Chances are, if you look at any typical sound-reinforcement rig, you're going to find some dbx gear. Many longtime studio engineers swear by dbx too. It all started back in 1971, when the already renowned David E. Blackmer founded dbx. By 1976, the 160 compressor started making waves, and over 40 years later, it's still one of the most popular hardware compressors on the market. From their classic OverEasy compression to True RMS Level Detection and True RMS Power Summing, dbx has pushed the envelop of audio processing for decades, making it one of the most trusted brands you'll find at Sweetwater.
Hands down, it was the rampant success of the original 160 compressor that put dbx on the map. This was the compressor that introduced the slow-onset OverEasy mode that gave this iconic dynamics processor the smooth, musical quality. The 160 was so popular that it was a common sight, even in studios with large-format consoles that featured in-line channel compression.
Alongside the 160A (the current iteration of the 160), a whole series of dynamics processors and EQs have joined the ranks of popular dbx studio gear. Particularly popular is the growing collection of affordable 500 Series modules, covering console-style preamps, compressors, and EQs. One standout is the dbx 676, a tube-based, Class A channel strip, which includes a 3-band EQ, a compressor/limiter (with OverEasy mode), and classic VU metering.
As popular as their gear may be in the studio, dbx is a household name in the live sound world today. Specifically, their DriveRack series processors have become a mainstay of both front of house and touring systems. These loudspeaker management processors combine everything you need in a live PA processing system, including EQ, compression, limiting, feedback suppression, and other essentials. What's more, DriveRack models include automatic setup via a dedicated measurement mic and mobile device control, making it easy to load into a new space, set up, and tune your system in no time.
Even today, a common sight in many install systems is a dbx EQ behind a locked panel labeled, "DO NOT TOUCH!" That's because EQs such as the 231 and 215 lines do an amazing job of making up for less-than-ideal loudspeakers in less-than-ideal acoustic conditions. Likewise, the Advanced Feedback Suppression (AFS) line has saved countless shows and is considered by many install techs as a nonnegotiable part of house sound systems.
On the subject of installed sound systems, dbx's ZonePRO line offers all-in-one processing for permanent install rigs. These multichannel processors include feedback suppression, harmonic tuning, dynamics and gain leveling, EQs, crossovers, and more. All of this can be broadly controlled via wall panels, and software control lets experienced technicians set the whole thing up, including a security lock out to keep anyone from messing with the settings.
There are countless other ways dbx has left a major impact on all facets of the pro audio industry. That's only become more apparent as they mesh their technology with other members of the Harman International group. For instance, their cutting-edge PMC16 personal monitor system includes genuine Lexicon reverbs onboard. Between their reputation for quality, affordable prices, easy operation, and ongoing innovation, Sweetwater is always happy to recommend dbx.
