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Behringer Spice Analog Semi-modular Polyrhythmic Synthesizer

Semi-modular Analog Monosynth with 2 x 4-step Sequencer, Polyrhythm Generator, 2 x VCO, 4 x Sub-osc, Osc Mixer, Multimode VCF, VCA, Env, and 32-point Patch Matrix I/O
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Item ID: Spice
Behringer Spice Analog Semi-modular Polyrhythmic Synthesizer
Price:$289 and 00 cents
$49.00 suggested monthly payments with 6 month financing‡

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Behringer Spice Analog Semi-modular Polyrhythmic Synthesizer
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Price:$289 and 00 cents
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Rattle the Floorboards with Raucous, Analog Polyrhythms

As the saying goes, variety is the spice of life. Fittingly, Behringer’s Spice polyrhythmic synthesizer is more than ready to shake up your sonic domain, from subterranean basses to ripping sequences of thundering proportions. Its pure-analog signal path undergirds a dynamic architecture of dual 4-step sequencers, a dyad of multi-waveform VCOs, a resonant 24dB ladder filter, and a tetrad of titanic sub-oscillators to start. Its polyrhythmic potential and variable quantization open the doors to complex sequencing capabilities, but where Sweetwater’s synthesists are raring to explore is the intersection of these rhythmic tools with the electrifying soundfield of its extensive oscillator mixer — two primary oscillators that are undergirded by a whopping four, bellowing sub-harmonic oscillators (two per main oscillator), with flexible sequencing assignments and individuated controls for Level and Frequency parameters of each primary and sub-harmonic oscillator. In all its latent potential, Spice goes beyond this voltaic suite of synth sonics, thanks to its envelope generator, extensive MIDI connectivity, and immense 32-point patch matrix I/O. Whether you’re running it standalone, using it as a shade in your palette, or driving the show, the Behringer Spice is a behemoth of polyrhythmic sequencing, deploying roaring analog character across a prismatic spectrum of sonic contouring.

Six oscillators, two lanes, one immense voice

On paper, Spice is a monosynth, but there’s more to meets the eye — or ear — than one might assume, and it starts with its all-analog architecture: a hexad of cascading oscillators. Both VCOs feature three waveform options, independently selectable, with each oscillator functioning like its own lane. Within each oscillator “lane,” a pair of seismic sub-harmonic oscillators can each be adjusted for their respective Frequency and Level values. From here, everything routes through the smoldering harmonic-rich filter: a 24dB/octave VCF that’s immensely resonant. With a VCA, VCF envelope, and per-VCO pulse-width modulation capabilities, Spice’s sonic contouring conjures that thickest of synth shades, transforming a basic monophonic profile into a multidimensional prism of six-layered, octave-transcending sounds.

Powerful polyrhythmic sequencing

Each VCO lane allows you to freely assign primary and sub-harmonic oscillators to one of its dual 4-step analog sequencers. With a host of high-caliber math going on under the hood, four polyrhythm generators clock this couplet of sequencers. Meanwhile, eight division assignments, variable quantization, sequence-octave selections, and flexible tempo-sync tools transform your palette into a machine of complex sequences and roaring rhythms.

Plug-and-play: from modular to MIDI, both and beyond

Across Spice’s 57 controls, Behringer’s crafted a smorgasbord of polyrhythmic possibilities, powered by the searing sonics of its analog oscillators and their subterranean supplements, but these myriad musical capabilities are only the beginning. Across the top of the synth, a total of 32 patch points comprise a matrix of interoperative potential, from inventive self-patching to limitless multi-instrumental capabilities, including envelop generation, sequencing behavior, per-rhythm controls, PWM, clocking, and more. Spice’s musicality doesn’t stop there, however, as the semi-modular synth is armed with extensive MIDI connectivity. A pair of 5-pin DIN ports provide MIDI in, out, and thru connections, while the rear-mounted USB port supplies 2-way USB-MIDI, collectively supplying 16-channel menagerie of MIDI magic that brings both software and hardware instruments into Spice’s semi-modular fold.

Behringer Spice Features:

  • Semi-modular polyrhythmic synthesizer uses an all-analog architecture for crafting immense rhythms, patterns, leads, basses, and more
  • Dual VCOs feature 2 subharmonic oscillators each, expanding your monophonic palette with cascading full-spectrum sounds and thunderous forms of pseudo-polyphony
  • Onboard PWM augments sonic contouring opportunities for dynamic, undulating sound-spaces
  • Multimode resonant ladder filter uses a 24dB/oct design for rich, blossoming harmonics and immense sound sculpting
  • Dual 4-step sequencer features extensive assignment, division, quantization, and octave customization, letting you build complex sequences and rhythms
  • 57 surface-mounted controls provide direct, hands-on access to all parameters
  • 32-point patch matrix ensures extensive creative potential with other compatible sources and destinations, alongside robust self-patching possibilities
  • Comprehensive 16-channel MIDI connectivity includes 5-pin DIN in/out/thru and USB-MIDI for near-endless opportunities for software and hardware control
  • Flexible tempo adaptation via MIDI, clock sync, or manual control means extensive interoperative capabilities across multi-instrumental synchronization

