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JBL 705P 7 Series 5 inch Powered Studio Monitor

5" Active 2-way Studio Monitor with Image Control Waveguide, DSP-based EQ, and 250W/250W Bi-amplification (each)
4 Write review Item ID: LSR705P
$1,199.00 (each)

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JBL 705P 7 Series 5 inch Powered Studio Monitor
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$1,199.00 (each)
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A Next Generation Monitoring Experience from JBL

For music production, post and broadcast, JBL 705P active studio monitors make it easier to achieve a superior monitoring experience in your studio. Thanks to JBL's acclaimed Image Control Waveguide (found on their flagship M2 reference monitor), 705P monitors project an amazingly large "sweet spot" for sonic accuracy throughout your mixing space. The soundstage is deep and wide, with ample output that competes with much larger speakers. With built-in DSP for advanced equalization and delay options, and your choice of analog or digital input, the JBL 705P is an outstanding solution for nearfield and midfield monitoring.

Related Videos: 705P 7 Series 5 inch Powered Studio Monitor

Greater dynamic range through next-gen driver technology

JBL's bi-amplified 705P studio monitor employs two custom drivers, the 2409H high-frequency compression driver, and the 725G low-frequency driver. Each was designed specifically by JBL for optimal dynamic range and low distortion in their relative frequency ranges. Between them, you'll hear remarkably linear output from below 39Hz all the way up. Another benefit of these drivers is their impressive volume handling: JBL reports the 705P offers two to three times the output of comparable studio monitors.

Powerful bi-amplification system

To get the best results from their custom drivers, JBL designed a powerful Class D amplification system for the 705P studio monitor. A 250-watt amp powers the 2409H high-frequency transducer, while an additional 250-watt amp drives the 725G low-frequency transducer. This system allows the 705P to deliver much more output than similar-sized speakers, allowing you to place it at greater distances in post production or mastering environments.

Innovative waveguide creates a large sonic sweet spot

If the 705P's design looks familiar, it's because it's equipped with the same waveguide as their flagship M2 reference monitoring system. Designed for sonic accuracy and neutrality, this waveguide also allows for a better sonic transition between the high- and low-frequency drivers. Said another way, you won't hear a noticeable dip in the crossover frequency range like you do with many two-way monitors. The waveguide also creates an exceptionally large sonic sweet spot, allowing for accurate monitoring throughout more of your control room. We've heard a lot of studio monitors at Sweetwater, and we're extremely impressed with the sound of the JBL 705P.

Combat acoustics and sync to video with DSP-based EQ and delay

In an acoustically perfect room, JBL's 705P monitor sounds remarkably neutral. For the real world, however, the 705P is equipped with DSP-based EQ to compensate for room acoustics. Fine tune your sound with the 12-band Room EQ, or use the 8-band User EQ for a customized response curve — perfect for compensating for screen loss when placed behind a perforated cinema screen. In larger spaces you can use digital delay to align speakers relative to your listening position. Additional AV Synchronization delay is ready to compensate for high-latency video displays.

JBL 705P Active Studio Monitor Features:

  • Active 2-way reference monitor with 250W/250W Class D bi-amplification
  • Image Control Waveguide creates an exceptionally large sonic sweet spot
  • Neutral sound with wide-ranging response, from below 39Hz to above 36kHz
  • Wide dynamic range, with 2–3 times the output of similar-sized monitor speakers
  • Compensate for room acoustics and video latency with DSP-based EQ and digital delay
  • Can be combined with JBL M2 Master Reference Monitors in a multi-channel system
  • Harmon HiQnet port for future updates and digital networking
  • Analog and digital inputs, with support for up to 192kHz
  • Rugged construction with birch cabinet and steel grille

