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Gibson Acoustic SJ-200 Studio Rosewood Acoustic-electric Guitar - Natural

6-string Acoustic-electric Guitar with Spruce Top, Rosewood Back and Sides, Utile Neck, and Rosewood Fingerboard - Natural
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Gibson Acoustic SJ-200 Studio Rosewood Acoustic-electric Guitar - Natural
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A Full-depth Super Jumbo Joins the Studio Lineup

Now featuring a full-depth body, the Gibson Acoustic SJ-200 Studio Rosewood acoustic-electric guitar represents a no-nonsense reimagining of Gibson’s iconic “king of the flat-top guitars.” This guitar’s super-jumbo body and scalloped X-braced Sitka spruce top team together to deliver mammoth projection and cavernous sonic depth. Rosewood forms the back and sides of this superb 6-string, granting the already formidable SJ formula enhanced bass and a room-filling resonance that blooms and sustains with rich overtones. A slightly chunky utile neck sits beneath the premium 16-inch-radius rosewood fingerboard, and it’s all finished off with eye-catching mother-of-pearl crown inlays. And although this SJ-200 Studio Rosewood packs a massive unplugged punch, you also get LR Baggs electronics to electrify your sound. For over eight decades, the Super Jumbo has represented the peak of Gibson steel-string power — make it your own with the Gibson Acoustic SJ-200 Studio Rosewood!

Rosewood body delivers deep bass and lush overtones

While Gibson’s SJ-200 has made a name for itself as one of the world’s premier maple-bodied guitars, the truth is that the SJ-200 began life with rich rosewood back and sides. In a way, the Gibson Acoustic SJ-200 is a true throwback to the SJ-200’s late 1930s roots, boasting a beautiful set of rosewood back and sides to pair with its Sitka spruce top. What differentiates a rosewood-bodied SJ-200 from its maple- and walnut-bodied counterparts? Rosewood delivers a deeper bass response and superior overtones than many other tonewoods, but it also features a slightly less forward midrange.

A full-body-depth reimagining of the Studio series

The instruments in Gibson Acoustic’s Studio have historically featured three distinct qualities that differentiate them from their higher-end counterparts: Restrained aesthetics, unique tonewoods, and a slimmed-down body depth. That all changes with the Gibson SJ-200 Studio Rosewood! Now boasting a full-depth body, the Gibson SJ-200 Studio Rosewood is now nearly identical to a traditional SJ-200 in all but visuals. Almost all of this guitar’s “Studio” features — an unbound fingerboard, less extravagant bridge, and less bling all-around — rest firmly in the cosmetic category, ensuring that the Gibson SJ-200 Studio Rosewood is ready to provide you all the depth, nuance, and canon-like projection of Gibson’s most potent jumbo guitar.

The crown jewel of the Gibson Acoustic lineup

Affectionately referred to as the “king of the flat-tops,” the SJ-200 is the biggest, loudest, and most powerful 6-string in the Gibson Acoustic arsenal. Few guitars can match the sheer sonic potential of an SJ-200 strummed with full intensity, but what separates the sound of a Super Jumbo from a dreadnought or other large-bodied 6-string? In a word, balance. Super jumbos boast all the low-end depth and immense projection of their slightly smaller dreadnought siblings, but the high strings on a large-bodied Gibson Super Jumbo project with just as much power and authority as the low strings. Naturally, this leads many a strummer and singer/songwriter to favor the Gibson Super Jumbo, but the design’s natural balance also perfectly lends itself to voluminous fingerstyle playing.

Classic Gibson craftsmanship for impeccable sound, looks, and playability

Gibson’s reputation as a fine guitar builder dates back to the late 1800s. Handcrafted since day one by some of the most skilled luthiers around, Gibson acoustic guitars have inspired countless players around the world. When you pick up a Gibson acoustic, you know you’re getting the finest tonewoods, quality hardware, and incredible attention to detail. These instruments are built to sound great and stand the test of time. After moving from Kalamazoo, Michigan, to Nashville, Tennessee (where Gibson electric guitars continue to be made), Gibson finally settled their acoustic operation in Bozeman, Montana, where the company continues to handcraft some of the finest guitars on the planet. Sweetwater is proud to offer you such a fine line of distinguished musical instruments.