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Tech Specs

  • Type: Spice Polyrhythmic Desktop Synthesizer
  • Analog/Digital: Analog
  • Polyphony: Monophonic
  • Oscillators: 2 x VCOs
  • Waveforms: Square, Sawtooth
  • Envelope Generator: 2 x AD
  • Filter: LPF 24dB/octave
  • Sequencer: Dual 4-step Sequencers
  • Analog Outputs: 1 x 1/8" TRS
  • Headphones: 1 x 1/8" TRS (top)
  • MIDI I/O: 2 x 5-pin DIN (in, out/thru), USB
  • Other I/O: Patch Panel: 16 x 1/8" TS In, 15 x 1/8" TS Out
  • USB: 1 x Micro B (rear, MIDI)
  • OS Requirements - Mac: mac OS X 10.10 or later
  • OS Requirements - PC: Windows 7 or later
  • Power Supply: 12V DC Power Supply (included)
  • Power Usage: 1000mA
  • Height: 1.77"
  • Width: 12.63"
  • Depth: 6.45"
  • Weight: 3.26 lbs
  • Manufacturer Part Number: 0718-ACD86-US1

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Reviews

Weird but fun
Though there is a slight learning curve when you understand it it's pretty fun to use sounds good and trippy rhythms
Quirky and strange
I wasn't really a fan of the subharmonicon by Moog so I didn't wanna spend a whole lot of money.
So I picked this little gem up.
It's actually very cool. I don't know what the guy was talking about about not being able to sync mini or use the CV input. I have mine synced up perfectly with my two Behringer edges sync directly into my computer via USB works like a charm very strange very quirky so much fun to play with.
Hook it up to a few guitar pedals and you've got some magic happening.
It's by no means a typical synthesizer it's really made for experimenting and just having some fun isn't that what music is all about?
If you're looking for a synthesizer to make some strange and quirky sounds, this is the one if you're looking to write a symphony or piano parts you probably don't wanna buy this.
Music background: Professional synthesis
Didn't know what to expect, but very pleasantly surprised
OK. It's a quirky little synth. I really didn't know what the ramifications of "Polyrhythmic" would be. I didn't know it was basically a 4-step sequencer with some tweaky little knobs attached. But I was lucky enough to get a "DEMO" unit at a reduced price from Sweetwater and jumped at it.
Quick note about Sweetwater: They are one of my favorite retailers - quick and responsive, personal and cordial, and their prices and shipping are tough to beat.
Back to the Subhar... uh... Spice: In minutes, I was set up and making weird sounds and rhythms. I still haven't tried it with a MIDI controller. I have lots of other little synths to do normal, synthy things with. I'm very interested in getting this unit in sync with my Edge for some Sick Beats - lol.
After playing with rhythms for a while I started messing with the patch matrix. Basically, take an output and plug it into some input. Like VCO 2 Sub 2 -> VCO 1. The results ranged from "nothing" to "Sound Design Nirvana!" - bleeps, bloops, risers, stabs, etc. As a long-time aficionado of "funny noises" (as my long-suffering wife refers to them), I was blown away by the vast variety of easily produced, morphing and flowering funny noises I could coax out of the Spice. I can't wait to start sampling some of the better results.
Be aware that replicating any result can be pretty tricky. Everything interacts with everything else (yes, that's an exaggeration) and is controlled by teeny, tweaky knobs. That's the fun of it, I think. Keep something around for posterity? Get out your sampler!
Lastly, I have only had it for a couple of days, so you're hearing from a complete noob here. I have no idea how this would fit into a live performance setup, or how well it will work and play with other synths. But I'm looking forward to finding out. Thanks, Sweetwater!
Music background: Hacking away at guitar and keys since I stole my dad's cheap archtop at age 6
Solid and clean
same as the subharmonicon. the guy freaking out doesnt get this is not for making music fast. if you want to turn knobs to make ok sequences this is for you. its nice to use for modulation like running the sequencers out for filters with change in them. eurorack youd pay way more for a t machine. this and the sub are not easy and take time so just know that and youll probablky love it. less is more with these IMO . My buddy has one and thge sound is great . blind fold 99 percent of people and they couldnt tell the difference. its almost cleaner than the Moog
Do not buy
Horrible, horrible, horrible.
If I cannot get in touch with Behringer directly and get some answers I will be demanding a refund from them and not Sweetwater.

This thing is useless.. it's like a joke.. it's like a practical joke of a synth.

I could deal with the fact that it makes NOT ONE sound that is appealing... okay, so it sucks, okay let the buyer beware.

Here's what REALLY burns my bacon...

It won't sync to ANYTHING!

Midi doesn't sync it, the trigger input doesn't sync it, the "play" input doesn't sync it... NO SYNC AT ALL.

The Crave is similar, this is 10 times worse.

NOTHING will simply RUN THE SEQUENCER in time with a drum machine = WORTHLESS

It would still be worthless considering about 10 other things that I don't feel like going into right now.

DO NOT BUY THIS EVER... 100% WORTHLESS