Additional Media

Studio Monitor Buying Guide

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Tech Specs

  • Powered: Yes
  • Power Configuration: Bi-amped
  • Quantity: Single
  • LF Driver Size: 5" JBL 725G
  • HF Driver Type: 2409H High-frequency compression driver
  • LF Driver Power Amp: 250W
  • HF Driver Power Amp: 250W
  • Total Power: 370W Class D
  • Frequency Range: 45Hz-25kHz
  • Crossover Frequency: 1.75kHz
  • Maximum Peak SPL: 107 dB SPL @ 1m
  • Input Types: 1 x XLR (analog), 1 x XLR (AES/EBU)
  • Output Types: 1 x XLR Thru (AES/EBU)
  • Other I/O: 1 x RJ45 (HiQnet)
  • Features: Room EQ settings, User EQ settings, Delay, Multi-channel combination options
  • Enclosure Type: Front ported
  • Enclosure Material: Birch plywood cabinet with top and bottom mounting points
  • Height: 10.5"
  • Width: 5.9"
  • Depth: 10.8"
  • Weight: 12.5 lbs.
  • Manufacturer Part Number: 705P

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Customer Reviews

5.0 out of 5

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The real deal, feature packed, best in this price range

I had been mixing on my E8's for 18 years, I love them, but the KRK office here in L.A. was shuttered after the Gibson takeover so no service is possible. They are failing, and I'd been fighting new monitors for a couple years. I mention this as many can probably relate to wanting to stay with their beloved tool that has been working for them. JBL fell of my radar when they focused on consumer level monitors. I have several of those in my studios, and they are mediocre. I also have installed large JBL cinema speakers and their compression drivers are amazing. The ethos of this speaker really spoke to me... new technology, thinking outside the box, and focusing on low distortion, wide imaging, extended high frequency response and adaptability. You won't really see mention of these facets in most other monitors, because they really can't. They are mostly using the same technology, and have the same restrictive performance, relying on price point, online reviews, etc. As a technician, it's easy to recognize the effort that went into the design of these, but what about the sound? After all that's what matters. First off, it only took me about a month of adjusting to find the perfect positioning and tuning, something rarely discussed, but positioning is super important. Aside from positioning, I only made a small dip around 70 Hz which was a bit boomy, and gave them a nudge up in the 1K area for vocal clarity. That's it! The dsp is transparent and addressed my issues very easily. You can actually make several bands of adjustment if you desire. One speaker is about 2db louder than the other, no problem, there's a trim with .1db resolution, fantastic! I am blown away by the high frequency output, it's unbelievably clear, with no compression or straining I am accustomed to on normal tweeters. Extension is to the moon. You will hear distortion on records that you never noticed before. The sound stage is epic! The center image is firmly planted in between the speakers, like it's coming out of my computer screen. Panned elements are effortlessly separated from the center. I'm hearing recordings I know like the back of my hand for the firs time. Hearing singers opening their mouth before they sing. I never achieved this level of imaging with close monitors before, but I do have this with my listening system in my living room. I don't hear a left and right speaker, I hear a wall of sound 5 feet wide. It's mind blowing. They are very small and light. There are a couple of weaknesses. For one, the digital inputs are awful. I fought it for two days, and get fantastic results just analog from my apogee AD. Also, while they are ported and have a lot of low end, I felt it is exaggerated, but was easy to tune out. It's a 5" driver after all, sounds bigger than that, but still not nearly enough for full range mixing with a clear drop below 60Hz or so, for music you definitely want good subs to go with it. I also sleep well knowing Harman group stand behind their products, I use their equipment in large scale installations I have to maintain, and in the rare occasions I need assistance, they actually always pick up the phone and talk to me and will help solve any problems, and that's an intangible value.
by Juan Suarez from Los Angeles on

Unbelievable

So to be brief , I have quite a long history with my old JBL 6328P monitors. I had used mine for over a decade, and those were a Godsend compared to the old Mackie HR 828's , which caused so much listening fatigue I find it a wonder anyone could use them for long periods. The old 6328's were a huge step up for me, and only had a few minor regrets with them--their size (and loudness, eventually) and a mildly boxy sound that I've heard mentioned in a few professional circles. They were never unusable, they were always supremely accurate, but you never exactly got a sense of 3D immersion, the boxiness of the old monitors definitely gave them more of a 2D flavor , in spite of the praise I have for their accuracy.

It eventually came about that I needed to move out of the country, and into a much smaller space. I had to abandon the use of my 6328's due to potential noise complaints from neighbors with a shared wall, not to mention the amount of space they took up in my new mixing space would be unacceptable.

