be a stretch to say that the U 67 defined the sound of the '60s. Now the legend is back — in a meticulous reissue, handcrafted in Germany to original specifications using archived documentation.

Now more than ever

The Neumann U 67 shed the chunky shape of its predecessor in favor of the svelte, tapered profile we associate with contemporary large-diaphragm condenser mics. Its K 67 capsule featured three polar patterns instead of the U 47's two; it also sported a switchable highpass filter and 10dB pre-attenuation pad, which made it ideal for capturing the dynamics of drums and taming electric guitar amps as they became progressively more boisterous throughout the '60s. Flash forward to today's digital recordings — which can sound cold, clinical, or harsh if proper attention is not paid to every component in the signal path — and it's no mystery why the U 67's warm, smooth sound continues to be in high demand.

You can use a '67 on anything — with stellar results

The U 67 is incredibly versatile. No source is off limits; its high SPL handling, ruler-flat frequency response, detailed midrange, and sweet, velvety character with a hint of delicate airiness make it a first-call mic for drums, piano, acoustic and electric guitars, strings, woodwinds, brass, percussion, and vocals. In fact, you could record a full symphony orchestra with nothing but three judiciously placed U 67s set to omni. The '67 never becomes strident, having the ability to domesticate shrill, close-miked sources with its creamy sonic richness. And thanks to its highpass filter, proximity effect becomes a non-issue: singers with a penchant for "hugging the mic" can get intimate with the '67 without undue bass buildup.

Fidelity, clarity, and authoritative presence

When you're striving for fidelity, clarity, and authoritative presence, the U 67 is your go-to mic with a beautifully balanced sound that makes it a solid choice for virtually any source. We all need vocals to shine in the mix, and the U 67 was born for this. It's not right for every singer, but you will find it the vocal microphone of choice on innumerable iconic recordings. When you need an acoustic piano to sit pretty in a track — particularly in a sparse arrangement or a solo setting where the integrity of the piano sound is critical — a couple of '67s will get the job done. If you're after huge-sounding tom toms, the U 67 will oblige — just make sure the drummer doesn't hit them! The Neumann U 67's un-hyped, silky high end also makes it ideal for drum overheads, while its flat response makes it a natural for room mic duties.

Explore the sonic possibilities

The U 67's three polar patterns — cardioid, omnidirectional, and figure-8 — give you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. With two '67s, you can implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, and Mid-Side (MS). For full orchestra, add a third '67 for the minimalist — and highly effective — Mercury Living Presence technique: three spaced omnis across the orchestral soundstage, centered above the conductor's podium. Set all three channels for unity gain, trim for the loudest musical peaks, and leave those faders alone. Let the conductor balance the orchestra (as nature intended).

Often imitated, never duplicated

If you're in the market for a high-end condenser mic, there are quite a few options available today — but there's only one Neumann U 67. As they say: it's the original — often imitated, never duplicated. Vintage '67s in working condition command a pretty penny — if you can find one. Today's Neumann U 67 Collector's Edition is your opportunity to own the genuine article at a lower cost, built to original specifications. You get legendary U 67 sound, reliable modern components, plus a warranty. It's a no-brainer.

You've arrived

As you ponder your future in recording, we'd like to leave you with a Sweetwater tip that, interestingly, has nothing to do with sound. If you have clients coming into your studio, appearances matter — and having no-name microphones set up in your tracking room is probably not the best way to impress them. When your clients see the Neumann badge, they'll know they're in a professional studio with serious equipment. The Neumann U 67 commands instant respect. It's a classic that tells the world, you've arrived.

Neumann U 67 Collector's Edition Large-diaphragm Tube Condenser Microphone Features:

  • Meticulous reissue of the legendary Neumann U 67, reproduced to original specifications
  • Beautifully balanced sound with ruler-flat frequency response
  • A superb vocal microphone for both male and female singers
  • Exceptional versatility; suitable for virtually any source
  • Classic transformer-balanced tube circuit
  • 3 polar patterns: cardioid, omnidirectional, and figure-8
  • Switchable highpass filter and 10dB pre-attenuation pad
  • New NU 67 V power supply automatically adapts to local mains voltage
  • Includes Neumann spider-type shockmount and vintage-style case
  • Handcrafted in Germany

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Tech Specs

  • Microphone Type: Tube Condenser
  • Mono/Stereo: Mono
  • Polar Pattern: Cardioid, Figure-8, Omnidirectional
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 114dB SPL (124dB with pad)
  • Output Impedance: 200 ohms
  • Sensitivity: 24 mV/Pa (cardioid)
  • Self Noise: 17dB (A weighted, cardioid)
  • Low Cut Filter: 100Hz
  • Pads: -10dB
  • Tube: EF86
  • Color: Silver
  • Power Source: External power supply NU 67 V
  • Connector: 7-pin DIN to power supply, XLR out
  • Dimensions: 7.87" x 2.2"
  • Weight: 1.23 lbs.
  • Included Accessories: Shockmount, Multi-pin cable, Carrying Case
  • Manufacturer Part Number: 008678

