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GForce Oberheim OB-E V2 Virtual Analog Synthesizer Plug-in

8-voice Virtual Analog Synthesizer Plug-in with Polyphonic Aftertouch, MPE Control, 8-step Sequencer, and 600 Factory Patches - macOS/Windows Standalone, AAX, AU, VST2, VST3
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Item ID: OBE
GForce Oberheim OB-E V2 Virtual Analog Synthesizer Plug-in
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Price:$84 and 99 cents
Instant Savings: $85 and 00 cents. Original price, crossed out: $169 and 99 cents
$15.00 suggested monthly payments with 6 month financing‡ 36 month financing available* with $399.00 minimum purchase on one invoice.

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Compatible with:
macOS
Standalone
AAX
AU
VST
MPE
Software Compatibility

Most software is compatible with both macOS and Windows, but check to make sure.

If you're using Pro Tools, AAX plug-ins are what you need. Most other DAWs on macOS support Audio Units (AU) plug-ins, while VST is compatible with many DAWs on oth macOS and Windows. Be sure you choose plug-ins that work with your DAW!

To learn more about software compatibility, check out our buying guide.

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GForce Oberheim OB-E V2 Virtual Analog Synthesizer Plug-in
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Frequently Asked Questions

GForce Oberheim OB-E V2 Virtual Analog Synthesizer Plug-in

Q: What is the GForce Oberheim OB-E V2 Virtual Analog Synthesizer plug-in?

Q: What are the system requirements for running OB-E V2?

Q: What plugin formats does OB-E V2 support?

Q: Does the OB-E V2 support MPE (MIDI Polyphonic Expression)?

Q: What kind of sounds can I create with the OB-E V2?

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This article was Written By

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A Classic 8-voice Analog Synth with Modern Touches

The OB-E is GForce's iteration of a mega-fat, 8-voice analog synthesizer from the late 1970s. Renowned for its depth and sonic dimension, this vintage 49-key synth generated its muscular sound via eight stacked synthesizer expander modules, each with two VCOs, two ADS envelope generators, one LFO, and a wicked-sounding multimode filter. While each module was monophonic, with eight of them on tap, this 8-voice synth was capable of an array of complex sonic textures. The GForce OB-E is a true-to-life emulation of the original, but it raises the bar with a third oscillator that doubles as an LFO, a new LFO per voice, and contemporary velocity, polyphonic aftertouch, and MPE control. And unlike its all-analog predecessor, the OB-E isn't difficult to program, thanks to modern-day software-based editing. You also get an inspiring 8-step sequencer. To top it off, as of version two, the OB-E includes 100-plus new presets, a Vintage knob and refined Detune parameter, a matrix reverb, Drum Mode with 10 drum kit presets, a Sequencer Zoom function, and a flexible scaling interface.

Eight notes of character-filled polyphony

Like the legendary analog hardware that inspired it, the OB-E is based around eight monophonic synthesizer expander modules. Each module includes two VCOs with pulse and sawtooth waveforms, two ADS envelope generators, one LFO, and a resonant multimode filter with lowpass, bandpass, notch, and highpass options. Although they're packed with mojo, the modules aren't particularly powerful on their own. Stack all eight of them together; however, and you get a character-filled 8-note polyphonic synthesizer.

Jam-packed with modern functionality

Although it pulls off its sonics with impressive realism, the GForce OB-E isn't a meager emulation of its analog ancestor. For starters, you get a new third oscillator that doubles as an LFO, plus a new LFO per voice. At Sweetwater, we appreciate the OB-E's contemporary performance controls, which include velocity, polyphonic aftertouch, and MPE support. You also get convenient software control over the OB-E's eight modules, with monophonic, polyphonic, unison, and split modes. On top of that, programming this virtual analog synth is simple by virtue of its well-thought-out editing controls, which include zoom, group, and offset modes. All these cool additions make the OB-E's comprehensive 8-step sequencer seem like mere icing on the cake!

GForce OB-E Software Synthesizer Features:

  • Emulates the sound of a mega-fat, 8-voice analog synthesizer from the late 1970s
  • Continuous, round-robin mode where each note uses a new voice
  • Based around 8 monophonic synthesizer expander modules
  • Each module includes 2 VCOs, 2 ADS envelope generators, 1 LFO, and a resonant multimode filter
  • Eclipses the original hardware with a third oscillator that doubles as an LFO and a new LFO per voice
  • Offers contemporary velocity, polyphonic aftertouch, and MPE support
  • Software control over the 8 modules, with monophonic, polyphonic, unison, and split modes
  • Zoom, group, and offset modes make editing and programming a breeze
  • Comprehensive 8-step sequencer with 50-plus presets
  • 700+ mix-ready factory patches, all tagged and categorized for easy navigation
  • Vintage knob and a refined Detune parameter
  • Great-sounding matrix reverb
  • Drum Mode with 10 drum kit presets
  • Sequencer Zoom and a flexible scaling interface

