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Sequential Take 5 Compact Polyphonic Analog Synthesizer

44-key 5-voice Polyphonic Analog Synthesizer with Two VCOs, 4-pole Lowpass filter, 2 LFOs, Aftertouch, and Semi-weighted Fatar Keyboard
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A Compact Analog Polysynth for a New Generation of Synthesists

Dave Smith and the gang at Sequential have cooked up something special with the Take 5 compact polyphonic analog synthesizer. The Take 5 brings polyphonic analog synthesis and the legendary Sequential sound to a new generation of synthesists. It’s affordable, portable, and approachable — an ideal synth for newcomers and seasoned synth wizards alike. Though compact, the Take 5 certainly doesn’t skimp on tone! Its five voices are massive, owing to its all-analog dual VCOs. Plus, its splendid 4-pole resonant VCF is inspired by the Prophet 5 Rev 4, a modern classic steeped in tradition. With ample modulation options, including two 5-stage envelopes and one global LFO and one freely assignable LFO — there are few areas of subtractive synthesis you can’t explore with the Take 5. Not only is the Take 5 a stellar sound design tool, but it’s also a brilliantly conceived performance instrument that features a satisfying Fatar keybed with aftertouch and velocity sensitivity. You can even split the keys into two performance zones with different octave ranges! Whether it’s your first polyphonic synth or your 50th, the Sequential Take 5 is an ultra-versatile, extremely fun polysynth!

Lush analog VCOs and VCF

The Take 5’s five voices are each powered by two glorious voltage-controlled oscillators that can both growl and sing. They sport continuously variable waveshapes — from sine and sawtooth to pulse, giving you a huge pallet of timbres to draw from when creating sounds. Pump up the low end with the uber-fat square wave sub-octave generator and shape the tone of the synth even further with hard-sync, front-panel frequency modulation, and selectable keyboard tracking for each oscillator. Next, take control of the 4-pole resonant low-pass filter based on Sequential’s flagship Prophet 5 Rev 4 — it’s the ultimate in creamy analog filtering!

Ample modulation options

The Take 5 provides an ideal platform for aspiring synthesists to learn the art of patch design. As you progress, its ample modulation controls will facilitate endless explorations into sound design. Synth experts will more than appreciate the Take 5’s myriad modulation options, too, which include two 5-stage envelope generators (ADSR and delay) and two LFOs (a global LFO and a freely assignable LFO) with five available waveshapes. Routing modulation sources to their destinations is a breeze, and you can take advantage of the mod wheel, an expression pedal, and the aftertouch-enabled keybed to transform your patches in real time.

Premium performance controls

The tactile experience of working with the Take 5’s switches, knobs, and wheels is one of the most enticing parts of this compact powerhouse poly. The Take 5 gives you detailed control over every parameter with its semi-knob-per-function design, allowing you to turn patches into living, breathing performance. The Take 5’s premium Fatar keybed feels wonderful under your fingertips, and the mod wheel and the spring-loaded pitch wheel are very responsive and a joy to use. It’s great for getting the most out of the Take 5’s split-zone and aftertouch capabilities. There’s also an arpeggiator and step-sequencer on deck for creating ’80s-style ostinatos and tweakable sequences.

Top-notch digital effects section

Like all Sequential synths, the Take 5’s raw sound is something to behold. But every synthesist at Sweetwater will tell you that synths plus effects equal instant sonic satisfaction! To that end, Sequential equipped the Take 5 with a robust digital effects section, which includes a dedicated reverb with damping, pre-delay, decay, and tone controls, in addition to a multi-effect with three delay types, five modulation effects, distortion, and a highpass filter. Plus, there’s a dedicated overdrive effect for adding some heat and aggression to any sound!

Crank up the vintage vibe

This all-analog polysynth boasts modern reliability and high-fidelity sonics. But what if you want to inject a little bit of old-school instability into your sound? No problem! The Take 5 features a nifty Vintage control knob that lets you alter the behavior of the synth to mimic an older instrument. Keep it pristine or go back in time to when analog synthesizers were highly temperamental. Do you think part of the charm of vintage analog synths is their unpredictability? Then you’ll dig this feature!

