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Concert Toms

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Concert Toms Explained: What Makes Them Cool and Why You Need Them for Your Music


Single-headed concert toms have been a cornerstone of both pop music and orchestral percussion since the mid-20th century — and we’re not just talking The Rite of Spring and West Side Story. These specialty toms dominated the airwaves from the 1960s to the 1980s, immortalized forever in hits like “Good Vibrations” and “In the Air Tonight.”


With their timpani-like voicing and versatile tuning range, concert toms remain a strong option for underscoring melodic ideas and creating memorable transitions between passages.


Are you looking to capture the distinctive sound and convenient tuning of a set of concert toms? You’ve come to the right place. Whether it’s harmonic complexity or that classic hollow bark you’re chasing, you’ll find all your favorites — from TAMA, Yamaha, Pearl, DW, Majestic, and more — right here at Sweetwater.


What Are Concert Toms?


Concert toms burst onto the scene in the 1960s. These single-headed tom drums were often sold in matching sets and marketed to concert bands for their ability to (theoretically) tune to specific tones faster and more accurately than double-sided toms.


However, it wasn’t long before kits like the Ludwig Octaplus and the Slingerland Magnum found a following among session drummers of the era — notably Hal Blaine of the Wrecking Crew and Nigel Olsson of Elton John’s band — who sought greater tonal variety for the stage and the studio.


Concert toms quickly took off, soon becoming a staple in schools, orchestras, soundstages, and trap sets everywhere, thanks to their iconic sound and versatility.


What Do Concert Toms Sound Like?


For years, drum historians have sought to pinpoint what it is about single-sided concert toms that draws the ear in such a pleasing way. If we had to break it down, we’d say:


  • Harmonic structure — Single-headed concert toms may be able to achieve a purer pitch than double-headed toms, since there’s no interaction between competing drumheads.
  • Envelope — Known for their focused attack and quick decay, single-headed concert toms may require less muffling than double-sided toms.
  • Projection — Some drummers believe single-headed concert toms project better in a live setting, as there’s less barrier between the stick and the listener’s ear.
  • Tonal diversity — The wide variety of shell sizes available in concert toms offers a range of tones that are less prevalent in standard drum set sizing.

Are Single-headed Concert Toms Still the Standard?


There was a time from ’60s to the ’80s when nearly all concert toms were single sided. This open-bottomed design was key to their soaring, timbale-like tenor and bellowing bass woof.


Today, however, drum makers like TAMA and Black Swamp Percussion are rethinking the classical approach by offering more double-headed concert toms with batter and resonant heads. This double-sided design allows concert and pit percussionists to achieve more contemporary tuning complexity and sustain, while still meeting the finish, sizing, and mounting options required for modern orchestral work.


Which Famous Drummers Have Played Concert Toms?


Concert toms aren’t just for concert percussionists: these single-headed toms have a celebrated history behind the kit. Famous concert tom users include:


  • Hal Blaine (Wrecking Crew) — Blaine’s Monster Kit holds the honor of being one of the most recorded instruments in production history. Hal’s open-bottomed Ludwig/Blaemire concert toms (ranging from six to 15 inches) cut like a knife through songs such as Al Wilson’s “The Snake” and Sam Cooke’s “Another Saturday Night.”
  • Phil Collins — The cavernous Gretsch concert toms of “In the Air Tonight” belong to one of pop history’s most famous drum fills. Collins’s fill helped popularize the gated reverb sound that defined the ’80s, aided by a happy studio accident and Phil’s keen ear for hook writing behind the kit. Collins’s preference for concert toms can be heard throughout his solo catalog.
  • Dave Holland (Judas Priest) — If you needed convincing that concert toms work for metal, look no further than former Priest drummer Dave Holland. His curated fleet of Imperial Star concert toms can most famously be heard raining down hellfire in the intro to Priest’s “Riding on the Wind.”
  • Neil Peart (Rush) — “Did Neil Peart play concert toms?” You bet your toque he did! Peart’s timbale-like high toms punched through the paper of Rush’s records beginning with 1975’s Caress of Steel and well into the Counterparts (1993) era, culminating with the reproduction kit Neil played for 2015’s R40 Live. Neil’s concert toms help create a sound that continues to resonate with drummers today.
  • Alex Van Halen (Van Halen) — For a hard-rock drummer with a deep history of concert tom use, check out Alex Van Halen’s work on “Jamie’s Cryin’” and “One Foot out the Door.” Alex is a lifelong Ludwig player with a predilection for concert toms, octobans, and rototoms, as is evident in his 2016 touring kit rundown.

Sweetwater’s Your Hookup for Concert Toms and More


When it comes to outfitting your band or orchestra, there’s no two sides about it: Sweetwater is the clear choice for concert toms and more! If you’re searching for a matching set of concert toms for your concert band, your stage kit, or your percussion ensemble, give Sweetwater’s percussion experts a call. We’ll help you find the set that meets your performance needs and works within your budget.

Why shop Concert Toms at Sweetwater.com?


With a massive selection of Concert Toms, free shipping, a free 2-year warranty, 24/7 access to award-winning support - and more - Sweetwater gives you more than any other retailer! If you have any questions about Concert Toms, make sure to give your personal Sales Engineer a call at (800) 222-4700.