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Beetronics FX Zzombee Filtremulator Analog Multi-effect Pedal Certified Open Box

Multi-FX Guitar Pedal with Mode, Buzz Level, Filter, Preset, Parasite, Wingspan, and Bee Controls
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Item ID: Zzombeed1
Beetronics FX Zzombee Filtremulator Analog Multi-effect Pedal

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This item is in good condition and perfect working order. Product includes all original accessories. This item ships in its original factory packaging.

This item was thoroughly inspected by our factory-authorized service team and is backed by Sweetwater's exclusive 2-year warranty. The images shown do not necessarily represent the condition of this particular item.

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Beetronics FX Zzombee Filtremulator Analog Multi-effect Pedal
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A Cutting-edge Stompbox from Beyond the Grave

The pedal gurus at Beetronics FX are no strangers to the wild world of stompbox innovation. That said, we really have to hand it to them: this particular pedal chucks the rulebook right out of the window. The Zzombee crams just about every effect imaginable into its compact enclosure that Beetronics FX proudly calls a “Filtremulator,” including fuzz, swells, tremolo, cross-tremolo, filter, randomized filter, wah, LFO, overdrive, and low octave. While it houses multiple effects, the Zzombee is not a “multi-effects” pedal in the traditional sense, and each element is finely tuned for simultaneous use with the others, resulting in a pedal that simply has no sonic precedent. Featuring three levels of gain, three filter functions, and three filter types, the Zzombee provides an ocean-deep level of control, offering everything from an edge-of-breakup overdrive to an edge-of-amplifier-apocalypse fuzzy, filter-y cascading wave of sound. An instrument unto itself, the Beetronics FX Zzombee catapults the stompbox format to brave new sonic heights.

4-stage Buzz control

The Zzombee’s 4-stage Buzz toggle is the key to your gain tone, taking you from a basic warm overdrive to a crushing square-wave fuzz that sounds like your amp is on the brink of destruction! What’s more, combining this versatile dirt control with the Zzombee’s other effects unlocks an entire world of spacey sound design. Looking for a massive doomy wall of sound? Pair the Buzz control’s higher gain settings with a growling low-octave foundation. How about textural shoegaze tones? Dial in a deep tremolo to add a percussive chop to your fuzz tone. If you’re looking for more modest dirt, simply hold down the bypass switch to access the Buzz mode’s alternate gain-shaping functions.

Honey, Octave, and Amplitude modes

A 3-position Filter toggle will be your first stop on the Zzombee’s wild ride, allowing you to choose what signal this pedal’s lowpass filter impacts. All the functions are highly interactive, and your choice of position on this switch will drastically change the function of the Zzombee’s other controls.

  • Octave and Honey: In both the Honey and Octave modes, the Zzombee’s filter is engaged, modulating different aspects of your signal. Octave mode applies the filter only to the Zzombee’s low octave signal, while Honey mode filters your guitar’s signal.
  • Off/Amplitude: In the off position, the Zzombee’s filter is disabled, giving you lush tremolo and an effect that Beetronics FX calls “cross-tremolo,” a unique tremolo style that jumps between octaves. This is the Zzombee’s tamest setting and is great for dialing in standard drive, fuzz, and octave tones when you need a break from the insanity.

Three distinct filter types

Honey, Octave, and Amplitude modes give you the power to choose what the filter is applied to, but Beetronics FX also gives you three distinct ways to change how the filter is applied.

  • Ramp Mode: This mode delivers a wah-like tone using the Zzombee’s momentary switch to trigger the filter ramp. Up, down, inverted, locked — your ramp style can be configured in a multitude of ways, and it’s a great tool for improvisation.
  • LFO Mode: Just like a synthesizer, this mode’s LFO range goes from a glacial pace to ultra-fast. What’s more, the left-side footswitch can be used as a tap tempo to set your speed or stop and start the LFO.
  • Mad Mode: This mode boasts a whopping 65,536 random patterns and allows you to control the step count of each pattern, from two to eight steps. While this setting sounds like complete chaos on paper, when testing it out at Sweetwater, we were astonished at how musical Mad mode is, producing everything from a pummeling rhythmic chop to soft, subtle ambience.

Analog sound, digital control

Yeah, there’s more! The Zzombee may be analog powered, but Beetronics FX has built in plenty of digital functionality for enhanced control. Considering how varied the Zzombee can get, the built-in presets are a lifesaver, all easily accessible on a 3-position toggle switch. Plus, tap tempo on the left footswitch and an expression input offer plenty of real-time control of your sound. Finally, there’s an entire separate level of adjustment under the Zzombee’s surface, with a variety of alternate functions that can be accessed by holding down the bypass switch.

Sleek style and a custom PC-Bee

As much as we love Beetronics FX’s dedication to sonic innovation, we can’t help but be equally amazed by how each of the company’s pedals knocks it out of the park when it comes to the visual department! The Zzombee’s slim, pedalboard-friendly box boasts an old-school slanted enclosure and custom artwork that simply oozes style. Not content to simply wow us with external cosmetics, Beetronics FX also includes a custom, bee-inspired PCB that’s revealed when you crack open the Zzombee.

