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Novation Peak Polyphonic Desktop Synthesizer

8-voice Polyphonic Synthesizer Module, with 3 Oscillators per Voice, 1 Analog Multimode Filter per Voice, 60 Digital Wavetables, CV Input, and Arpeggiator
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Novation Peak Polyphonic Desktop Synthesizer
Price:$1,839 and 99 cents
Special Financing - Ends Aug 2, 2026. $52/month with 36 month financing*

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Novation Peak Polyphonic Desktop Synthesizer
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Polyphonic Analog Synthesis for the Modern Musician

With three New Oxford Oscillators per voice, each with traditional waveshapes plus access to 60 digital wavetables, the Novation Peak 8-voice polyphonic analog synthesizer is perfect for modern electronic music producers. It's perfect for sound design too, with a 16-slot modulation matrix plus 16 direct assignments accessible directly from the front panel. Each synth voice can utilize its own analog multimode filter, with pre- and post-filter distortion available as well. Factor in built-in reverb, delay, and chorus effects (which can all be modulated via the FX Mod Matrix!), a flexible arpeggiator, and a CV modulation input for integration with modular gear, and the vast creative potential in the Novation Peak synthesizer module becomes obvious.

Powerful new Wavetable Editor

Novation has come out with a powerful new Wavetable Editor for Peak that unleashes the full power potential of its wavetable oscillators. The Wavetable Editor is packed with functionality to speed up your creative process, including intuitive drawing tools and a Live Edit mode that let you literally draw your own oscillator shapes and preview them — all in real time! Quickly create your own oscillator waveforms from imported clips with the Audio Import function. You'll also find an expertly curated collection of space-themed audio direct from the NASA sound library, plus exclusive content from top EDM producers Noisia. The Wavetable Editor makes Peak more powerful than ever — inother great reason to add this advanced synth to your sonic arsenal!

Firmware update 1.2 makes Peak better than ever

It's common for manufacturers to provide firmware updates to fine-tune certain features or fix minor bugs. The firmware 1.2 update for Peak adds a ton of functionality that brings Peak to a whole new level. The most notable addition is a selection of 43 wavetables, bringing the onboard total to 60 digital wavetables. You'll also find additional LFOs, a new Mod Matrix design, an FX Mod Matrix that offers big creative potential, and much more.

What's new in firmware update 1.2:

  • 43 new wavetables, bringing the total to 60 digital wavetables
  • Two more freely-assignable LFOs, for a total of four
  • Pitch Bend now available as a modulation source, and Pitch Bend Up and Down can be assigned separate signals if you like
  • Updated Mod Matrix design gives you faster access to all 16 modulation slots
  • FX Mod Matrix lets you route modulation sources to effects parameters
  • Updated envelopes add a Hold stage (up to 500ms), and the ability to loop the Attack and Decay stages
  • You can now initialize a patch while maintaining the current position of all knobs and sliders
  • Microtuning support has been added, with 16 tuning tables that you can edit and save
  • New presets include a soundbank of 128 presets by GForce Software, 50 presets by Patricia Wolf, and 178 new sounds showcasing the new features of firmware 1.2

Gloriously vibrant analog tone

From straight up saw waves to frequency-modulated sines, you'll notice the Novation Peak synthesizer has that punchy, three-dimensional sound analog synths are known for. The key is its numerically controlled New Oxford Oscillators, which sound analog but also give you access to 60 digital wavetables. And with three oscillators available per voice, that's a ton of sound design potential before you even reach for the analog multimode filter.

Massive modulation capabilities

When it's time to make your sounds really come alive, the Novation Peak module doesn't disappoint. Right from the front panel, you've got access to 16 direct modulation assignments to inject some motion into your patches. Beyond that, you've got a 16-slot modulation matrix you can use however you like. Want to use aftertouch to control the waveshape of oscillator 2? No problem. Want to control the post-filter distortion amount from the amplitude envelope? Go for it. With this much modulation potential, you'll always be able to add one more final tweak or highlight to your patch. And don't forget the FX Mod Matrix — you can now make your effects move with your mix by assigning modulators to practically any effects parameters.

Versatile distortion plus sweet effects

If you've been designing synth sounds for a while, you know that distortion can be used for much more than an aggressive effect. Producers at Sweetwater like adding subtle distortion to a bass patch to help it cut through the midrange, or they sometimes just add it to the attack of a sound to give it more bite without audible distortion. The Novation Peak features built-in distortion that you can apply pre- or post-filter for each voice — there's also a master distortion available independently. On top of that, you'll find high-quality reverb, delay, and chorus effects to finalize your patches.

The latest firmware: v2.0

Ever the innovators, Novation pride themselves on the work done by Chris Huggett, who lent his iconic design expertise in sculpting synths and sounds with the company, including the Peak and Summit. As such, firmware updates expand the already-robust features for greater creative freedom and flexibility. Navigate stylishly texturized soundscapes of any scale with new stereo shaping tools, including per-voice panning as well as panning in the mod matrix, letting you cultivate the sonic land as you see fit. Modulation opportunities abound with the addition of new mod destinations, using noise as a mod source and more parameters for LFO 3 and 4. Use these tools to harness a rich unpredictability, augmented by the introduction of Animate Envelopes and Arpeggiator Chance features. New chorus modes, flanger, and phlanger are included in the expanded effects, with additional modulation destinations letting you experiment with sound design in previously unavailable ways, like the vintage panache of the Lo-Fi delay.

