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Eastman Guitars AC922CE Acoustic-electric Guitar - Natural

6-string Acoustic-electric Guitar with Spruce Top, Rosewood Back and Sides, Mahogany Neck, and Ebony Fingerboard - Natural
Eastman Guitars AC922CE Acoustic-electric Guitar - Natural
$3,549.00
6 months
$592.00 suggested monthly payment§ with 6 month special financing
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Eastman Guitars AC922CE Acoustic-electric Guitar - Natural
Backordered - More On The Way! Notify me
$3,549.00
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The Highest Level of Handmade Eastman Craftsmanship

Eastman’s AC922CE is a true show stopper of a 6-string, combining the brand’s high-performance Grand Auditorium Body shape with an enveloping array of premier decorative appointments and world-class tonewoods. Truly a fingerstyle player’s dream guitar, the AC922CE begins with the soft and dynamic response of an Engelmann spruce top with hand-carved scalloped X-bracing. Next, a premium set of rosewood back and sides fills out your tone with impressive low end and powerful, projecting treble frequencies with lush harmonic depth. The ebony fingerboard proudly brandishes attention-demanding Large Vine inlays — a perfect visual complement to the dazzling abalone rosette. And while the AC922CE is certainly one of the more elegant-looking 6-strings Eastman has to offer, a fast-playing Traditional Even “C” mahogany neck, 1.5-inch sound port, rosewood arm contour, and deep body cutaway supply top-notch performance to match this guitar’s superlative looks. Finally, the AC922CE comes equipped with stage-ready LR Baggs Anthem electronics. It all adds up to a truly exquisite instrument, representing the perfect marriage of acoustic-electric performance and handcrafted, master-grade luthiery.

Modern performance paired with classic tonewoods

While the AC922CE Grand Auditorium is certainly one of the most innovative acoustic-electrics in Eastman's lineup, its tonewood pairing comprises one of the most time-tested acoustic combinations: spruce and rosewood. In fact, this guitar boasts a premium Engelmann spruce top supplies a sweet, soft, and dynamic response — ideal for fingerstyle pickers and singer-songwriters. Coupled with the firm bass, bell-like highs, and harmonic-drenched sound of the rosewood back and sides, the Eastman AC922CE is equally capable of taking on intimate fingerstyle finesse, high-energy strumming, and everything else in between.

Ultra-versatile Grand Auditorium body

Eastman’s Grand Auditorium acoustic guitars represent a thoroughly modern reimagining of the acoustic guitar, forgoing vintage inspiration for contemporary performance and versatility. The body clocks in at just a touch smaller than a dreadnought but bigger than any fingerstyle-bound parlor guitar. This in-between body shape allows the Grand Auditorium to serve as a sonic Swiss Army knife, tackling any style or genre you can throw at it with a remarkably balanced response across all six strings. Furthermore, the AC922CE comes equipped with three decidedly modern enhancements: A deep cutaway for full access to the upper frets, a 1.5-inch sound port to provide your ear a direct sonic snapshot of what your audience hears, and a comfortably contoured rosewood armrest. An LR Baggs Anthem pickup seals the deal with lush, acoustically accurate plugged-in tones.

Eastman Guitars: thinking inside the box

Many know the Eastman Music Company as a trusted name in the realm of band and orchestra instruments. Fortunately for all guitar lovers, Eastman Guitars has attained a similar stature with its steadfast dedication to the guitar-building process. Similar to how Sweetwater got its start, Eastman founder Qian Ni grew his business from its humble origins in the back of his car to its status as a burgeoning, reputable company. Today, Eastman is also the proud owner of Bourgeois Guitars — as a matter of fact, Eastman’s high-end guitars are voiced by hand by luthiers trained under the multitalented Dana Bourgeois. True to Ni’s vision, Eastman Guitars meticulously approaches each instrument, backing them with a lifetime warranty. From hand-scalloped bracing to fine tonewoods to precision tap tuning, an Eastman guitar is a feature-rich instrument that will grow with you musically for years to come!

