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AEA R44CE Ribbon Microphone

Ribbon Figure-8 Microphone
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Item ID: R44CE
AEA R44CE Ribbon Microphone
Price:$3,849 and 00 cents
Special Financing - Ends Aug 2, 2026. $107/month with 36 month financing*

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AEA R44CE Ribbon Microphone
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Price:$3,849 and 00 cents
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This article was Written By

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The Classic Sound of the RCA 44B!

After tracking down the engineers who designed and built the original legendary RCA 44 ribbon microphones, AEA acquired ribbon material, made the tooling, and custom machined all the parts necessary to build the original RCA 44 B/BX design to its original specifications, in their own AEA R44CE design. Built just like they were in the 1930s, the R44CE from AEA flies in the face of every trend in modern ribbon microphone design, and to glorious results. After years of painstaking work, AEA has again begun production of the most important ribbon mic design of all time.

Legendary character with more than 80 years of studio history

The RCA 44 has been one of the quintessential recording microphones from the days of big bands to the modern recording practices of today. They've remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. Collectors began to buy up the supply of RCA 44's quickly. Now you can get one for yourself with the AEA R44CE.

An accurate reproduction of the original RCA 44 Ribbon Mic

The 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44CE that good? Both listeners and measurements say that the R44CE is even better, and that AEA has been listening to both users and ex-RCA engineers for over 25 years. AEA used to make all of the replacement parts for the RCA 44s, so they knew the design and workings of those coveted mics intimately. They started the re-creations by using only ribbon material originally manufactured for RCA. This is the best way to ensure that AEA's R44CE ribbon mics are as close as humanly possible to vintage RCA 44s.

The magnificent design flies in the face of modern trends

The R44CE design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones are smaller and lighter. The internal ribbon element is by far the longest, and its resonance tuning the lowest of today's ribbon microphones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining in continuous studio use. It is different, and its sound is unique. As Sweetwater engineers have discovered, the R44CE sounds good on everything. Leave it out and use it whenever you need to do a quick take.

AEA R44CE Features:

  • A legenday mic design replicated for today's recording
  • Uses the same ribbon material as the original RCA 44
  • A single diaphragm Figure 8 ribbon microphone
  • Design has been in use for decades
  • A very different sound than today's ribbons
  • Sounds equal to or better than the original RCA 44
  • High SPL capability
  • Below 30Hz to above 20kHz
  • Polar Pattern: Native bidirectional pattern
  • Case, stand adapter, manual, and attached microphone cable included

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Tech Specs

  • Microphone Type: Ribbon
  • Ribbon Type: 1.8-micron Aluminum (4.7mm x 59.7mm)
  • Polar Pattern: Figure-8
  • Frequency Response: 30Hz-20kHz
  • Max SPL: 140dB
  • Output Impedance: 270 ohms
  • Connector: XLR
  • Weight: 7.56 lbs.
  • Included Accessories: Stand Adapter, Case
  • Manufacturer Part Number: R44CE

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Reviews

It’s a R44 come on.
If you know you know. The best bass response I have ever heard in a mic. Have you bought it yet?

Ps.
Regardless of preamp choice, you will NEED a latch lake 2200 stand, just come to terms with that.
Music background: Studio Owner @trashmanstudios
Beautiful Sound!
This is my first experience using a ribbon microphone for acoustic guitar and vocals. The R44ce is very unique. There is something very nice about being able to back away from a microphone and still maintain plenty of low end frequencies and proximity effect. It makes it easier to just relax and enjoy the process of recording without it being in my face. I found it to be a freeing experience. This microphone is beautiful, big, and heavy! Make sure you have a sturdy and stable stand. I heard somebody describe this mic is like a science experiment. I had to laugh, but it is true, because the possibilities seem endless. I paired it with the RPQ3 preamp and it makes it easier to EQ things to perfection, what a combo!
Music background: Home recording enthusiast, singer, guitar player
Yes, it is the best, in every possible way.
So, a year ago I started my search for the best way to record my tenor saxophone. I bought a WA273EQ preamp, a Royer 121, AEA KU5A, SM81, TLM 102, Fathead, SM57, CM3, RE20, and lately I bought a really nice hand made ribbon mic from Mcleod Microphones (N8-3). A gazillion plugins. Etc...

Long story short, there is absolutely no comparison for the AEA R44CE through the AEA RPQ2 preamp. It is SO much better, even in my small recording room (treated), that everything else is irrelevant. If you think $2999 is expensive for one microphone, (yeah, so did I), try spending much more than that as you search the less expensive gear and never actually get THE sound. I'm trying to save you the grief and expense of all that. Get these two pieces: R44CE and RPQ2. Period.
If you simply don't have the money and will never have it, call Nathan at Mcleod Microphones and get his ribbon mic. It is the only other mic I could live with for sax.

One of the employees at AEA generously helped me along the way with many tech considerations and gear option advice (thanks Joey).
And Steve Gray at Sweetwater was super patient with me as I tried gear, most of which I kept, but some had to return. That is a huge advantage at Sweetwater.

Warning: THIS MIC IS HUGE! And heavy as a truck. You MUST get a Latch Lake 1100 mic stand or you will soon find your mic on the ground.
Music background: Professional musician, recording tech, producer.
Stellar microphone
There is a reason why people like Wes Dooley have spent the time and effort to meticulously recreate the RCA 44 ribbon microphone: because it is a classic design that deserves to live on forever. This microphone is an absolutely stunning recreation of the 44 and will provide you with a completely unique sound in your mic cabinet. While it may not suit every singer, it is the fullest, "largest" sounding vocal mic I have ever heard. Some call it the "voice of God" microphone and it is apparent why when you try it out. It does an equally impressive job on percussion, acoustic guitar and as a room mic. Two things I would suggest before purchasing: 1) Make sure you have a heavy duty, counterbalanced mic stand to hold this. It weighs 8 pounds! 2) Also make sure you have good preamp to feed it the gain it needs to perform at its best. I didn't appreciate this at first because I bought a cloudlifter and figured that would make up for lower output preamps, but it still wasn't enough in some cases. The best preamp, IMO, for this beast is the AEA RPQ. I have the 500 series RPQ and it is hands down the best mic pre for this microphone. It is clear that AEA thought this through carefully when making this preamp. It is a match made in sonic heaven! If you have ever wanted a top shelf ribbon mic, this is it.
Music background: Singer/songwriter, home studio owner, with 40 years of recording experience.
Silky smooth and detailed, takes EQ well
Guitars sound natural and transparent and it picks up smooth and detailed low and mid tones on vocals. As another reviewer mentioned, the proximity effect is so pronounced it's practically an instrument in its own right. I like to choke up on it when I want those extra lows and back off when I want a more flat response. It does so without muddying the sound as many condenser mics do when you get too close. A fantastic, well-built mic! You're going to need a heavy-duty mic stand. Can't beat Triad-Orbit for a mic like this in my opinion.