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Ibanez Q52 Electric Guitar - Antique Brown Stained Demo

Solidbody Electric Guitar with Nyatoh Body, Maple/Bubinga Neck, Maple Fingerboard, 2 Humbucking Pickups, and Mono Tune Bridge - Antique Brown Stain
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Condition Notes:

This guitar has discoloration on the bass side upper horn profile. There is also a dent at the tip of the treble upper horn. There are also fine scratches on various parts of the guitar that are not photographed. These scratches do not show well in photos, if at all. This guitar comes with a setup adjustment tool(s).

This item was thoroughly inspected by our factory-authorized service team and is backed by Sweetwater's exclusive 2-year warranty. These images are of the exact item advertised, and provide as accurate a representation of its condition as possible. If you need further information, please call your Sweetwater Sales Engineer at (800) 222-4700.

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Ibanez Q52 Electric Guitar - Antique Brown Stained
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A Boundary-shattering Headless Axe from Ibanez

Part of Ibanez's boundary-pushing Quest series, the Q52 vaunts a headless design built from the ground up to maximize tone, performance, and playing comfort. While this solidbody electric guitar is extremely lightweight, its ergonomic nyatoh body resonates with rich, woody tones that belie its compact profile. Technically minded players will be blown away by the zero-drag feel of the Q52's Wizard "C" neck, and its heat-treated bird's-eye maple fingerboard is as playable as it is visually appealing. This headless guitar's made-to-measure pickups exude amazing levels of articulation and definition that are bolstered by Ibanez's acclaimed dyna-MIX10 switching system. Rock-solid hardware, including a custom string lock and innovative Mono Tune bridge, ensures easy string changes and ultra-reliable, stage-worthy performance. Stainless steel frets round out the Q52's generous features. If you've been hunting for the perfect headless electric guitar — or even if you're considering your first headless instrument — the Ibanez Q52 is guaranteed to unlock unlimited creative possibilities.

Wizard "C" neck makes complex playing techniques easier

The Q52 was built for high-level, technical playing styles, evidenced by its Wizard "C" neck. Crafted from maple and bubinga, this ultra-stable 3-piece neck offers an extremely neutral feel that's tailor-made for high-performance fretwork. The Q52's heat-treated bird's-eye maple fingerboard not only turns heads, its 12-inch radius yields incredible playability in every position. This headless solidbody electric guitar also includes stainless steel frets, which ensure long-lasting durability and effortless note bending. The guitarists here at Sweetwater have found the Q52 to be incredibly versatile — it offers a zero-drag playing experience for technical metal, jazz-rock fusion, and any experimental genre you throw at it. If your personal style involves complex playing techniques, the Q52 will permit you to play cleaner and faster than you ever thought possible.

Made-to-measure pickups yield an endless array of tones

Designed especially for headless guitars, the Ibanez Q52's Q58 humbuckers churn out divine sonic textures with astonishing levels of articulation and definition — a must-have for elaborate riffing and intricate, rapid-fire leads. The tonal balance of these pickups is unprecedented throughout the instrument's entire range. Plug into your favorite amp, and you'll experience muscular lows that are completely devoid of muddiness and mix-piercing highs that eschew harshness for a sublime-sounding clarity that enables every note within a chord structure to be heard. These pickups exhibit little self-noise, even in high-gain applications, and they play nice with both digital and analog effects. The Q52 incudes dyna-MIX10 switching, which provides 10 different pickup combinations via an Alter Switch and 5-way lever switch. No matter the genre, the Q52 can achieve the sound you're hearing in your head.

State-of-the-art hardware that can withstand aggressive playing styles

The Q52 is teeming with cutting-edge, near-bulletproof hardware. Its custom string lock boast a straightforward one-piece design that's not only highly durable, but it also requires little maintenance. String changes are a breeze, and because the Q52 doesn't require a proprietary set of strings, you can use whatever time-tested gauge and brand you'd like. You'll also appreciate the Mono Tune bridge. This expertly crafted bridge facilitates a wide intonation range, which makes down tuning a piece of cake. This headless guitar's Mono Tune bridge is also a cinch to adjust, and its streamlined saddle design lends a natural, organic character to every note you play.

