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API Select SR22 Dual Compressor

Dual-channel Compressor with Stereo Link, Thrust Circuit, and VU Meter
$1,295.00

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API Select SR22 Dual Compressor
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Two Channels of API Compression in One Unit!

The impressively versatile API Select SR22 Dual Compressor gives you two complete channels of API compression. In fact, the topology of the SR22 compressor includes the same amazing compressor circuitry that API included in their legendary ATPI Paragon and Paragon II mixing consoles. Each of the SR22’s channels includes the patented Thrust switch, which prevents high frequencies from being crushed out of existence — even when you need to dial in serious compression at higher ratios. The SR22 particularly shines when coupled with other vintage-American-style processors, such as the API Select SR24 EQ. Its easy-to-use controls make finding the right sound quick and simple, and custom VU metering (both for output levels and gain reduction) lets you keep a close watch on your levels. You can use each of the SR22’s channels as separate single-channel compressors or link them for ultra-smooth, true-stereo compression!

Based on the API Paragon P40 console

The API Select SR22 is based on the dynamics section found on the revered API Paragon mixing console. This console was a favorite of live sound engineers for decades, and it found its way on numerous top tours. The SR22 replicates the original design, including the automatic timing circuit, which automatically adjusts the unit’s attack and release settings to an incoming audio signal. It also includes other handy features, such as switchable hard-knee or soft-knee compression and API’s celebrated Thrust circuit.

Thrust your way to greater dynamic control

Like API’s flagship stereo bus compressor, the API 2500+, the SR22 is equipped with API’s legendary Thrust circuit. A sophisticated side-chain EQ, the Thrust circuit inserts a low-cut and a high-boost EQ into the audio signal before it hits the side-chain detector. In practical terms, the compressor responds less to low-frequency information, facilitating a more even response for punchier mids, tighter lows, and a clearer top end. With the Thrust circuit engaged, you can hit the compressor harder to achieve greater dynamic control without audible pumping.

Link the channels for true stereo compression

The SR22 contains two fully independent compressor units in a single chassis, but you can link both channels for true stereo operation with the press of a button. When link mode is engaged, channel A’s Threshold, Ratio, Gain, Thrust, and Knee controls apply to both channels. Plus, the SR22 utilizes true RMS power summing to ensure that the compression is applied evenly to both channels. Engineers at Sweetwater are impressed by the results of using the SR22 on numerous stereo sources, including drum overheads, room mics, and piano mics — it even sounds great as a master bus compressor!

API: an American pro audio legend

Launched in 1968 by Saul Walker, Automated Processes Inc. began building high-quality consoles for broadcast applications. Soon, the company’s products found favor with recording studios, and a string of industry-leading innovations (including the 500 Series module, the first VCA, computerized console automation, and more) followed. API produced the 2520 amplifier, one of the most famous op-amps in the recording industry, and their consoles and products found homes in such iconic studio facilities as the Hit Factory, Record Plant, Ocean Way, Sunset Sound, and many others. In fact, there are over 700 vintage API consoles around the globe — many of which are still in use. Clearly, the company isn’t resting on its laurels; today’s API and API Select products give you the same unbeatable combination of utility, innovation, and stellar sound. That’s why, at Sweetwater, the name API commands reverence.

API Select SR22 Dual Compressor Features:

  • 2 channels of API’s patented award-winning compressor circuitry
  • The same compressor circuit originally designed into all API Paragon mixing consoles
  • Custom VU metering of both output and gain reduction
  • Linkable for stereo operation with true RMS power summing
  • Patented Thrust circuit preserves high-frequency material even during extreme compression
  • Variable Threshold, Ratio, and makeup Gain controls
  • Switchable metering of output level and gain reduction
  • Above-threshold LED indication
  • Switchable hard-knee or soft-knee compression
  • Fully balanced XLR and 1/4-inch inputs and outputs

