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Beyerdynamic TG D71c Condenser Boundary Microphone

Electric Condenser Half-Cardioid Boundary Microphone with 25Hz-20kHz Frequency Response
$239.00

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Beyerdynamic TG D71c Condenser Boundary Microphone
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Fast Attack, Huge Low End

When you want to capture the big low end of a kick drum or grand piano, many engineers here at Sweetwater reach for the Beyerdynamic TG D71c. This boundary mic's non-slip rubber bottom rests comfortably inside the cavity of an instrument. Its half-cardioid pickup pattern rejects off-axis sound in a big way, and its high 148dB SPL handling is virtually impossible to overload. And once you find your sweet spot, you can mount the Beyerdynamic TG D71c inside your instrument courtesy of its two mounting holes. This is a nice option for touring percussionists and keyboardists who want to make capturing the true character of their instrument every night a plug-and-play affair.

Beyerdynamic TG D71c Boundary Condenser Microphone Features:
  • Great for miking kick drum, cajon, and piano
  • Huge low end
  • Fast attack
  • Low distortion - internal preamp handles 148dB SPLs!
  • Half-cardioid pickup pattern rejects feedback and off-axis noise
  • Non-slip rubber backing rests comfortably inside the cavity of an instrument
  • Mounting screws hang the TG D71c from a gobo, or mount it inside an instrument
  • Requires phantom power
Magnify your kick drum or piano with the giant low end of the Beyerdynamic TG D71c!

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Tech Specs

  • Microphone Type: Condenser (back electret)
  • Mono/Stereo: Mono
  • Polar Pattern: Half-cardioid
  • Frequency Response: 25Hz-20kHz
  • Max SPL: 148 dB SPL
  • Signal to Noise Ratio: 63 dB (A weighted)
  • Color: Black
  • Connector: XLR
  • Weight: 0.91 lbs.
  • Manufacturer Part Number: 708992

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Customer Reviews

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Rated 5/5

Great mic for Kick Drum

Sounds great inside a kick drum. Lots of attack, and nice midrange. I don't usually have to add any top end to this mic.

Also compact and robust! No complaints yet.
Music background: Live Audio Engineer
Rated 5/5

Top Notch Kick/Cajon mic

I have used this mic to record cajon extensively. It beefs up the low-end and approaches kick drum status, while at the same time, capturing the high-end snare perfectly, which used to require two separate mics. This one mic does a better job than two mics used to do IMO. Also, I use it as a kick mic for my drummer in a live setting. Amazing warmth and full bodied lows come through this mic with great clarity. I'm very happy.
Music background: Solo musician/band leader
Rated 5/5

Nice and punchy!

Bought for inside kick and couldn't be happier. Sounds great for added attack and punch when combined with a D6, beta 52 etc.
Music background: Professional sound engineer.
Rated 5/5

Exactly What My Kick Recordings Needed

I spent far too long searching for more attack in my kick recordings. This Beyerdynamic combined with an AKG D112 a few inches outside the portal made all the difference. It captures both the punch and beater "click" I look for to blend to taste.
Music background: Producer
Rated 5/5

Great Boundary Mic

The TG D71 is a fantastic boundary (or floor) mic which works with great clarity and - though usually recommended for bass drums, it is also a great stage microphone for such things as middle and high school plays. Three of these boundary mics placed1 equally along the front edge of a stage serve to provide full sound coverage for up to 40 or players acting. This would also work for a choir. On stage, with the floor mics on the front of the stage, ordinary vocal condensers placed in the corners of the stage will cover the area the boundary mics don't. These are rugged and reliable enough that up to 40 teenagers practicing for a week and deliberately stepping on or stomping on these mics did not bother the Beyerdynamic TG D71 mics at all. Also recommended, depending on sensitivity of your mixer or interface, is the FetHead Phantom which provides an additional 15 dB of gain.
Music background: music festival and neighborhood event sound producer and engineer.
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