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Tech Specs

  • Software Type: Polyphonic Synth VIrtual Instrument
  • Platform: Mac, PC
  • Upgrade/Full: Full
  • Download/Boxed: Download
  • Bit Depth: 64-bit
  • Plug-in Formats: Standalone, AAX, AU, VST
  • Additional Compatibility: MPE
  • Hardware Requirements - Mac: Intel iCore 5 or higher (M1 supported)
  • Hardware Requirements - PC: 2GHz CPU, 2GB RAM or more recommended
  • OS Requirements - Mac: macOS 10.15 or later
  • OS Requirements - PC: Windows 10 or later
  • Manufacturer Part Number: OBEE

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Reviews

Indescribable Beauty - made me weep

Going out on a limb here and being a little transparent but, I installed this and turned up my studio monitors (Adam Audio T5V L/R + T10S) and hit one note... Just. One. Note. It was a G. The sound that came at me was so overwhelming, so 3-dimensional, it was like being wrapped in a warm blanket. A CHORUS of SEM synths flooded my small studio room. Something deep inside connected and honestly folks - it made me well up with tears and I just let go. I'd been dealing with a parent passing and it was like an angel gave me a hug. I've had some strong reactions to certin synths before but this is a whole different level. Remember, this was Oberheim's flagship that cost more than in the mid-1970s - only superstar musicians and studios could afford them. That's like $ in today money. And I can see why. Please just buy this and then stop buying synths - you have come home.

Sound Spectacular
Dear Tom Oberheim, Gforce, Sweetwater pro's, regarding the OB-E:
Hot damn this thing is the Kodachrome patch jam!
It sounds that good.
- Ernest Sjo
My Go TO Plugin when I need to feel that analogue warmth
I have every VSTi under the sun, from UVI Falcon to Serum and this is the plugin I load up when I just need a warm, analog-sounding synth with unique expression without all the bullsh&*. Hands down a beast but a gentle one nonetheless.
DJd00m...
Music background: DJ Producer
1ST PLUGIN TO BE BLESSED BY THE MAN HIMSELF...
I wrote Gforce off as a relic to the xp Era. Boy was I wrong. This is one of, if not THE, best sounding plugins ever. Phenomenal.
Music background: 23 years writing electronic music
Impressive Expansion on Oberheim Design Concepts
I bought an Oberheim OBXa when it first came out and have had it ever since, it still works even though it requires adjustments and fixes now and then. These were pre-MIDI days, so I also had a DSX sequencer and a DMS drum machine, which are now both long gone. I have watched a whole bunch of video reviews of the various Oberheim-inspired virtual synths out there, but I was never "wowed" by any of them enough to open my pocketbook. That is until the GForce OB-E Windows version appeared in 2022. After watching a couple of reviews of the Mac version, and despite it being the most expensive Oberheim-inspired virtual synth out there, I ordered it up from Sweetwater and I'm very glad I did.

Nominally, the OB-E is a software recreation of the extremely rare Oberheim EVS (Eight-Voice Synthesizer), circa 1977. But that synth did not have the digital programming and storage capability like Oberheim's later products like OB-X, OBXa, OB-8, and Matrix 12 had. A patch had to be dialed in manually in real time. The OB-E is therefore the realization of a product that Tom Oberheim probably dreamed of but was never able to build and sell commercially. It would have cost a fortune back then. It is pretty easy to understand why he has endorsed this product.

Download and installation was easy, and I had it playing via mouse in stand-alone mode in just a few minutes. Another couple of clicks and I had it connected to my Native Instruments Komplete keyboard. And a few minutes after that I had the VST3 version running in a track on my Studio One 5.5 DAW. Everything functioning exactly as it should. The user interface is easily scalable, and it looks absolutely great on a 4K monitor (an awful lot of plugins out there cannot make that claim).

The first note I played of the default patch that comes up in the stand-alone version absolutely blew me away. I felt like a 17-year-old in a music store playing the first OBXa I had ever seen. It's that good.

The selection of "factory" patches kept me busy for a couple of hours. GForce did not just put a bunch of simple string, brass, bass, and "funny" patches in this thing -- they created a whole bunch of truly inspirational patches that demonstrate what is possible. In fact, if I have one complaint, it would be that they did not provide a selection of simpler patches that would match up with the vintage sounds that Oberheim was famous for. All of the elements are there, but not organized into an "80's" folder.

The OB-E is essentially every classic Oberheim analog synth design concept rolled into one, plus a bunch of extra features and effects that sweeten the pot. It has "only" 8 voices, but that's plenty. It even allows the parameters on each of the 8 voices to vary slightly from voice to voice, just like the original hardware did (whether you wanted it to or not).

Back in the day I became reasonably proficient with programming my OBXa. The same basic programming architecture exists in the OB-E. You can set each of the 8 voices to the same patch, or arrange them into two separate 4-voice patches (split or double), or, unlike the original hardware versions like OBXa you can design an entirely different group of settings on each one of the 8 voices. This capability really shines in Unison mode, when all 8 voices are triggered from a single key, each one doing something slightly or massively different. Some of the factory patches in the OB-E actually have 8 different things happening at the same time. Lots of movement, majestic and beautiful.

In the OBXa, you had to open the synth up with a screwdriver to change voice pan settings for the stereo output. In the OB-E, per-voice panning is right there for you to access whenever you wish. Very nice touch, glad they thought of that because the only thing better than an Oberheim sound is an Oberheim sound in stereo!

This synth will not disappoint.
Music background: Musician and Recording Engineer