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Earthworks SR314 Cardioid Condenser Handheld Vocal Microphone - Black

Handheld Small-diaphragm Condenser Microphone - Black
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Item ID: SR314B
Earthworks SR314 Cardioid Condenser Handheld Vocal Microphone - Black
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Earthworks SR314 Cardioid Condenser Handheld Vocal Microphone - Black
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Earthworks SR314 Cardioid Condenser Handheld Vocal Microphone - Black
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Earthworks’ Amazing Handheld Condenser Mic

Earthworks precision engineered their SR314 handheld condenser microphone to offer a fresh approach to miking live vocals. The SR314’s tight cardioid polar pattern provides consistent frequency response to 90º off axis, with extreme attenuation of off-axis sound sources beyond 90º and maximum rejection at 180º. It captures natural, open, rich-sounding vocals with minimal proximity effect and delivers articulate low end close-up that doesn’t thin out with distance. This allows singers to “work the mic” without dramatic changes in sound. The SR314’s 145dB SPL handling and an extended 20Hz–30kHz frequency response further enhance the versatility of this incredible mic, making it as useful for high-fidelity capture of instruments as it is for vocals.

“The instrument for vocalists”

Billed as “the instrument for vocalists,” Earthworks designed the SR314 for today’s live performance environment. The beautiful, retro-futuristic design incorporates stainless steel artfully sculpted through precision machining to give you a microphone that is inspiring to the eye, balanced in the hand, and robustly engineered to withstand the rigors of the road. Protected within its steel exoskeleton is a studio-grade, small-diaphragm, cardioid condenser capsule coupled with a Class A amplifier circuit that leverages Earthworks’ patented, proprietary technologies to deliver one of the fastest mics on the planet.

Studio-grade sound quality

The SR314’s extended, flat frequency response and excellent coherence time with fast, clean impulse response sets the Earthworks SR314 apart from other handheld vocal mics in its class. Layer by layer, Earthworks systematically eliminated distortion and noise normally added by acoustic and electronic circuit components to give you a microphone that unveils the true voice of the artist. Earthworks may position the SR314 as a live vocal mic, but its outstanding sound and performance have certainly caught the attention of studio engineers at Sweetwater.

Revolutionizing the live-music experience

The SR314 revolutionizes the live-music experience for performers, engineers, and audiences. Faster soundchecks and better monitor mixes let artists focus on what matters most: the performance. Front-of-house engineers are freed from the vicious cycle of corrective EQ, overt compression, de-essing, and perpetual feedback vigilance. Audiences hear nuanced vocals that sit perfectly in the mix, bridging the gap that so often separates the experience of listening to live music versus studio recordings.

Earthworks SR314 Handheld Vocal Condenser Microphone Features:

  • Small-diaphragm, cardioid condenser capsule
  • Class A amplifier circuit
  • Captures natural, open, rich-sounding vocals
  • Extended, flat frequency response from 20Hz–30kHz
  • Tight cardioid polar pattern with consistent frequency response to 90º off axis
  • Extreme attenuation of off-axis sound sources beyond 90º; maximum rejection at 180º
  • Consistent, distance-agnostic low-frequency response
  • Higher gain before feedback than other mics in its class
  • Maximum SPL: 145dB
  • Power requirements: 24–48V phantom, 10mA
  • Includes MC4 microphone clip and storage bag

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Tech Specs

  • Microphone Type: Condenser
  • Polar Pattern: Cardioid
  • Frequency Response: 20Hz-30kHz
  • Max SPL: 145 dB SPL
  • Output Impedance: 65 ohms
  • Signal to Noise Ratio: 79dB (A weighted)
  • Self Noise: 15dB (A weighted)
  • Color: Silver
  • Connector: XLR
  • Dimensions: 7.13 x 1.6"
  • Weight: 1.5 lbs.
  • Manufacturer Part Number: SR314-B

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Reviews

Quality is perfect!!
I went from using a Shure SM7B microphone to the Earthworks SR314 & boy is the difference very noticeable! My artists were amazed on how they sounded with this new mic I got for the studio. I record Corrido's that consist of acoustic guitars, bass, & of course... vocals!! All recorded using the SR314!

Oh & I chose the color black because I didn't see any reviews on it & also I grew up seeing the raw stainless steel color growing up at my dad's CNC Shop he owns so I said I'll go with the black one haha.
I recommended the black colored SR314 because it looks bad ***!!!

Stay hard!!
Music background: Music Recording Record Label
Beautifully clear mic. I love it.
After weeks of research and reviews, this was the one I chose. The Earthworks SR314 really sounds true to life. I love the way it sounds on my (baritone) voice. It's exceptionally clear without being boomy. I've used this for singing and speech in a partially treated room. It picks up very little handling or room noise, but is super clear with everything in front of the capsule. It works well on my wife's (alto) voice too, but I use EQ to reduce higher frequencies a little.

This mic is very sensitive to plosives or wind/breath. That's easily avoided by positioning the mic at an angle instead of directly in front of me.
Music background: Beginner
Earthworks SR314 handheld Vocal Condenser Microphone- Black
Crystal clear vocals. If you are looking for something to cover up or distort your vocals,this is not your microphone. Beautiful clarity, no feedback, no distortion.. Make sure you dial your gain WAY DOWN gradually increase, as this has a ton of phantom power. slightly heavy but very rugged by design. love they put out a completely Black model. For me the stainless is to flashy.
Music background: Vocalist
PSA for an otherwise excellent mic
My singing partner has been urging me to get a good hand held condenser for quite a while. She uses a KMS104 and loves it. I finally caved and went for the Earthworks SR314. I have to say it was stunning and I loved everything about it. Shortly after using it for a while it began producing strange audible pops and clicks. I did a ton of troubleshooting on different systems and interfaces and it was indeed the mic. Sweetwater replaced it with another and I was back in business. Until, the replacement started doing the exact same thing. I was beyond bummed because I really love this mic. Once again I did a series of troubleshooting to be sure it wasn't a problem on my end. It was definitely the mic - same exact issue as the former one.

I sent that one back and didn't dare go for a 3rd. Sweetwater replaced it with a KMS104. It's a wonderful mic, but for my voice the SR314 was much better. So, it's a mystery. I'm still thinking of trying out another SR314 down the line when I catch up financially a bit. Maybe by then the batch with the issues will be long gone and I can reunite with my preferred microphone.