Beetronics FX Zzombee Filtremulator Features:

  • Filter, randomized filter, LFO, wah, tremolo, swells, overdrive, fuzz, and low octave come together to forge a unique “Filtremulator” FX
  • A wealth of different gain settings available on the Buzz switch, from a light overdrive to gated fuzz madness
  • Lowpass filter can be applied to the low octave FX, your guitar’s dry signal, or completely disabled for a tremolo FX
  • Filter On switch shapes your filter response via LFO, Ramp, and Mad modes
  • Tap tempo and expression input for enhanced control
  • Built-in presets to save your favorite sounds
  • Alternate functions available by holding down the right footswitch
What is Certified Open Box Gear?

At Sweetwater, we're so picky that what we call "Certified Open Box" is actually better than what most music retailers sell as "new" gear! Our gear hasn't endured hundreds of people a week plunking away at all the keyboards, fumbling through Stairway to Heaven on every guitar or playing with every fader and knob on a mixer or control surface.

Certified Open Box (also known as a demo) means we’ve had it out of the box for our YouTube channel, displayed at events, tested in our studio, or maybe it was in a customer’s hands for a few days and isn’t ‘factory fresh’ as a result. Every Certified Open Box item we sell has Sweetwater’s 2-year Total Confidence Coverage™ warranty and has been tested and verified up to ‘new’ specs by our factory-authorized technicians to make sure it’s in perfect working order before we ship it to you.

When you buy a Certified Open Box item at Sweetwater, you get:
  • 2-year Total Confidence Coverage Warranty™!
  • Products inspected and tested by our factory-authorized techs, guaranteed to function like new (or better)!
  • FREE shipping on most items
  • Equipment that will MEET or EXCEED your expectations!

Click HERE to browse our current inventory of Certified Open Box equipment. Purchasing Certified Open Box gear from Sweetwater is a smart and safe way to save!

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Tech Specs

  • Pedal Type: Multi-FX
  • Effects: LFO, Wah, Filter, Randomized Filter, Swells, Overdrive/Fuzz, Octave, Tremolo, Cross-Tremolo
  • Presets: 5 User
  • Analog/Digital: Analog (effects), Digital (control)
  • Inputs: 1 x 1/4"
  • Outputs: 1 x 1/4"
  • Other I/O: 1 x 1/4" TS (expression/CV/tap tempo)
  • True Bypass: Yes
  • Bypass Switching: Relay-Based True Bypass
  • Power Source: 9V DC power supply (sold separately)
  • Power Usage: 100mA
  • Height: 2.75"
  • Width: 3.5"
  • Depth: 5.5"
  • Weight: 0.9 lbs.
  • Manufacturer Part Number: ZB-ST

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Reviews

AMAZING
these guys love to do their effects to the next level. i would recoment this as an inspiration tool slash effects machine which the zombee does very well. it gets synth tones very very very well and thats why its on my board
Game changer!!
Was just looking for a good fuzz and this pedal absolutely meets that want. The pedal was well thought out. The various effects mix well and can just use the fuzz if that's all I need. Easy to save presets, wish loading presets somehow was easy with the foot. Adding my expression pedal gave this pedal even more life. Definitely one of my favorite pedals of all time.
Cool AF
Hi, my name is Bob. I'm a pedalholic and I bought my last pedal on August 26th from Sweetwater. I've been saving up to get a tattoo, 8/26/24, to commemorate the day I stopped buying guitar pedals. Guitar pedals have cost me thousands of dollars, hours of sleep and social withdrawal. When I'm playing a really nice guitar pedal it's hard to put down the instrument or stop tweaking the knobs. Then, when you find that sweet spot and can't stop playing for an hour? It's a problem. I've missed phone calls, Super Bowls, forgotten to shut the garage door at night… All because of guitar pedals. I don't want to stay addicted to chasing that euphoria for the rest of my life, no matter how many great pedals you have you always want more. I need help, any type of tone chasing, it's a disease. If you're still reading this, you know…….But. I think I can play the intro to Sevendust "Black" with this thing?!? Maybe if I get the TC Electronic Sentry, with a multi-band frequency gating and pair them up? This pedal really does look sick and if paired it up with the right amp and drive/distortion/fuzz it would sound incredible! Glad I didn't get that tattoo, I'm getting one…
Music background: Tone chaser, small home studio rat, guitar enthusiast
Highly recommend
Sounds awesome. Extremely unique. Even just as a fuzz. Was worried about the price at first but considering everything it does it's definitely worth it.
Music background: Owner of music school and rehearsal studio, performer, music school graduate
Nice! But how practical?
I like having multiple bells and whistles in one package. However, how is a muciscian to make time to stop, rearrange the settings, then pop back up, play, then stoop down, reset the settings, stand back up and play... It's a shoegazer's nightmare! Basically you'll have to write your music "around" this gizmo. Perhaps there are people who can do this? Now... Invent a console... With the pedals up above the waist but have a rocker over the compression switches so that they are clicked on and off with the feet so that the musicians can readjust the settings without stopping down.
Music background: Began serious musical studies at age 10. I'm now 57.