There are studio and broadcast staples that just don’t have enough output to pair well with every preamp out there. They just need a little “push” to sound their best. The Cloudlifter sits in-line and gives these mics a 25dB shot of gain, which is more than enough to let them work well with virtually any preamp. Available in single- and dual-channel versions, both with and without variable impedance, these handy devices are a must if you have dynamic microphones.
Ribbon mics have a unique tonality that makes them great for vocals, guitars, and a host of other sound sources. They also typically have lower output than their condenser or dynamic brethren. When you add a Cloudlifter to the signal path, even the most problematic vintage ribbon mics shine. If you’re a fan of vintage (or modern) ribbons, make the most of your mics with a Cloudlifter.
The first Cloudlifter floor units were smaller than the average direct box. When they expanded into dual-channel designs and optional impedance shifting, they grew a bit, but were still pretty compact. You’ll find multichannel versions in project studios and larger installs, bringing the same clean gain “oomph” the smaller units offer, but the rackable design helps tidy the floor and gives you convenient access from your rack.