Sequential Take 5 Compact Polyphonic Analog Synthesizer Features:

  • Compact 5-voice polyphonic synth with a pure analog signal chain
  • Dual analog VCOs per voice with continuously variable wave shapes
  • 4-pole self-oscillating resonant filter based on the Prophet 5 Rev 4 design
  • Two 5-stage (ADSR + delay) freely assignable envelope generators
  • 1 global and 1 freely assignable LFO, both with 5 waveshapes (triangle, sawtooth, reverse sawtooth, square, and sample & hold) and clock-sync
  • Semi-knob-per-function architecture inspires expressive performance — minimal menu diving!
  • Unison mode with configurable voice count for fat monophonic tones
  • Responsive mod wheel and spring-loaded pitch wheel
  • Polyphonic glide
  • 128 user and 128 factory patch memory slots
  • Factory switch, when turned off, matches every parameter to the physical knob position
  • USB MIDI and 5-pin MIDI in/out/thru
  • Footswitch and expression pedal inputs
  • Stereo main output and stereo headphone output

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Tech Specs

  • Type: Keyboard Synthesizer with Sequencer
  • Analog/Digital: Analog
  • Number of Keys: 44
  • Type of Keys: Semi-weighted, Fatar Keybed
  • Aftertouch: Channel Aftertouch
  • Velocity Sensitive: 7 x Velocity Curves
  • Other Controllers: Pitchbend, Mod wheel
  • Polyphony: 5-voice
  • Number of Presets: 128 user, 128 factory
  • Oscillators: 2 x VCO, Hard Sync
  • Waveforms: Continuously Variable: Sawtooth, Sine, Pulse
  • LFO: 2 x LFO (triangle, sawtooth, reverse sawtooth, square, S&H)
  • Filter: Prophet 5 Rev-4 based 4-pole Lowpass Filter
  • Envelope Generator: 2 x ADSR with Delay, Variable Routing (filter, amp, gate)
  • Effects Types: Digital: Reverb, Delay, Modulation, Distortion, Overdrive, Highpass Filter
  • Arpeggiator: Up, Down, Up+Down, Random
  • Sequencer: 64-step Polyphonic Sequencer
  • Audio Outputs: 2 x 1/4" TS (L, R)
  • Headphones: 1 x 1/4"
  • USB: 1 x Type B
  • MIDI I/O: In/Out/Thru/USB
  • Pedal Inputs: 1 x 1/4" (footswitch), 1 x 1/4" TRS (expression)
  • Features: Unison Mode, Portamento, Vintage Knob: Adds vintage characteristics to sound
  • Power Source: Standard IEC AC cable
  • Height: 4.4"
  • Width: 25"
  • Depth: 12.75"
  • Weight: 17 lbs.
  • Manufacturer Part Number: SEQ-3500

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Customer Reviews

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Rated 5/5

Captures the Excitement and Wonder of my Youth

I was born in '77 so the soundtrack of my childhood was flush with analog synthesizers. Those iconic timbres made their way into every facet of life in the 80s and I was in love with electronic "keyboards" (as I called them). Axel F was on the radio when I was 7 and I asked my parents to get me a "keyboard" for my birthday. My parents decided it was better to buy an old school piano than a synthesizer and explained how the piano was more wholesome, and would outlast the fad of electronic instruments. My dad got many years of use from the piano, but it never connected with me.

Many years later as a grownup my passion for synthesizers has only increased. In recent years I researched the gear that was used to create the songs of my youth and the Sequential Prophet 5 showed up everywhere. And so began my quest to acquire one of these highly coveted vintage machines. The prospects were grim for a Prophet 5 in decent condition. Unknown was the cost of maintenance that would be ongoing. I sat in limbo debating the risk/reward of ownership.

And then Sequential announced the return of the Prophet 5 and Prophet 10. I was ecstatic - finally a chance to own one of these glorious machines without the worry of vintage electronics maintenance!
As is often the case in life, great things come to those who wait. The Sequential TAKE 5 is proof. Let me be clear - I've never owned or played a hardware Sequential Prophet 5 or 10. My assessment of their capability is based solely on what I've heard coming through speakers and headphones and my emotional response to those sounds. I couldn't begin to tally the number of Youtube hours spent listening to every demo or patch bank sampler available for both vintage and modern Prophet 5/10 - several more than once. I'm very familiar with what the essence of these machines is. I know how these machines move me.