Novation Peak Polyphonic Analog Synthesizer Module Features:

  • 8-voice polyphonic analog synthesizer module
  • Rich analog sound from numerically controlled New Oxford Oscillators
  • Each oscillator features 4 analog waveshapes plus 60 digital wavetables
  • Per-voice analog multimode resonant filter
  • FX Mod Matrix allows you to modulate effects parameters with LFOs and envelopes
  • Updated envelopes add a Hold stage (up to 500ms), and loopable Attack/Decay stages for use as an LFO
  • Expansive modulation capabilities, with 16 direct-access modulations and a 16-slot mod matrix
  • Powerful new Wavetable Editor unleashes the full power of the oscillators
  • Microtuning support with 16 editable tuning tables
  • Supports polyphonic aftertouch
  • Lots of hands-on control including physical sliders for envelope shapes
  • Pre- and post-filter distortion available per voice, plus a master distortion effect
  • High-quality reverb, delay, and chorus effects eliminate the need for external effects processors
  • MIDI in/out/thru for integrating with hardware sequencing rigs
  • CV modulation input for use with modular synth systems
  • Animate buttons allow you to add advanced modulation with the press of a button
  • 3-year warranty

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Tech Specs

  • Type: Desktop Synthesizer
  • Analog/Digital: Digital
  • Polyphony: 8 Notes, 5 x Voice Modes
  • Presets: 512 patches stored
  • Oscillators: 3 x New Oxford Numerically Controlled Oscillators, 17 Digital Wavetables
  • Waveforms: Sawtooth, Triangle, Sine, Square/Pulse
  • Noise Generator: Yes
  • Envelope Generator: 1 x Amp Envelope, 2 x Mod Envelope, Animate
  • LFO: 2 x LFO
  • Filter: 1 x Variable OTA Filter ; Lowpass, Bandpass, Highpass ; 12/24dB Slope
  • Effects Types: Lo-Fi Delay, Chorus, Flanger, Reverb, Delay, Chorus, Analogue Distortion
  • Arpeggiator: 33 Patterns, Arpeggiator Chance
  • Analog Outputs: 2 x 1/4" (main out)
  • Headphones: 1 x 1/4"
  • MIDI I/O: In/Out/Thru/USB
  • Other I/O: CV modulation in
  • Pedal Inputs: 2 x 1/4"
  • USB: 1 x Type B
  • Features: Stereo Spread Modes
  • Software: Ableton Live Lite 9 (included)
  • Power Supply: 12V DC power supply (included)
  • Height: 2.78"
  • Width: 18.27"
  • Depth: 9.17"
  • Manufacturer Part Number: AMS-PEAK

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Reviews

Exceeded My Expectations
I presently have a KORG Poly 61, KORG M1 and a Prophet Rev 2. I wanted something different that wouldn't overlap with what I already have. It was important for me to get a synth with minimal menu diving and a lot of hands-on controls. After doing a lot of searching, the Novation PEAK checked all the boxes. It sounds great, it is different from what I have and is easy to use. The effects are exceptional. I look forward to downloading some of the sound banks from Components.
Music background: Home studio recording
Everything I want and a lot more!
I have owned the Peak for over a month now, after returning a different synthesizer keyboard that cost twice as much, and had multiple issues that kept me from making music. The Peak has fulfilled my analogue dreams and then some.

The Novation Components software could not execute the firmware update until I updated my IMac. I was running Catalina but I'm not sure which version. The firmware update kept timing out, leaving the Peak without any data and completely useless. I tried everything I could think of, and realized that there seemed to be something wrong with the USB drivers on my computer, so I ran the update and afterwards was able to successfully update the firmware on the Peak.

And then the fun started. So here is what I think. Right out of the box, the Peak is designed for musicians making loud music. Dancey and edgy. If that's your thing then just get a Peak. I was worried about this for the first week or so before I started programming my own tones. I tend towards the more deep house, ambient, and electro folk genres, and utilize tones that are softer and more squishy. It took a second to learn that the oscillator shape control is really useful for dialing in the intensity of the tone. Once I figured this out I was able to experiment with the LFO's and modulation routings. The Peak operates like any other analogue synth and its modulators and effects are able to color the tone in unique and intriguing ways while remaining stable. I did an LFO "test drive" where I played a single drone note to see how much sound would come out after detunings, modulation routings, and effects were added, and I still can't fully wrap my head around all the sounds coming out. I listen to it at least once a day and always have a stink face that says "dang that's nasty!" It showed me how well the Peak is programmed, and how effective the modulators are. I was looking for a once in a lifetime signature piece of analogue hardware. Something that I could grow into and that would be relevant forever. The Peak is all that.
Music background: dj, guitarist, synth hobbiest
Dream synth
I played for hours straight. Even just making sound effects was a blast. Easily my favorite synth I played.
Phenomenal
Loving this synth. Such control and sonic exploration.
Peak is very very good
Built well, user wavetables, huge sounds!
Its a wonderful synth! If i could only have one synth it wiuld be peak!