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Tech Specs

  • Type: Compressor
  • Number of Channels: 2
  • Controls: Threshold, Ratio, Attack, Release
  • Threshold: -40dB to +15dB
  • Ratio: 1:1 to 10:1
  • Inputs: 2 x XLR, 2 x 1/4" TRS
  • Outputs: 2 x XLR, 2 x 1/4" TRS
  • Rack Spaces: 2U
  • Power Source: Standard IEC AC cable
  • Height: 3.5"
  • Depth: 19"
  • Width: 10"
  • Weight: 12 lbs.
  • Manufacturer Part Number: SR22

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Customer Reviews

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Rated 5/5

Great compressor no reviews

I love this compressor. It's a set it and forget it compressor. No fiddling with attack and release. I used this on the mix bus of Teen on Limb (1986) which I will include in this review. Not too much Info for reviews on this specific item. I have an API 2500 which I used on the drum bus. This sounds great as well. Sometimes not having as many options helps with creativity and is less stressful.
Music background: Artist/producer
Rated 5/5

An Unbelievable and Versatile Dual Compressor

An unbelievably awesome sounding and versatile compressor, perfect for tracking and mixing. Let's go over it.
Appearance: The unit was well packaged, and it came with a "white glove inspection" card. I personally love the look of API products, especially this unit. It's both classic and futuristic to me. The controls are well-laid out, easy to understand, and it only took me a few seconds to dial in the sound I was looking for. The I/O on the back has both XLR and TRS, which should be the standard. 100% American made.
Sound: I am blown away by how awesome this thing sounds. I put it on my vocal chain, dialed in my settings, and gave it a whirl. I immediately noticed the pleasing compression. To my ears, it sounds transparent, yet commanding, with warmth and body. I could hear it "correcting" my transients with absolute perfection. This unit features both automatic attack and release settings, and boy does it do a fantastic job. I can hear it tracking my voice and clamping down and smoothing in an extremely musical way. My vocals finally sound polished and professional before hitting the recording interface. It's hard to describe the smoothness, but it's intoxicating. I also love the continuously variable Ratio, so I can dial in a 3:1 or lower. Often this isn't available on many other comps, and you are stuck going 4:1 or higher, which seems constricting to me. I've used plenty of software compressors in my day, and I can't say I've ever loved any of them, except for API emulations. I find the 1176 style a little overrated. Some others are too transparent, to the point that you're not even sure if they are compressing the signal. Many compressors also have overly obvious attack and releases. Not so with this API, it has the perfect balance of character and transparency. The auto attack and release circuits are flawless. I will also be using this for mixing duties, and I have no doubt that it will perform exceptionally for most applications.
Complaints: Nothing really. The knobs/potentiometers are very easy to move, and do not offer much resistance, undoubtedly due to the choice of pot. That doesn't mean they are any less quality, but some might complain. My only minor gripe is that the knob labels should be above the knobs, not below, as 99% of the time you would be looking DOWN on the unit.
Final thoughts: This is an exceptional and versatile two-channel compressor that would suit well for tracking and mixing. It's easy to dial-in, and sounds fantastic. Very reasonably priced for two high-end, hardware compressors. It would not be suitable for mastering due to lack of attack and release settings.
Rated 5/5

a Definite Keeper, Definite Winner

i have several different recording chains at my disposal. i have several tube pre-amps and several analog ones. my methodology is to feed the microphone output from the micpre into a compressor (a ratio range of 1.5 up to 4:1 and then feed that output into a limiter then into my hard disk recorder. sometimes i use a stereo compressor/limiter or two different compressor/limiters. this always gives me a nice, solid vocal mix. the SR22 works perfectly. the sound is smooth and powerful. it is as good as my other chains:
1) FMR Leveler into FMR Compressor (used as limiter)
2) WA2A into WA76
3) stereo ART ProVLA (Revive upgrade) left channel used as compressor, leveler, feeding right channel as hard limiter
4) SR22 as stereo compressor in channel 1 feeding limiter in channel 2

all of these units produce excellent vocal chains, which require no EQ, since the vocal sits in the mix perfectly

each of the above chains produce a slightly different sound, and the SR22 is also unique. for voice over work i use a compression setting of 1.5:1 and for singing i use between 2:1 or 3:11
the sound is clear, open, and defined. and the unit is quiet as an empty church.
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