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Latch Lake micKing 3300 - Black

Name: Latch Lake micKing 3300 - Black
Brand: Latch Lake
Rating: 4 (5 reviews)

Studio Boom Mic Stand with Lever Locks, Heavy-duty Boom Clutch, Stable Base - Black

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Item ID: micKing3300B

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A Premium Studio Boom Stand for Your Priceless Mics!

The Latch Lake micKing 3300 microphone stand is an incredibly stable and reliable platform for mounting your priceless studio mics. A compact, durable, and quality crafted boom stand, the micKing 3300 lets you position large mics at practically any angle, and a Spin Grip mount lets you easily and quickly put mics on and take them off of the stand. The stand includes a moveable counterweight that lets you place it anywhere on the boom end for optimum balance, and the base is specially designed for maxium stability while allowing cables to run underneath the micKing 3300.

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Tech Specs

Stand Type: Studio Boom Stand
Base Type: Triangular Base with Wheels
Weighted Base: Yes
Height: 48" to 124"
Boom: Telescoping
Tube Materials: Steel
Manufacturer Part Number: micKing 3300 Blk

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Reviews

4.2

Customer Photos & Videos

I've had a project studio now for 50 years. It's gone from the fainting closet to a full-fledged room. I have gone through so many microphone stands. I can't even count. A lot of them were expensive from well-known brands. The latch lake nothing beats it. I'm sure the old time big huge pro studio stands too but for the project studio this is the best even for most environments this holds even my RE 44 ribbon mic And that thing is beefy and heavy.. no problem even all the way extended no problem and this Mike is heavy enough to bend the boom arm, but still no problem. My other Mike stand that I have is a heavy duty sand that cost me well over $ quite a few years ago. I have to put bricks on it weights on it now I've actually had to adhere it to the floor so it wouldn't tip. I do not have that problem with the stand. I read the other guys review the one that left the one star for the choir and the kids. He has the stand all the way extended and it tipped with a heil microphone. There had to be something wrong with the stand. I think he should've given it another shot. The photo showing the feet of both of my stands. One stand has weight taped to it. The other is the latch lake. It's under a few wires, but it doesn't need any help.

I purchased my 3300 8 years ago to support a pair of U47s in a Mid-Side (vertical) arrangement for band and orchestra recording. These are relatively heavy mics and the steel bar that allows them to be co-linear, top to top isn't a lightweight either. I've used this stand on the theater floor with the stand extending up to about 11 feet above the 3' stage. I'm able to get the mics well over the stage lip with everything balanced using the default counterweight.

The friction locks for the boom and the mic adapter work perfectly. The upright and boom extension locks also work perfectly. It's easy to hide two 7 conductor cables (from the mics to their power supplies) along the stand to provide a very clean appearance between the band/orchestra/choir and their audience.

I do mobile recording, and I appreciate the wheels on the base every time I roll this stand in and out of a venue.

I've occasionally used the 20' maximum vertical height for recording marching bands on a football field. The recording is so much better than putting the mics only 10' above the track and getting too much of the front ensemble. I've also used the full height to support a DSLR for timelapse videography. It is stable enough that I don't need image stabilization except when there are very gusty winds.

Although this stand costs more than all but a handful of my microphones, it has been money very well spent.

This is the one! If you have large, heavy, expensive mics you NEED a stand like this. Yes, it is big and heavy and takes up some room, but you can put ANY mic on this and it will not move until you change the settings. No more sagging, falling mics. This is the King of microphone stands!

Using studio mic stands - if one is not experienced using them - will result in unsatisfactory results.

The reason for counter weights is to balance the load - and if you choose to fully extend a mic stand such as this - then either add more counter balance weight or pull the boom back so the entire rig is balanced.

Some people look for miracles without really any knowledge of what they may be attempting to accomplish.

Leaving bad reviews when it it obvious your experience is lacking in the use of such devices is rediculous - and I am sure that you never contacted the manufacturer for advice before leaving this assinine review.

We bought two of these for our school to mic student choir, orchestra, ukulele group, band,etc. We were very excited to find a solution that would give us more flexibility than hanging the mics overhead. These have amazing range. However, preventing them from tipping was a recurring nightmare. The base and counterweight both need to be significantly heavier. When the boom is mostly extended, it sags. Not a big deal, but the company praises its stoutness, and this stand isn't . (By the way, the mics we're using are Heils, which are not that heavy.) My Ultimate Support MC-125 (which easily holds my U87 and shockmount) is more stable, safer and the telescoping parts smoother. I don't know if this is an anomaly, but for $ this should be perfect! They're going back and we'll look for a safer solution.

See also: mic stands, Latch Lake, Latch Lake Microphone Stands