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Moog Matriarch Semi-modular Analog Synthesizer and Step Sequencer

49-key Semi-modular Paraphonic Analog Synthesizer, with Stereo Analog Delay, Arpeggiator, 256-step Sequencer, and 90 Modular Patch Points
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Moog Matriarch Semi-modular Analog Synthesizer and Step Sequencer
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Meet the New Master of Your Modular Analog Synth Rig

With paraphonic playability and an impressive 90 modular patch points, the Moog Matriarch semi-modular analog synthesizer is a sound-design powerhouse. On its own, Matriarch packs everything players love about Moog — rich oscillators, dual ladder filters, powerful arpeggiation and sequencing, and even stereo analog delay. And once you begin exploring its patch points with your modular synth environment, it's soon apparent that the Matriarch offers a lifetime of creative potential. Complete with a delightfully responsive 49-key Fatar keybed (with patchable velocity and aftertouch), the Moog Matriarch paraphonic analog synthesizer is the perfect way to establish — or expand — your own custom modular synth setup.

Classic Moog architecture

With four fat analog oscillators and your choice of monophonic, duophonic, or paraphonic playability, the Matriarch starts off with a solid recipe for creative sound design. The main analog LFO features six selectable waveforms, while an additional LFO is present for even more modulation potential. Matriarch is equipped with two analog filters offering parallel (HP/LP), stereo (LP/LP), and series (HP/LP) modes for big sonic flexibility. Factor in dual analog ADSR envelopes and analog VCAs, plus an external audio input for processing other synths and drum machines, it's clear the Matriarch packs big creative potential.

Advanced sequencer is perfect for modular creativity

Synthesists at Sweetwater are longtime fans of Moog's built-in sequencers, and Matriarch's takes full advantage of this synth's paraphonic design. The 256-step sequencer supports up to four notes per step, allowing you to sequence chord progressions along with single-note patterns. Speaking of patterns, you can save up to 12 sequencer patterns for instant recall. Best of all, you can decouple the sequencer from the Matriarch's engine, allowing you to sequence external synths while playing your Matriarch from its 49-key Fatar keybed.

Extensive modular patchability plus MIDI connectivity

Whether you use its modular patch points or connect via MIDI, Matriarch offers seemingly endless possibilities when you integrate it with other synths and drum machines. It even offers 1/4-inch and 1/8-inch Eurorack-level audio outputs in addition to its line-level outputs, making it easy to interface with Eurorack without compromising audio quality. Of course, being a semi-modular synth, you don't need to patch anything to get started. But load up on some patch cables and begin experimenting with Matriarch's 90 modular patch points, and you'll soon discover sonic possibilities that go far beyond most subtractive analog synthesizers.

Moog Matriarch Semi-modular Paraphonic Analog Synthesizer Features:

  • Semi-modular analog synth with 49-key Fatar keybed and monophonic, duophonic, and paraphonic playability
  • Stereo analog delay with up to 700ms of delay
  • 256-step sequencer supports up to 4 notes per steps
  • Save up to 12 sequencer patterns for instant recall
  • Sequencer can be decoupled from Matriarch to sequence external synths
  • Arpeggiator features Forward/Backward, Order, and Reverse playback modes
  • 90 modular patch points offer astounding creative potential
  • 4 analog oscillators, with multiple waveforms and hard-sync capability
  • Analog LFO with 6 waveforms, plus an additional "simple" LFO
  • Dual analog filters with 3 modes — parallel (HP/LP), stereo (LP/LP) and series (HP/LP)
  • 2 analog ADSR envelopes and 2 analog VCAs
  • 3 bipolar attenuators with ring-mod capability
  • 2x 4 parallel-wired unbuffered mults for signal splitting
  • 1/4-inch aux input for processing instruments, synths, and drum machines
  • 1/4-inch and 1/8-inch Eurorack-level audio outputs for modular convenience

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Tech Specs

  • Type: Keyboard Synthesizer with Sequencer
  • Analog/Digital: Analog
  • Number of Keys: 49
  • Type of Keys: Fatar Keyboard, Full Size
  • Aftertouch: Yes
  • Velocity Sensitive: Yes
  • Other Controllers: Pitchbend, Mod wheel, Variable Glide
  • Polyphony: Monophonic, Duophonic, 4-note Paraphonic
  • Oscillators: 4 x Analog VCO with Hard Sync
  • Waveforms: Triangle, Sawtooth, Square, Narrow Pulse
  • LFO: 1 x LFO
  • Filter: Dual Ladder Filters; Stereo, Parallel, Series
  • Envelope Generator: 2 x ADSR
  • Effects Types: Stereo Analog Delay; up to 700ms, MIDI sync-able, Classic-style, Ping-pong Repeats
  • Arpeggiator: Order, Forward/Backward, Random
  • Sequencer: 256-step Sequencer, 4-notes per Step, 12 x Patterns, External Sequencing
  • Audio Inputs: 1 x 1/4" (instrument)
  • Audio Outputs: 2 x 1/4" (L/mono, R), 2 x 1/8" (Eurorack L/R)
  • Headphones: 1 x 1/4"
  • USB: 1 x Type B
  • MIDI I/O: In/Out/Thru, USB
  • Pedal Inputs: 1 x 1/4" (sustain), 1 x 1/4" (expression), 1 x 1/8" (expression CV out)
  • Other I/O: 90 x Patch Points (49 inputs, 33 outputs, 8 mults)
  • Power Source: 12V DC power supply (included)
  • Height: 5.5"
  • Width: 32"
  • Depth: 14.25"
  • Weight: 30 lbs.
  • Manufacturer Part Number: MOD-MATR-01

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Customer Reviews

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Rated 5/5

Six stars!