Ultimate Patches has a fantastic sound bank of 333 patches for the TAKE 5 and it was their preview video that sold me on the TAKE 5 over a Prophet 5/10. It is undeniable that the TAKE 5 captures the essence of the much larger Prophets and does so in a very lightweight, very portable package. I didn't fully grasp why they named it "TAKE 5" until I heard these patches. It's a Prophet 5 that you can "take" with you and it's less than half the price!

I've had the TAKE 5 since the beginning of February 2022 and it continues to amaze me. The first time I took it to band practice I melted everyone's face! We now have an extended jam during every practice that revolves around the "Tangeriner" patch. I run the TAKE 5 through a pair of QSC K10.2s and the stereo spread is unreal. The sound is HUGE! For some patches I kick in a Neunaber Reverberator MKII for extra rocket sauce. My lifetime search for an instrument that captures the excitement of my youth is over. I can faithfully reproduce those warm classic timbres… and then blast off into unexplored galaxies!

If you've read this far then you're probably also sitting on the Prophet/TAKE 5 fence. If you want the full vintage experience with all the knobs, 61 keys, and walnut wood, then definitely buy the Prophet 5. If you're looking for an easily transportable synthesizer that takes the beefy analog power of the Prophet 5 and brings it into the modern era with full stereo spread and a sequencer, then look no further.

(The photo attached is from my living room where the TAKE 5 is parked next to the couch. I can drop this thing in my lap and shred in headphones 24/7. I love walnut wood and 61 keys, but I'll gladly trade those in for an equally robust machine that is lap friendly!)
Music background: Semi-pro Face Melter
Rated 5/5

Awesome Analog VCO Power with Matrix Modulation and Lots of Knobs for Use While Tracking in the Studio or Performing Live

This analog synth sounds fat, looks and sounds modern, is just the right size for small studios, and has lots of knobs to adjust parameters on the fly during live performance or while tracking in the studio. I love it. Very cool sounds from retro 80s to present-day synth pop/techno/electronica.
Music background: Professional Vocalist, Guitarist, Keyboardist, Drummer, Producer, and Composer
Rated 5/5

Affordable Five Voice Analog

I've had my hands on this for a couple weeks. The only con is the effect section, as it's pretty basic and the effect algorithms aren't spectacular. The hands on/knob per function is exactly what I wanted. I love programming semi complex synth patches on this. The process of programming is much more enjoyable with knobs instead of pots like on my REV2. I use this to compliment a Juno 106 and a Sub 37.
Music background: Pro engineer, producer, mixer, and composer
Rated 5/5

Little Beast

Can't say how much I love this synth. Dialing in or creating your own sounds is super intuitive – modulation matrix is mind-blowing. The sound is fantastic – well it's a Sequential – it sits well in the mix with every situation. So nice to see a sine wave as an oscillator option. Effects section is pretty robust. I use this all the time at practice and gigging and it has been rock solid. I do want to address a couple of comments about the synth drifting out of tune. The first unit I rec'd had that issue – it would constantly drift a half or whole step. I kept detailed notes of its behavior and Sweetwater was helpful, as they always are, and sent me a new unit which I've only had to calibrate once when I first got it – had it for over a year. This synth is a little beast!
Rated 5/5

Buy it, you won't sell it

The sound quality of this instrument compared to the VI's and samples I've been using for years is like a tractor trailer idling outside my house compared to a recording of the same. The mids aren't as thick as the lows, but I think of it as part of its sound signature. Basic modulation is super easy, there's lots of it, and you can be happy without digging into the menu. This keyboard is laid out very logically and flows right to left nicely. There are complaints about the effects section, but you have the basics--compared to nothing--and you can always run outboard if you're finicky. The knobs feel good, the build quality is reassuring, the compact size is surprisingly nice to have, 44 keys is good. The action is solid. Velocity turns right on and off easily, which is great since some patches are fantastic with velocity, but lots of synth patches want no velocity. The pitch and mod above the keybed is problematic with the lack of end cheeks for those who like to solo with the left palm resting below the wheels, but I'll sacrifice that for the smaller size. Having IEC for power in my view is what defines a pro keyboard-thank you. I haven't always held onto the keyboards I wish I had through the years, but I can tell already I won't be selling this one. Thanks to Jacob Evans, wish we could jam.
Music background: 45 years of everything
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