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United Studio Technologies Twin 48 Large-diaphragm Tube Condenser Microphone B-stock

Large-diaphragm Tube Condenser Microphone with 2 Cardioid, Omnidirectional, and Figure-8 Polar Patterns, External PSU, Shockmount, and Custom Briefcase
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Item ID: Twin48b
United Studio Technologies Twin 48 Large-diaphragm Tube Condenser Microphone

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United Studio Technologies Twin 48 Large-diaphragm Tube Condenser Microphone
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Two Venerable Classic Tube Condensers in One Modern Mic

The legendary “47” and “48” tube condenser microphones of the late 1940s and 1950s have defined the sound of countless iconic recordings and demand for vintage models is high. But securing a 70-year-old mic in good working condition is a tedious and expensive proposition. Now, Sweetwater is excited to present the United Studio Technologies Twin 48, which combines these two venerable designs in one modern, performance- and value-packed large-diaphragm tube condenser mic.

Twin-mode operation

The UT Twin 48’s two operating modes go beyond just polar pattern selection. Vintage 47s and 48s each derived their cardioid polar patterns using different methodologies, which gave these two coveted classics subtle tonal differences and slightly different pickup patterns. The UT Twin 48 delivers both options in a single microphone. The Twin 48’s 47 mode offers both 47 cardioid and omnidirectional patterns; the 48 mode offers 48 cardioid and figure-8. Each cardioid mode yields a different tonal flavor and performance.

Unparalleled versatility

In 47 Cardioid mode, the rear diaphragm is de-coupled using a process called True Cardioid. This allows for greater volume, higher sensitivity, and enhanced ambience and top-end detail. In contrast, 48 Cardioid mode employs Active Cardioid, which applies the same voltage to the rear diaphragm as is used on the back plate. This results in a warmer, more intimate, and tightly focused sound with somewhat lower sensitivity. While each mode has its adherents among golden-eared engineers, the versatile options offered by the Twin 48 make it a must-have for inclusion in any studio’s mic locker. Experiment to capture a vocalist in the most flattering way, add tasty ambience to a horn part, and capture strings with stunning clarity and articulation — all with a single microphone!

Astute engineering for huge tube sound

Specifying the right vacuum tube is critical to the design of any valve mic. As original 47s and 48s are treasured for their huge sound, United Studio Technologies based the Twin 48’s amplifier stage around a select new-old-stock EF86 pentode — a descendent of the tube used in the originals. This results in a massive, bold, and rich sound, thanks to the pentode’s harmonic profile, which is quite different from that of modern dual-triode tubes. Assisting in the Twin 48’s sonic largess is its historically correct, custom-made, single-backplate/dual-diaphragm K48 capsule, which helps capture sources and render them with a creamy-smooth, vintage-flavored sound, taming overly bright or sibilant sources more competently than many vintage-style mics.

Top-drawer components throughout

United lavished the Twin 48 with top-drawer and custom-made components, including audiophile-quality polystyrene, tantalum, and film capacitors, PRP thin-film resistors, and a custom replica transformer. Designed to the meticulous measurements made from a mint specimen of the original German transformer, the Twin 48’s US-made UT-BV8 transformer is custom wound to the original Braunbuch specifications and set to the same laminations used on the historical parts. United used all high-nickel alloy laminations and employed a copper Faraday shield for reduced RFI (radio frequency interference). To ensure flawless communication between the mic and its power supply, United Studio Technologies included an ultra-premium Octave 7-conductor cable from the German company Sommer, specially configured and optimized for the UT Twin 48.

High-performance power supply

In a tube microphone, anything less than an excellent power supply design will act as a performance bottleneck, so United went all out for the Twin 48 with a fully discrete PSU that features discrete, individually isolated rails, a custom US-made discrete regulator for the filament voltage, and fully discrete Zener diode regulation for the high-voltage rails to ensure clean, calibration-free operation. Custom US-made PRP resistors and high-quality, long-life electrolytic capacitors are deployed throughout, along with a beefy, over-spec’d, frame-mounted linear power supply transformer. The power supply is also fitted with both an inline EMI/RFI AC input filter as well as a selectable RF filter on the audio output, which can be engaged from the front panel.

United Studio Technologies Twin 48 Features:

  • Large-diaphragm tube condenser microphone
  • 34mm brass, single-backplate K48 capsule
  • 6-micron, 24k gold-sputtered Mylar diaphragm
  • Vacuum tube: select NOS EF86 pentode
  • Frequency response: 20Hz–20kHz
  • Max SPL: 137dB @ 0.5% THD
  • Polar patterns: 47 cardioid, 48 cardioid, 47 omni, 48 figure-8
  • Output impedance: 35 ohms
  • Self noise: 11dBA
  • Includes power supply, shockmount, and custom vintage-style briefcase
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Tech Specs

