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Neve 88RLB 500-series Microphone Preamp

500-series Mic/Line/Instrument Preamp with +48V Phantom Power, -20dB Pad, Phase Invert, Sweepable Highpass Filter, and REGeneration Feature
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Item ID: 88RLB
Neve 88RLB 500-series Microphone Preamp
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Price:$845 and 00 cents
Original price, crossed out: $895 and 00 cents
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Neve 88RLB 500-series Microphone Preamp
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The Ultimate Analog Console Preamp for 500-series

The AMS Neve 88RLB — the same preamp found in AMS Neve’s flagship large-format recording console — offers unparalleled sonic performance in a 500-series format module. With modern clarity and incredibly high headroom, the 88RLB features a switchable transformer-coupled mic input, balanced line input, and DI input, with intelligent 48V phantom power for safely powering condenser mics, active ribbon mics, and dynamic mic boosters. A sweepable highpass filter allows you to cut muddy low-end rumble on the way in, and a -20dB pad allows you to record loud sources such as guitar amps and snare drums without fear of clipping. Additionally, a unique REGeneration feature routes the line and DI inputs through the mic input transformer to take advantage of the unit’s inherent analog warmth. The AMS Neve 88RLB is prized by engineers at Sweetwater for its sonic versatility; it’s transparent enough to use across an entire session and it has enough character to bring a recording to life. If you’ve always wanted that larger-than-life analog recording console sound, but couldn’t justify purchasing a full board, then the AMS Neve 88RLB is the unit for you!

The legend continues

At Sweetwater, the name Neve commands reverence. Rupert Neve started designing audio equipment in the tube console era but made his mark with solid-state designs. Setting up shop in Little Shelford in the ’60s, Mr. Neve faced many obstacles establishing his brand amid a new technological landscape. Transistors were new, expensive, and difficult to obtain in quantity in the UK. Reliable faders didn’t exist yet — a far cry from today’s world, where parts are affordable and readily available from multiple suppliers, all competing to win bids. Nevertheless, Rupert persisted. And by the early 1970s, the Neve company was humming along, taking orders and building custom transformer-balanced consoles for recording and broadcast studios the world over.

Neve 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve desks as fast as they could. By 1978, with the introduction of the majestic 8078 — the pinnacle of handwired analog “production” consoles — and NECAM automation system, Neve boards were the main component of the success formula for any recording studio with world-class aspirations. In the decades since, AMS Neve has innovated with groundbreaking products such as the VR, VX, and 88R series consoles. And today, the company continues to advance the state of the art with cutting-edge pro audio gear that sounds incredible and intelligently addresses the challenges of the digital age.

AMS Neve 88RLB 500-series Microphone/Line/Instrument Preamp Features:

  • Authentic 88RS preamp from Neve’s flagship large format recording console in a 500-series module
  • Modern clarity and performance with just the right touch of analog warmth
  • Switchable transformer-coupled mic input, balanced line input, and DI input
  • Intelligent 48V phantom power for safely powering condenser mics, active ribbon mics, and dynamic mic boosters
  • Cut unwanted low-end rumble and mud on the way in with the sweepable highpass filter
  • -20dB pad allows you to record loud sources without fear of clipping
  • REGeneration feature routes the line and DI inputs through the mic input transformer to take advantage of the unit’s inherent analog warmth
  • Phase reversal switch
  • Ground lift switch eliminates potential ground loops when using with unbalanced connectors
  • Compatible with most standard 500-series chassis; for details, contact your Sweetwater Sales Engineer

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Tech Specs

  • Preamp Type: Solid State
  • Number of Channels: 1
  • Frequency Response: 20Hz-20kHz (±0.5dB)
  • Phantom Power: Yes
  • Pads: -20dB
  • Polarity Switch: Yes
  • EQ: Sweepable Highpass Filter
  • Analog Inputs: 1 x XLR/1/4" combo (mic/line/DI)
  • Module Slot Size: Single
  • Power Usage: +16V/90mA, -16V/60mA
  • Depth: 5.75"
  • Weight: 1.1 lbs.
  • Manufacturer Part Number: 88RLB

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Reviews

Pyle Wireless Mic Companion
Large format style in a home studio, the AMS Neve 88 RLB 500 Series is a whole step.
Music background: Recording Engineer
Neve 88 Clear & Punchy
this is a great pre if you are looking for clarity with a lil vibe /
I use it with my keyboards , mpc and microphones ! (sm 7b sm 58 AT 4050)
can't wait to try it out with my friends recording Live percussion and Trumpet defiantly recommend !
Music background: dj/ audio exciter / funky vocalist / music maker
Sounds Like A Record!
These preamps are SO underrated. I got 2 of these for my studio setup and once I tried them out I got 2 more. I use them as audio processors for in the DAW virtual instruments, and I have never seen a set of preamps I can get so many different flavors out of it. Run on Mic and overdrive it for that Neve grit. Or switch to DI and get a totally different sound than the mic input. Line input sounds totally different than Mic or DI. Use regenerate, let the signal run through the input transformer, and it sounds totally different than anything else out there. There's no wonder the 88rs console is legendary for Post/TV/Film work! Get it and you won't regret it...
Music background: Composer/Producer/DJ
This Preamp is Amazing!!
I run a home studio and I decided to upgrade from using my interface to a dedicated mic preamp. I have to say the 88RLB is amazing! It is extremely quiet, has a clean sound with a thick low end, and a lot of clean gain powerful enough to use my SM7B without a Fethead (though you can still benefit from using one if you choose to). I used the line input with the REG button to process a mix and I was blown away! Running my mix thru the preamp added weight to the low end making the track feel more full. The only downside to this preamp is that the knobs do not feel very sturdy, but if you are not a very heavy handed person like myself, it probably won't be too big of an issue.

Great preamp, great DI, and a great mixing/mastering tool! Highly recommend!
Music background: Audio Engineer & Music Producer
All around workhorse
This is just an all around, great preamp. It is somewhat middle of the road as far as warmth, openness, and clarity. If you only get one type of good preamp, this would be an excellent choice. You just can't go wrong with it on anything. Price point is great too considering its pedigree, build quality, and sound.
Music background: Musician, engineer