Eastman AC922CE Acoustic-electric Guitar Features:

  • Eastman’s immensely versatile Grand Auditorium body style, elevated with a gorgeous array of top-end aesthetic features
  • Engelmann spruce top with hand-carved scalloped X-bracing offers a sweet and responsive tonality
  • Rosewood back and sides supply firm bass, sparkling highs, and harmonic-rich overtones
  • Cutaway offers unfettered access to all 20 frets
  • Fast-playing Traditional Even “C” neck shape carved from a stout slab of mahogany
  • Ebony fingerboard complete with dazzling Large Vine themed inlays
  • 1.5-inch sound port provides an exact sonic snapshot of what your audience hears from your guitar’s soundhole
  • Comfortable rosewood armrest contour
  • Stage-ready LR Baggs Anthem electronics electrify your unplugged tones with the utmost acoustic authenticity
  • Elegant visual appointments include flamed maple binding purfling, pearl inlay on the headstock, and a striking abalone rosette
  • Incredibly stable Gotoh SG301 tuners

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Tech Specs

  • String Type: Steel
  • Number of Strings: 6
  • Left-/Right-handed: Right-handed
  • Body Shape: AC922CE Grand Auditorium
  • Back & Sides Wood: Solid Rosewood
  • Top Wood: European Spruce
  • Top Finish: Gloss
  • Color: Natural
  • Body Bracing: Scalloped X-bracing
  • Binding: Black/White
  • Neck Wood: Mahogany
  • Neck Shape: Traditional Even C
  • Radius: 12"
  • Fingerboard Material: Ebony
  • Fingerboard Inlay: Vine
  • Number of Frets: 20
  • Scale Length: 25.4"
  • Nut Width: 1.75"
  • Nut/Saddle Material: Bone/Bone
  • Bridge Material: Ebony
  • Tuning Machines: Gotoh SG301, 18:1
  • Electronics: LR Baggs Anthem
  • Strings: D'Addario XS coated Light, .012-.053
  • Case/Gig Bag: Hardshell Case
  • Manufacturer Part Number: AC922CE

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Reviews

Rated 5/5
Eastman AC922CE asks the question - How Much Bling is Enough?
I've had this guitar for about a month and a half, which I think is long enough to offer an opinion. For build quality and tone I would rate it right up there with any other guitar I've ever owned and that includes some Custom Shop guitars from Martin and Gibson. This guitar has a lot of ivory/pearl inlay and that either works for you or it doesn't. If it doesn't, but you want a comparable guitar I say check out an Eastman AC722CE which has all the same features, but with less bling (and a noticeably lower price). Three things about this guitar are new for me - I've never owned a Grand Auditorium size, had a guitar with a bevel where your arm rests, or that had a sound port. First off, the sound produced by the Grand Auditorium body size - to my ear it's like you took a dreadnought or a jumbo and dialed it back a little. It responds well to both fingers or a pick, but if you bang away on it really hard the sound doesn't hold up as well as it might with a larger bodied instrument. I would say its is more sensitive to the type of strings you use than anything else I've owned. Light vs mediums, 80/20s vs pure phosphor bronze, etc. They all sound good, but markedly different from each other, compared to how the differences might be more subtle on a larger guitar. The bevel/arm rest... personally I don't care for how it looks, but I can't deny that it's noticeably more comfortable. As for the sound port - the jury is still out on it. I don't think it affects the projection out of the front of the guitar one way or another, but it does seem to present a bit more volume toward the player - and if you lean in to where your ear is just a couple of inches away from the port it is positively deafening!

As always, You will never gone wrong with Josh Trumm as your sales engineer!
Rated 5/5
Mine is a limited edition with camphor wood back and sides
This is a magnificent guitar. It is extremely well balanced and resonant and compares very well to guitars I recently played selling for twice as much or more (Martin and Lowden and H&D and so on).
My previous best guitar was a 1999 Taylor 414, which is a very sweet guitar but cannot come near this one, I'm afraid.
Mine is a limited edition with golden camphor, not rosewood, but it is an impressive guitar. I would love to try the rosewood some day.
I think the camphor wood mellows it out a bit, which suits me.
It is very blinged out and I don't mind that, but I would have been happy to go without it. Anyway you are going to see a lot of abalone.
The tuners and bridge and nut are superb.
This is the kind of guitar where you are playing a song and then just play a chord and let it linger.
The g string is particularly find, but in general it has a kind of pianistic thickness and power for finger style.
I was surprised by the excellence of the amplified sound via the Anthem mic. It is quite good, very strong and clear. I have the same mic on the Taylor and the sound on the Eastman is much better.
Music background: Amateur player who likes easy songs and fingerstyle