Gibson SJ-200 Studio Rosewood Acoustic-electric Guitar Features:

  • Gibson’s iconic SJ-200 Super Jumbo guitar reimagined with less extravagant aesthetics and unique tonewoods
  • Sitka spruce top with scalloped X-bracing provides a voluminous projection and clear, present overtones
  • Rosewood back and sides offer cavernous lows, sparkling highs, and enveloping overtones
  • Utile neck shaped into a slightly chunky Advanced Response profile to fill out your grip
  • Luxurious 16-inch-radius rosewood fingerboard, complete with mother-of-pearl crown inlays
  • LR Baggs electronics allow you to take the stage with ease, including convenient soundhole-mounted volume and tone controls
  • Rock-solid Grover Rotomatic tuners
  • Iconic “mustache” bridge crafted from premium rosewood
  • Lightly applied nitrocellulose lacquer finish allows the guitar to sing to its full potential, as well as gracefully age and develop over time

Why Buy Your Guitar from Sweetwater?

See how Sweetwater goes to great lengths to give you the very best online guitar buying experience. From our online Guitar Gallery that allows you to see and select the exact instrument you want to our 55-point Inspection process and our in-house guitar techs, we take the guesswork out of buying your next guitar online.

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Tech Specs

  • String Type: Steel
  • Number of Strings: 6
  • Left-/Right-handed: Right-handed
  • Body Shape: Jumbo
  • Back & Sides Wood: Rosewood
  • Top Wood: Sitka Spruce
  • Top Finish: Satin Nitrocellulose Lacquer
  • Color: Natural
  • Body Bracing: Scalloped X-bracing
  • Binding: Multi-ply
  • Neck Wood: Utile
  • Neck Shape: Advanced Response
  • Radius: 16"
  • Fingerboard Material: Rosewood
  • Fingerboard Inlay: Mother of Pearl Dots
  • Number of Frets: 20
  • Scale Length: 24.75"
  • Nut Width: 1.725"
  • Nut/Saddle Material: Tusq/Tusq
  • Bridge Material: Rosewood
  • Tuning Machines: Grover Rotomatic
  • Electronics: LR Baggs Element Bronze
  • Strings: Gibson Phosphor Bronze, .012-.053
  • Case/Gig Bag: Hardshell Case
  • Manufacturer Part Number: MCJB2SRSAN

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Customer Reviews

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Rated 5/5

Always wanted a Martin but "settled" for this Gibson

I have several acoustic guitars that cost less than $: Yamaha, Taylor and Takamine. Over the years, I played many high end guitars just to see what it was like, with the hope of one day buying an expensive model once I saved enough money. Of all the higher end brands I tried out, I always felt that Martin guitars were the most balanced sounding, so I had it in my mind that a Martin would be my "wish" guitar. I felt that Gibsons were overpriced in comparison. I have played the Martin D-28 most often since a friend owns one and thought that would be the guitar I would buy. My only beef with the D-28 is that I usually play in a seated position and the wide body of the D-28 puts a lot of stress on my right shoulder. Regardless, when the time came that I had enough money to buy my wish guitar, I went to a local music shop with the intention of buying a Martin, most likely a D-28, but if there was a different Martin model that struck me, I would be open to it. After trying a few different Martins, nothing really grabbed me and the D-28 felt like a "safe pick." I mentioned this to the salesperson besides mentioning in passing that some of my favorite artists had played the Gibson SJ-200 but I had never played one since it was well out of my price range. Then he pulled this guitar off the wall. At first, I had my usual reaction--overpriced Gibson because this guitar is $ more than the D-28, though it comes with electronics while the standard D-28 doesnt, which brings their respective prices closer than $ when you factor in adding electronics to the D-28 unless you want just an acoustic. I prefer to have electronics since I play solo or with others at independent living residences or nursing homes. Then I played the SJ-200, and I got hooked. I put it down on a stand just to compare the D-28 and while I did so, another customer picked it up and tried it out. I told him I was considering buying it so I hoped he wasnt trying to steal it away from me since I tried it first! I asked what he thought of it and he felt it was a great guitar, much better than the D-28. This definitely made me feel justified. What a beautiful sounding guitar whether strumming with plenty of power or fingerpicking with a nice deep, rich, balanced sound. The body is thinner than a D-28 which puts less pressure on my shoulder too. The neck has a smooth feel due to the lacquer finish, which I prefer to the non lacquered or "woodier" feel of the D-28 neck. I don't even need to plug this guitar into my amp because it sounds so beautiful, but it doesn't lose anything plugged into the amp either. I have it in natural color but it also comes in a Rosewood burst too. This model is about $ less than the standard SJ-200 because it has rosewood back and sides vs. maple and has less bling in terms of the tuners, bridge, pickguard design and electronics, though both are LR Baggs. I felt guilty that I didnt buy a Martin, but I have been very happy with this guitar. It changed my opinion about Gibson acoustics. I still havent crossed off a Martin down the road, but if you are looking for that "wish" guitar, you should give this one a try.
Music background: Intermediate player who performs at nursing homes and assisted living facilities
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