Earthworks SR117 Supercardioid Condenser Vocal Microphone

Name: Earthworks SR117 Supercardioid Condenser Vocal Microphone
Brand: Earthworks
Rating: 5 (19 reviews)

Handheld Condenser Microphone for Vocals with Supercardioid Polar Pattern and 20Hz - 20kHz Frequency Response - Black

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Item ID: SR117V

Earthworks SR117 Supercardioid Condenser Vocal Microphone

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SR117 Supercardioid Condenser Vocal Microphone Bundle

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Earthworks SR117 Supercardioid Condenser Vocal Microphone

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A Great Handheld Mic for Beginners and Pros Alike

Designed to complement any singer in virtually any live or studio situation, the Earthworks SR117 Supercardioid Condenser Vocal Microphone offers the power of a condenser mic with the ease of use that dynamic mics are known for. Sweetwater live sound engineers appreciate its supercardioid polar pattern that gives you excellent off-axis rejection and protection from sudden feedback issues that plague live performances. Additionally, our studio engineers have commented that its 20Hz–20kHz frequency response captures enough detail for studio applications. The SR117’s high SPL handling also prevents clipping onstage in the studio, retains low operating and handling noise, and it comes with its own bag and stand adapter. Finally, like all Earthworks microphones, the SR117 is proudly designed, tuned, and assembled in the USA. Whether you’re a beginning vocalist or a seasoned pro, the Earthworks SR117 Supercardioid Condenser Vocal Microphone belongs in your arsenal.

Earthworks Audio: making art out of microphones

When asked to describe Earthworks Audio microphones, Sweetwater engineers immediately think of two words: speed and transparency. Long renowned for their incredible measurement microphones featuring blazing-fast rise times of mere microseconds, studio professionals revere Earthworks Audio studio and stage microphones for their honest representation of sound sources with minimal coloration. Their microphones’ stainless steel solid rod construction is also instantly recognizable while and a quintessential example of impeccable form meeting top functionality.

Earthworks Audio SR117 Supercardioid Condenser Vocal Microphone Features:

Supercardioid polar pattern provides excellent off-axis and feedback rejection
Great for live performances or in studios with less than optimal acoustic treatment
20Hz–20kHz frequency response with a natural and honest sound
High SPL handling prevents clipping
Low operating and handling noise
Grille unscrews easily for cleaning and disassembling
Proudly designed, tuned, and assembled in the USA

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Tech Specs

Microphone Type: Condenser
Polar Pattern: Supercardioid
Diaphragm Size: 10mm
Frequency Response: 20Hz-20kHz
Max SPL: 140 dB SPL
Signal to Noise Ratio: 74dB (A weighted)
Self Noise: 20dB (A weighted)
Color: Black
Power Source: 48V phantom power
Connector: XLR
Dimensions: 7" x 1.93"
Weight: 0.85 lbs.
Included Accessories: Mic Clip, Carry Bag
Manufacturer Part Number: SR117

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Reviews

4.8

Customer Photos & Videos

As a live sound engineer over the past 12 years, I've come across a pretty wide variety of vocal mics. As a musician, I've also had the chance to use most of these microphones myself while singing and performing.

I knew of Earthworks mostly from their stellar reputation as a maker of high quality, extremely accurate microphones. Now, they're certainly not the cheapest microphones out there, so I was coming across many at local bars/coffee shops/venues, and hadn't made the plunge to buy one myself (though 48 months no interest almost got me a couple of times!

When I received an e-mail about the new SR117, watched a quick video, and saw the price tag of $, I didn't hesitate for a second. I got the mic the next day, used it on a live stream that night, and used it at two other solo acoustic gigs this week.

This mic is by far the easiest mic I've ever worked with. Most mics require a little work to get right. A low mid cut, a little bit of a high shelf, etc. Not to mention having to be mindful of mic technique, as most mics respond quite differently based on how hard you're singing, how close you are to the mic, etc.

For this mic, I just started with a modest HPF (Low Cut) at 80Hz). When I put in my in-ear monitors and gained it up, it instantly sounded great. No matter how I moved around or how I sang, it just sounded like.....me.

Maybe I'm still in the honeymoon phase, but I'm currently obsessed with this mic. I think it will work great in any environment: full band, solo acoustic, podcast, live stream. This thing is extremely natural and smooth. I multitrack the audio of my shows, and I've been so happy with the vocal sound each time.

Best purchase decision I've made in a while!

(Bonus Points: This thing comes with a really nice bag, and an extremely sturdy K&M mic clip. I also love the look. No text, no logo, nothing. This mic means business, haha.)

I don't have the best voice for singing, but this mic makes things so clear, it's hard not to try to sing better. As a drummer, having a good, durable mic is crucial and the Earthworks SR117 checks all the boxes, including this mic being a condenser mic. Its supercardioid pattern does an excellent job of isolating my voice from the drums, the overall sound this mic produces is truly amazing, and all at an affordable price? What's not to like?

I have had one of these for a bit over a year now so I figure I should write a review. Continuously impressed by this thing... I use it almost daily in both studio and live environments.

BUILD QUALITY: It's VERY sturdy, has a nice heft, it's sleek and unassuming, blends in well on a stage visually. I had a singer dive into the stage with it grill-first and it didn't break or bend anything. Comes apart easily to clean, XLR connector is very sturdy, though I recommend using a sturdy cable in tandem, cheaper wire will pop when 48V gets interrupted.

SOUND QUALITY: It is extremely neutral, has no natural hype at all. This could be a pro or a con depending on your style or workflow, I personally like it. It handles proximity effect EXCEPTIONALLY well, better than almost any vocal mic I have used. You will likely need to boost the high end to get a more present vocal from this unless you are a bright singer, then it might balance out. I have literally used this back to back in my studio a lot for scratch or demo vocals, and with the right singer, and after some EQ, it pretty much holds up with my $ sE RNT Tube mic... and I have had songs leave the studio with the demo vocals on the master using this mic on several occasions. Virtually no handling noise as well. I have literally never had this mic to feedback without pointing it directly into the wedge with a notable amount of gain behind it. On most preamps, I find it sits around +15dB of gain comfortably.

DOWNSIDES: The only downside I have found with this mic, is if a singer is directly in front of a drum set, it will more aggressively grab high end from the kit than other stage vocal mics like a 58 or Senn 945.

BONUS USES: Holy moly this thing sounds FANTASTIC on snare drum. It is hands down my favorite snare mic. I think earthworks also noticed how well it shines on drums, seeing as they released the DM17 which is the same mic in a drum clip form factor.

10/10 Mic, love it. Gonna buy more soon.

I think this has become my new favorite mic. Have used them on about 5 shows now, even the vocalists commented on the quality of the sound. Definitely a mic worth adding to your collection.

I was particularly impressed with how it handled proximity effect and and accuracy of the sound.

We bought this for a female voice hoping we would have a 'real" capture on her singing. Did we ever! Clear, articulate, untainted and physically comfortable. With modest mixer adjustments her voice soared. A perfect match for her!