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Reviews

Oh My!!! Al was right.
Man I love this microphone. As a lifelong traveling vocal artist. My biggest objective was to find a vocal mic that can serve me for the rest of my life. And then come along the re-issue U67. Made with care and love from the highly skilled professionals at Neumann. This mic is warm, Fat and just a breeze to use, With any pre-amp you use it with it will sound great. This mic was chosen over a Sony C-800G. And I am very very happy with this microphone. Buy one if you can please. Buy 2.
Music background: Artist, Producer, Engineer
The industry standard
The Neumann U67 is simply one of the best and most widely used microphones in music history, and it's no surprise that it has become the industry standard. It was introduced in 1960 as the successor to the equally legendary U47 and can be heard on countless groundbreaking pop, rock, and jazz recordings from the 1960s and 70s (Rolling Stones/Keith Jarrett/Simon & Garfunkel, and many more). Production was discontinued in 1971, and in 1992 there was a limited reissue of a few hundred units, but these were apparently tuned to be "brighter." Prices on the second-hand market for a well-preserved microphone climbed into the five-figure range, and there are many "replicas" that never achieved the quality of the original. Neumann's 2018 reissue of the U67 based on the original plans was a minor sensation and offers the chance to purchase a microphone that has become an icon.

I mainly use the microphone to record my saxophones and am more than thrilled with it. The finest details are captured with such naturalness and meticulousness that you have to hear it to really understand it. The much-cited three-dimensional plasticity of the recording, whereby the signal, although recorded in mono, seems to be right there in front of you, is difficult to describe and very rare to find in this quality. In addition, the signal blends perfectly into the music and can assert itself in the mix without any effort. Post-processing with a compressor or EQ is very possible but rarely necessary. It's hard to believe that Neumann developed and released this microphone more than 60 years ago. I don't think the old U67s have any advantage over the new edition in terms of sound, so I can only urge anyone who is willing and able to spend that much money on a microphone to try the U67. I'm definitely not giving mine back, because it takes my recordings to an incredibly high level.

Incidentally, the U67 was the favorite microphone of recording engineer Al Schmitt, who has won more than 20 Grammys.
Music background: Professional saxophonist
Don't Be Fooled !!!!!
Please don't Follow the Bandwagoneers and Purchase a
Sony C800g , Telefunken ELA M 251E , TELEFUNKEN C12,
Telefunken U47. NONE of the Current Telefunken Mics are the same as the Original Telefunken Microphones Components because you can't exchange the Current Telefunken microphone parts piece for piece as you can do with the Current reissue of the Neumann U67 and original 1960 Neumann U67 Microphone.
So if you can't exchange part for part then it's definitely not the same original microphone.if it is NOT the same identical part of the ORIGINAL microphone it is technically an Officially Licensed Clone of the Original Microphone and it will NEVER sound exactly the same as the Original Microphones ! That Sony C800g has no True legacy and will NEVER have a True Legacy that A Neumann U67 has. That's why I purchased a Neumann U67 and will never purchase another high-end microphone. There is Nothing that can currently stand against a Neumann U67 !!!!
Not hating other Microphones just the no nonsense reality of the technical facts at hand. So take heed and purchase a Neumann U67 Microphone. Not those other (officially Licensed Clone knocks) that are WAY overpriced clones that they are saying are the Originals but are truly NOT the original microphones.
They Truly are NOT the Original Microphones like The Neumann U67 reissue is the Original Microphone
Part for Part, piece for piece that isinterchangeable with the 1st released 1960 Neumann U67 Microphones.
So "Don't be Fooled"
Music background: Audio Engineer, Producer, Recording Artist, Composer
Gold Standard. THE mic.
When they stop production on these, be prepared to pay up.
Anything I put it on is brought to life. It's not a clone or a copy… it's a U67 — without the downside and anxiety that comes with 60 year old capsules. Warm, lush, realistic. It takes EQ exquisitely. Like any top-notch critical mic, you must have a good room and know how to gain stage to reap its deliciousness. Give me a U67 over any other mic. Fabulous.
Music background: Composer, Producer.
The perfect vocal mic
This mic is magical. I'm a self recorded artist, engineer & producer. One benefit to recording and mixing your own vocals for years and years is you REALLY get to know the mics you're using. I own a Sure SM7B, Neumann u87ai and a Manley Ref C, I also previously owned a Manley reference silver. Every mic I've used is special in it's own way but the thing that set the u67 re issue over the top for me is all the body and tonality it captures without the sibilance. This is the ONLY mic I've ever used that has given me a truly smooth "round" top end that I can comfortably boost a broad band 3-4db of 10-12 k on my pultec with ZERO issue, it oozes classic Neumann body and character with "radio" top end shine. Keep in mind I am tracking through a BAE 1073 pre and a CL1B on the way in. This is a mic for the true hero's of the music industry, the engineers. I know it's easy for artists to settle on the mic that sounds the most "open" and "bright" but often times I've found those are the most difficult mics to work with in post. The u67 is the ultimate studio weapon, this is probably the first and last time I'll ever leave a review. I love this piece of gear THAT much.
Music background: Professional artist, producer & audio engineer