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Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D - Black

Dynamic Cardioid Broadcast Microphone - Black
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Item ID: RE20Blk
Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D - Black
Price:$449 and 00 cents
Special Financing - Ends Aug 2, 2026. $13/month with 36 month financing* 48 month financing available* with $499.00 minimum purchase on one invoice.

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Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D - Black
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Electro-Voice RE20 Dynamic Broadcast Microphone with Variable-D - Black
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This article was Written By

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Broadcast-standard Dynamic Mic

The Electro-Voice RE20 is the broadcast studio voice-over mic used by pros for years. The RE20 is smooth across a wide spectrum of frequencies, and because it's a Continuously Variable-D mic, it's virtually free of bass-boosting "proximity effect" when used close. An easy "bass tilt down" switch corrects spectrum balance for use in long-reach situations or other bass attenuation applications, making it great for acoustic and electric bass, as well as a kick drum. Engineers at Sweetwater agree: the Electro-Voice RE20 is a studio and broadcast standard!

Cardioid polar pattern for top-notch rejection

A true cardioid microphone, the RE20 offers greatest rejection at 180º off-axis — directly to the rear of the microphone. Pattern control is so consistent that the frequency response is nearly independent of angular location of the sound source, creating virtually no off-axis coloration, yet providing the greatest possible rejection of unwanted sounds.

An integral blast and wind filter covers each acoustic opening on the RE20. In recording sessions or onstage, singers can "close talk" the microphone, singing with their lips almost touching the grille screen with no worry of "P-pops" or excessive sibilance. Part of the filter also shockmounts the internal microphone element, reducing the transfer of vibrations from external sources.

Classic beige model shown.
Classic beige model shown.

Large-diaphragm Dynamic

The exceptional performance of the RE20 is achieved by using a large Acoustalloy diaphragm in combination with an exceptionally low-mass aluminum voice coil. Using this diaphragm assembly, the RE20 is capable of reproducing extremely high sound pressure levels with no fear of the overload and distortion often experienced with phantom-powered condensers. The RE20 will also continue to function flawlessly in high humidity and elevated temperatures that would seriously degrade competitive condenser microphones.

A massive steel housing and effective humbucking coil assure the RE20's resistance to magnetically induced hum and noise. This means the RE20 can be used successfully in situations where other microphones would experience unacceptable levels of hum and buzz. By exploiting the strength of its steel housing and employing a mechanical nesting concept, EV designers have created an exceptionally rugged microphone with superior handling noise rejection ideally suited for professional uses.

Immune to Proximity Effect

The bass-boosting proximity effect common to most directional microphones, when used close to the sound source, is eliminated in the RE20. This is accomplished via the application of the EV-exclusive Variable-D technology. By controlling the effect of microphone proximity, the RE20 can be located very close to sound sources without a loss in clarity or definition, making the RE20 ideal for tight vocals and challenging instruments. It can be used inside bass drums, on acoustic guitars, and it is found in voice booths and broadcasting studios everywhere.

Classic beige model shown.

Electro-Voice RE20 Dynamic Microphone Features:

  • The top industry-standard broadcast microphone for decades
  • Variable-D technology minimizes proximity effect for smooth and consistent sound
  • Finely engineered cardioid polar pattern provides 180º of off-axis rejection, with no coloration
  • Voice tailored frequency response brings out rich fundamental and chest voice
  • Large diaphragm delivers condenser-like sensitivity and response
  • Humbucking coil further reduces noise from poor grounding
  • Bass roll-off switch makes it easy to rein in low frequencies

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Tech Specs

  • Microphone Type: Dynamic
  • Polar Pattern: Cardioid
  • Frequency Response: 45Hz-18kHz
  • Output Impedance: 150 ohms
  • Color: Black
  • Connector: XLR
  • Dimensions: 8.53" x 2.14"
  • Weight: 1.62 lbs.
  • Included Accessories: Stand Mount, Carry Case
  • Manufacturer Part Number: F.01U.411.906

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Reviews

Great microphone! Fantastic customer service
Where do I begin, when I ordered this microphone I wasn't sure I was going to like it or not. I was also a first time customer with sweetwater so I wasn't accustomed to their ways. They called me and thanked me for my business within hours of placing my order and assured me it would be sent out promptly, which it was. Shipping was fast and efficient and when I received this package I was BLOWN AWAY this microphone is phenomenal totally understated it in the title I love it this will probably be the microphone I use for the rest of eternity! Wish I could give it 100 stars!
Music background: Producer
Wanted to update my review…
After having used the RE 20 on several podcasts and kick drum duties, we tried it on some scratch vocals, and also on a local 'live' recording. Let me tell you, it completely surpassed my expectations as a vocal tracking mic. A couple of our clients have chosen it over some of our high end condensers. I would not have a problem with a couple more of these mics in the locker. It has surprised my studio partner, as well. Just FYI, we have well over 70 pro level mics in our locker, with several in the 4-digit price range.

I'll post a link to a local 'live' session we tracked thru a QSC TouchMix30. Notice we used the RE 20 on the lead vocalist, going straight into the QSC TM30.
M A G I C
There really is no other microphone that compares. It is a classic for a reason and you see it everywhere for a reason. If you know, you know. I use this as a studio vocal microphone but it is also great for just about anything with bass/mid range. Looks sleek, rejects noise reasonably well, and variable-d is sooooooo cool! No regrets!
Truly a classic
This mic is more versatile than meets the eye. For spoken word, it enhances intelligibility while eliminating low end boominess while remaining full. For singing, it can be right up on your lips for more rock, punk, and rap styles. It sounds like a slightly better 57 on guitar cabs. Cleans up bass cabs, can handle kick like a champ. It's really a mic you should explore use cases, because it'll sound better than you expect.

If I had any complaint at all, it might be that it does need a fair amount of gain. But as long as your preamp can deliver about 50db of gain, you'll have enough for most cases.
Fixed my mistake very quickly.
i mistakenly ordered the wrong mircorphone and needed a replacement fast. Rep Matthew Langston swooped in and saved the day by getting one out the door in time for my needs. HUGE thanks to him for recognizing the importance of my emergency.
Music background: Musician, and AV company.