Ibanez Q52 Electric Guitar Features:

  • Headless design built from the ground up to maximize tone, performance, and playing comfort
  • Compact, ergonomic nyatoh body resonates with rich, woody tones
  • Ultra-stable 3-piece maple/bubinga neck with heat-treated bird's-eye maple fingerboard
  • Wizard "C" neck profile is perfect for high-level, technical playing styles
  • Stainless steel frets ensure long-lasting durability and effortless note bending
  • Q58 humbucking pickups yield astonishing levels of articulation and definition
  • dyna-MIX10 switching system provides 10 different pickup combinations
  • Custom string lock's straightforward 1-piece design is durable and requires little maintenance
  • No proprietary strings required — continue using your favorite gauge and brand
  • Mono Tune bridge provides easy adjustment and lends a natural, organic character to every note you play

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Tech Specs

  • General
  • Number of Strings 6
  • Left-/Right-handed Right-handed
  • Body
  • Body Type Solidbody
  • Body Shape Q52
  • Body Material Nyatoh
  • Body Finish Satin Polyurethane
  • Color Antique Brown Stained
  • Neck
  • Neck Material 3-Piece Roasted Maple/Bubinga
  • Neck Shape Wizard C
  • Neck Joint Bolt-on
  • Radius 12"
  • Fingerboard Material Roasted Birdseye Maple
  • Fingerboard Inlay Mother-of-Pearl Offset Dots
  • Number of Frets 24, Jumbo, Stainless Steel
  • Scale Length 25.5"
  • Nut Width 1.653"
  • Nut Material Plastic
  • Hardware
  • Bridge/Tailpiece Ibanez Mono Tune
  • Tuners Bridge tuners
  • Electronics
  • Neck Pickup Ibanez Q58 Humbucker
  • Bridge Pickup Ibanez Q58 Humbucker
  • Controls 1 x volume, 1 x tone
  • Switching 5-way blade pickup switch
  • Miscellaneous
  • Strings D'Addario, .010-.046
  • Case/Gig Bag Gig Bag
  • Manufacturer Part Number: Q52PBABS

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Customer Reviews

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Rated 5/5

Combined with a Spark Go It Can Do Anything and Go Anywhere

I've been using an electric, instead of an acoustic, the last three years with my duo. For the last two years playing a Blue Q52. With a Positive Grid Spark Go in the gig bag it can go anywhere, be plugged into a PA or substitute for an acoustic guitar (the Go up on a table is louder than any acoustic). It's perfect for an airplane overhead bin and can be played comfortably when some restaurant stuffs our duo in the place of a four top. The tuning stability is fantastic. It can sit in my car's trunk under conditions an acoustic would not likely survive meaning it's there when it might be handy. To back up impromptu singing and finger style solo guitar at an unscheduled dinner party performance, combined with the Spark Go, it sounds great. I've asked and no one misses my acoustic.

At its price point it is appropriately well made. This one is about a pound lighter than the blue one which I'm surprised that I appreciate (~4.5 lbs., the older blue one was ~5.5 lbs.). Ibanez has made a few changes in these guitars over the last two years. The EVO frets that are wear free after two years, are now even harder stainless steel. Without EVO's tarnish the stainless feels a little smoother. The set screws in the locking nut are now larger flat bottom M5's instead of M4's (cheap to be had at an online hardware store and I think a good idea to have a few spares). Presumably accidental overtightening of the string locks is less likely with the larger set screws. Finally, the fret slot depth is like a Gibson rather than the deeper slots of many Asian made guitars. I suppose this is cosmetic, but I do like it.

The Dyna-MIX10 switching has a mode where the inner coils of the two pickups are combined in parallel. This simulates that Strat neck plus middle pickup tone reasonably closely (good for playing "Sultans of Swing"). It also has a useful two pickup Telecaster like option. The alt switch mode for single coil seems about right but the humbucker "power tap" doesn't appeal to me.

There are better gig bags to be had for headless guitars which offer more protection and/or a smaller footprint. I've tried a few and settled on one of them.

I like the feel of the brown finish and maybe the look a little better than the blue, but still wish they offered the straight fret Q52 in plain black...
Music background: Retired electrical engineer gigging once or twice a month
Rated 5/5

Light weight and a joy to play!

This headless design from Ibanez is so light, comfortable to play, and holds its tuning so well (sometimes I pick it up and it has stayed in tune for a day or two), that I find it difficult to put down in favor of my other guitars. In fact, I literally haven't picked up my other instruments in months. I haven't charged the luminlay side dots, so don't even know if they work, but I love the tonal options of the guitar, the look and feel of the wood, and am embracing the "uniqueness" of the instrument (which took some getting used to). Highly recommend!
Music background: Intermediate
Rated 4.5/5

All around great guitar

I've had the guitar a couple of weeks now, and it's a fantastic instrument once you adjust to the missing head. The neck profile in particular is fairly unique, as it starts slightly thicker by the nut, but stays about the same as you move up the neck. This gives a nice full feeling for your open chords without feeling like a baseball bat for more shreddy stuff. The pickups are dynamic and articulate, and work well in conjunction with the 5 way and power tap switches to produce sounds ranging from bright cleans, to dark and jazzy, to hard rock.
My one knock against the guitar is more of a limitation of it being headless. You need to stretch new strings a bit before you clamp them down or else you might run out of adjustment tuning them to pitch. On the bright side, once you get it tuned up, it holds that tuning remarkably well.
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