  • Microphone Type: Condenser
  • Polar Pattern: Cardioid (47 & 48), Figure-8 (48), Omnidirectional (47)
  • Diaphragm Size: 1.33" (34mm)
  • Frequency Response: 20Hz-20kHz
  • Max SPL: 137dB
  • Output Impedance: 35 ohms
  • Self Noise: 11dB A weighted
  • Tube: EF86
  • Connector: XLR
  • Color: Nickel
  • Power Source: External power supply
  • Dimensions: 10" x 2.5"
  • Included Accessories: Shockmount, Hard Case
  • Manufacturer Part Number: Twin 48

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Reviews

Much more than a good looker
The United Twin 48 somehow makes everything in front of it sound better (without additional processing). It compares very favorably with my old Peluso 22 47 LE at a fraction of the cost (and singers are impressed when you set it up in front of them).
I challenge you to find a better mic for the price
I just purchased the UT 48 Twin mic and had a chance to do a shootout with three other tube mics (Lawson L47MP, a Circle Audio EVO 251, and a hand made V-251 from Microphone Parts) and a Universal Audio L22 modeling mic set to model the U47. I could not be more thrilled. I tried it on multiple sources with stunning results. We tried all five mics on male vocals, female vocals, upright bass, acoustic guitar, some jangly percussion toys and a rather bright Mason & Hamlin grand piano.

Self noise in the Twin is the lowest of the tube mics. The Twin is about 4 dB hotter output than the others, too. How does one describe the sound? Always a challenge to do. The 47 cardioid setting is both rich and present without any excessive high end annoying sizzle that most imported capsule mics have. The girth of the low end is appropriately dependent on how close you get to the mic, as a good mic should be. An experienced singer should know how to "work" the proximity effect to advantage in cardioid (less so in Omni, of course).

The 48 setting is a tad lower output and more "tubey" and "smoky" than the 47 setting - perfect for a crooner voice or an instrument/singer who has a tad too bright timbre. Jangly percussion harshness was tamed by this mic in either setting -- the 47 is a bit more forward in the mix, but the 48 sits IN the mix.

I have a very balanced sounding Lowden D-32 guitar from the mid 90s and it never sounded better. All the high end sparkle came through with a low end body that none of the other mics could match.

I did a blind playback of the level-matched tracks for several in the room and all agreed it was the best on all sources tested. Is it exactly like a vintage U47 or U48? I have no idea...I don't have an extra $30K to find out.

Two thumbs WAY up on this newcomer to the flooded mic market. I will soon have to get another so I can mic our grand piano in stereo...

You will NOT be disappointed.
Music background: Long time pro studio engineer and musician.
United Studio Technologies Twin48
The Twin48 is a series mic - big and heavy. And it comes with all the accoutrements one expects from a serious tool - a non-droop suspension shock mount and power supply in a briefcase-style carryall with cables included. The U-48 was basically a U-47 with a Figure 8 pickup pattern instead of the standard omni pattern, while the cardioid of each is obtained using different techniques, providing slightly different flavors. Choice is always good. And the Twin48 provides a serious sound to go along with all the above.

What instruments does the Twin48 work well with? First off, acoustic guitar. You dont have to dig through your mic cabinet to hear this one is a winner. Thoroughly professional takes can be had in a decent room. I mean, an A-list sound with the requisite depth and sparkle. The mic also sounds great on bass. Again, as good as a bass sound you are like to get. Full, powerful and with a touch of saturation that can be dialed up to a warm fuzz. Up until now I've used the DI on an RND Portico II Chanel for bass which rules, but I am going to have to rethink my recording strategy and separate the mic audio. It is worth the extra step. Those are the two standouts, but it works on many lead instruments, including male vox. I mean Frank wasn't too shabby back in the day, was he? And he is not the last vocalist using a 47/48. It has gone a little out of fashion with a modern emphasis on clean and sharp vocals these days, but you never what works until you try. I even had a nice, creamy vocal capture with an older female vocalist for a singer/songwriter type song. Her voice perfectly filled space of a sparkly, acoustic guitar I had previously recorded. The TWin48 might be too thick for some voice over work, especially males, but it still sounds very discrete. And with instrumental capture it can provide a nice contrast, especially on slower numbers against bright miked instruments and takes.

If you take a live frequency plot you'll notice the TWin48 is baby cheeks smooth. Not a lot of spikes or indentations, either. It takes EQ like a champ, almost ribbon-like. This provides plenty of versatility for the sound without straining anything. I borrowed a newer, more expensive u-47 clone and it contained some extra frequencies compared with the Twin48, especially around 3K. Brighter and a bit more forward and exciting. That isn't necessarily a bad thing. But excitement ain't what one needs all the time. The Twin48 can approximate that other mics brightness with EQ, while with the 2nd mic can simply excise some of that 1k and 3k sparkle, making it sound fuller and smoother much like the twin48. There just wasn't that much difference between the two mics once I had EQ'ed them.

The Twin48 is expensive but worth it. It can provide depth as well as heft to your recordings. And though acoustic guitar and bass are special through the TWin48, it adds a transformer richness to many instruments, giving a classy to touch to any capture.
Music background: Been recording a long time.