I would give the Moog Matriarch six stars if I could. Everything from the packaging to its physical and auditory presence screams quality.

This was my first true synthesizer purchase, and I am glad I spent the extra time researching what I wanted. Several YouTube channels feature artists playing and explaining analog vs. digital synths.

Accessories you might consider: On-Stage KS8291XX keyboard stand; Moog EP-3
Music background: classical, jazz, ambient
Rated 5/5

Moog Matriarch is LIT

Yes this synth is fire. It delivers exactly what you expect from a Moog oscillator's thicc goodness; but what this synthesizer gives you is tons of options to get weird.

I have had so much fun using random patch points to play with my friends and synth random stuff together.

Another amazing feature I use a lot is the instrument input in the back. At first I only used my guitar but then realized I could patch anything to the back from my DAW and pass it through the modulation and stereo delay.

If you don't mind using pictures to reference your patches (no presets dawg) and you enjoy messing with knobs and switches while crafting your sound: this is one of the best synths for this purpose that I have encountered. Enough adjectives go listen to
It.
Music background: Audio Engineer
Rated 5/5

BLINKY BLISS

Finally I have it (!!) just over a year after having played one at the Moog factory in Asheville.
What a cool machine, and OH those blinky lights! My kind o' synth...harkens to the days of the original analogs.

Haven't tried out the mini plugs/modular capabilities yet, but the tonal variances available thanks to 4 mixable oscillators are wonderful. To me this beast shines best while arpeggiating/sequencing and then altering the tone each time things come around on the loop, but I've heard some fat lead sounds out of it on YT as well.
VERY versatile!!!

Some comments on the 'net belittled its construction but to me it's a lot like a Multimoog -- more plastic in the chassis then the Mini but still MOOGNIFICENT! Knobs/wheels have a superb quality feel. WORTH EVERY PENNY.

As usual Brian and Hunter did outstanding flying it to my door in record time -- ordered it late Tues nite/landed Friday afternoon! (how DO they do it?!)

Thanks SW!!!!
Music background: Church Music/Worship
Rated 5/5

Fun!

Pro: It's fun and sounds fantastic!

Con: The arpeggiator is such a blast that I dont practice my scales as much as I should.

Photo below: an 808 shoved into a drawer with its clock running out into Matriarch to help sync stuff up. AWESOME!
Rated 5/5

Moog Meets ARP 2600

I've been an ARP 2600 user most of my life making my own supplemental gear and mods. I had three 2600's at one point along with Sequential Circuits, Korg and Kurzweil keyboards and samplers. I had played some Moogs but never owned one til I tried a Mother 32 and a DFAM. They sound nice, the interface is very different and I wasn't crazy about the small euro rack package.
Then I saw the Matriarch, a Moog structured similar to the ARP 2600 that had features already built in like Stereo Delay and a Sequencer. The flexibility is amazing with patch points throughout and MIDI in/out. I use my ARP as a live instrument, playing in real time and patching on the fly. That was why I wanted the Matriarch, it is structured to do the same. The difference in the sound is what separates these two pillars of analog synthesis. I have always loved the hard edge tight sound of my 2600. The Moog provides a softer sound with a different way of control so they compliment each other when playing live. I am still exploring the sonic possibilities with the Moog but I can't wait to interface with the ARP to attain the ultimate electronic audio manna from heaven. Very happy with this purchase.
Music background: Composing and Recording music for 45 years.

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What Do Our In-house Gear Experts Think?

Joseph Pryer

As a in the box producer for just under a decade, I have used many software synths to create unique sounds for my productions. I've always been looking to get my hands on a hardware synth to get some of that analog "mojo" and Moog Matriarch was a phenomenal starting point for me. Being able to make interesting and complex sounds with this gear using the 90 patch points is truly an amazing experience. With the ability to record in warm and fuzzy tones using the built in analog outputs on the back, I am able to get analog processing in the box, and finally add some true synth mojo to my productions!

Dan Murphy

Classic Moog sound with endless creative potential. It never gets boring. A great semi-modular synth even for beginners, and a must have for synth enthusiasts in my opinion!

Adam Trudel

The Moog Matriarch semi-modular synth is the best synth I’ve ever played, and really piqued my interest in older synths. The velocity and aftertouch sensitive Fatar keys are versatile and feel great, and the myriad tone options mean never-ending tone production. The arpeggiator is the best I’ve used, and you could easily create an entire album using just the arpeggiator/filters.

Want real Moog sound? Take it from the die-hard analog synth masters here at Sweetwater: buy a Moog. It doesn't matter which one; their synths start at top quality and only go up from there. Sweetwater's relationship with Moog goes way back, and some of us fondly remember the last time Bob himself came to visit. Over the years, we've had the honor of watching Moog grow and evolve, and with synthesis experts like Daniel Fisher on staff, we're still one of the first companies to catch wind of new Moog products - they never fail to impress! Whether it's a classic reissue, a breakthrough new keyboard, or even a cool effects pedal, you can be sure anything you get from Moog will make you happy, and we'd love to tell you all about it.

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