So after ensuring that my new room was treated, I went around looking for reviews of smaller speakers, and came across the usual Genelec, KH, etc, and eventually came across a few reviews of the 705P's. I remember seeing one that was less than positive from a big audio reviewing site, and another extolling the praises of the 705, so I was a little disheartened finding that there were some big criticisms out there of the 705P, even though there was a counterbalancing positive. One reviewer noticed a "boxy" sound in the 705P, which I was very familiar with already from the 6328P, but the other review was actually making positive evaluations of the newer 705P when compared to the 6328P. In their own summary, the 705P blew away the 6328P, which I admit sounded like fluff and exaggeration. But I definitely needed something good, and small, with a good low end, and the JBL fit the bill--I could not find anything else this size (it's the smallest I've seen) with such a great low end spec--almost as low as the 6328P, which again , was hard to believe given the size difference between the two.

In any case, based on the need for something small, I went ahead and ordered the 705P's.

So I've been using them for a few weeks now, and after working with them for a while now, I can say that I am rather surprised to find myself in the same camp as that reviewer who was praising the merits of the 705P compared to the 6328, rather than the more negative review.

More importantly, I can address their claim that the 705p is somehow better than the 6328P's.

I have to wholeheartedly agree--as miraculous as it may seem, they are better than my beloved 6328's.

That boxiness that I could not stand about the 6328's is gone. No trace of it whatsoever. All I get is a gorgeously balanced signal that is very easy to listen to, and has great low end--rather shocking at this size. Now it doesn't have the output capacity of the 6328's, but that really isn't needed now, so for my purposes, this is just fine. But still, they can go pretty loud if needed. Not that I can ever fully utilize them in such a way since I do have the aforementioned neighbors next to me, but with that being said, these are very great monitors that can crank out some good volume and not lose anything. And a very nice stereo spread.

Now I do regret that the EQ on the back isn't analog like the old monitors--I don't really use it yet, but I do like the old dip switches on the 6328's better. And it is rather cramped in the back, but really, I can't expect more in something this small.

Now would I buy these again? Absolutely! I may just end up getting another set for listening upstairs in the dining area or for home theater--they have such a tremendous amount of energy for something so small. There may be better speakers out there, but for now, I really don't want to think about how much it would cost to get such a good sound out of something equally as small--I just want to enjoy working with these and move on the the next project!
by Michael from BC on
Music background: Producer / Arranger

Everything you expect and require in a near field monitor

My Sweetwater sales engineer - Carson McClain - suggested that I try these out, as I was upgrading my monitors from JBL 3 series.. These were introduced at the winter NAMM and AES shows, and were blowing people away. As I absolutely trust Carson, I decided to go JBL rather than a certain monitor made in France, at three times the price. I will tell you that these are the best monitors I have heard and I have been in professional sound since 1988. The "sweet spot" is frankly amazingly wide, the frequency response, exceptional - I can move from one end of my console to the other (about seven feet) and they maintain center. I'm rather old school and create balanced mixes that use the entire musical spectrum, and these monitors meet and surpass my expectations. The monitors are very flat and don't color your sound, and the built in EQ and DSP allow you to tune out variances in your room acoustics. I drive them directly from my SSl console, and in a word, these near fields are simply stunning. They are no-nonsense and everything you require as an audio professional in a monitor. They will help you to create a mix YOU can be proud of, and your clients will love. I don't know how JBL was able to accomplish this, but I am very glad that they did. 5 stars all the way - these monitors deserve it.
by Cynthia Klenk, RedRavenSounds LLC from Seattle, Washington on
Music background: Audio engineer since 1988, and musician/singer/songwriter

Blown away!

When looking into studio monitors my sweetwater rep - Aaron Tremain, said that in this price range the 705's were the way to go.
I must say, I was initially skeptical about buying the 705's. having the 305's (as secondary reference monitors) I didn't see why i should buy "an upgraded version on the same thing".
But boy was I wrong..
The stereo Imaging out of these little guys are out of this world! and the clarity - superb.
From the kicks and bass which literally sound like they're coming from a sub under the table, to panning Instruments & background vocals to create space, the incredible almost-visual image in front of you is gorgeous!
as my Rep said after I made the order - "I'm excited for you to hear them! some things I hear and can explain what I'm hearing, and some things are just magic!"
by AN on
See also: Active Speakers, JBL, JBL Active Monitors
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