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Royer R-10 Hot Rod 25th Anniversary Limited-edition Ribbon Microphone

Passive Ribbon Microphone with R-121 Transformer and Figure-8 Polar Pattern
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Royer R-10 Hot Rod 25th Anniversary Limited-edition Ribbon Microphone
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A Limited-edition, Hot-rodded R-10

The Royer R-10 Hot Rod is exactly what its name implies: a hot-rodded version of the company's popular R-10 ribbon mic. Loaded with a custom 25th anniversary transformer, the Hot Rod is 5dB louder, and it exhibits a sharper, brighter sound with heavier lows and low-mids than its standard counterpart. The Hot Rod delivers a beautifully balanced sound field with a flat frequency response and an impressive maximum SPL of 160dB at 1kHz, so you can close-mic loud sources without fear of overload. This microphone is a great choice for electric and acoustic guitars, brass, strings, drums, cymbals, piano, vocals, and more. Its figure-8 polar pattern also captures ambience beautifully, which makes it excellent for room miking. Unveiled just in time to commemorate Royer's 25th anniversary, the R-10 Hot Rod limited-edition ribbon mic from Sweetwater boasts eye-catching black accents, including the logo, screws, and cap.

Smooth, velvety, and high fidelity

The R-10 Hot Rod design employs several Royer innovations, including an internally shockmounted ribbon transducer and a multilayer windscreen. The Hot Rod's shockmounting effectively isolates the ribbon element from vibration and increases ribbon durability. Its layered windscreen provides excellent protection from plosives and air blasts while reducing proximity effect, so you can close-mic sources without excessive bass buildup. The microphone's smooth frequency response, phase linearity, and lack of self-distortion is a perfect antidote to the unforgiving nature of modern digital recording. And its velvety, high-fidelity rendition of instruments and vocals is a sheer delight to the ears.

State-of-the-art Royer ribbon technology

The Royer R-10 Hot Rod utilizes patented offset-ribbon technology and low-mass aluminum ribbon element. The Hot Rod's 25th anniversary transformer makes this mic 5dB louder than the standard R-10, while also giving it a sharper, brighter sound. This mic's open-grille design minimizes standing waves and their attendant comb-filtration effects. The transducer's flux-frame design and rare-earth neodymium magnets create a powerful magnetic field that increases sensitivity while reducing stray magnetic radiation. It all adds up to a superior modern ribbon microphone that no recording studio or live rig should be without.

Go ahead: close-mic that loud source

A ludicrously loud high-gain guitar amp firing point-blank at your precious, delicate ribbon mic: an engineer's nightmare. You've probably heard stories about vintage ribbon mics tragically cut to shreds by high SPLs — or even sustaining damage from a stiff breeze. It's true — the ribbons of yore were notoriously fragile. But in the late 1990s, David Royer essentially re-invented the ribbon mic as a robust modern recording tool. The R-10 Hot Rod's maximum SPL rating (measured at 1kHz) is an impressive 160dB. In practical terms, that means you can place your Hot Rod directly in front of a dimed robo-stack without microphone distortion or damaging the ribbon. We don't recommend trying this with other ribbon mics, but the Hot Rod can take it. With that said, we do advise caution with regard to forceful direct blasts of air — such as from a hole cut in a bass drumhead. You can achieve a punchy, modern kick sound by using a dynamic mic in the hole, combined with an R-10 Hot Rod a foot or two away and angled down.

The R-10 Hot Rod: it's like having two mics in one

Placed near a source, the rear of the Royer R-10 Hot Rod is brighter than the front side. The difference in the sound is somewhat like blending 10% of a condenser mic in with your ribbon mic signal. This can be extremely useful when you record acoustic guitars, vocals, and other sound sources that would benefit from a little more top end. Royer's offset-ribbon design situates the ribbon element closer to the front of the cage, which also permits higher SPL handling at the front (logo) side, as well as the option of a brighter response for quieter sources on the rear side (optimally three feet or closer, with the polarity reversed).

Royer R-10 Hot Rod 25th Anniversary Limited-edition Ribbon Microphone Features:

  • Loaded with a custom 25th anniversary transformer
  • 5dB louder, with a sharper, brighter sound, than a standard R-10
  • High SPL handling — perfect for close-miking electric guitar, brass, and other instruments
  • Multilayer windscreen provides effective protection for the ribbon element
  • Internally shockmounted ribbon transducer for increased durability
  • Passive circuit with custom transformer minimizes high-SPL overload
  • Vanishingly low residual noise
  • Ribbon element impervious to heat and humidity
  • Flat frequency response with no high-frequency peaks, ringing, or phase shifts
  • Equal sensitivity from front or back of element
  • Eye-catching black accents, including the logo, screws, and cap

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Tech Specs

  • Microphone Type: Electrodynamic Pressure Gradient Ribbon
  • Ribbon Type: 2.5-micron aluminum ribbon
  • Mono/Stereo: Mono
  • Polar Pattern: Figure-8
  • Frequency Response: 30Hz-15kHz (±3dB)
  • Max SPL: 160dB SPL (1kHz)
  • Output Impedance: 100 ohms
  • Sensitivity: -54 dBV/Pa
  • Connector: XLR
  • Dimensions: 5.87" x 1.38"
  • Weight: 0.81 lbs.
  • Included Accessories: Mic Holder, Mic Sock, Carrying Case
  • Manufacturer Part Number: R-10 Hot Rod

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Customer Reviews

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Rated 3/5

Mid Forward Ribbon

So we were hoping for a more budget friendly R121. Didn't exactly hit the mark. The hotrod edition charges you for a black cap on the mic and a "custom" wound transformer that raises the output sensitivity in line with the R-121. Other than that its the same mic as the regular R-10. Is paying the extra money worth it? In my opinion, no. Unless you're planning on using this for strings and need a little extra headroom, I just don't see the value added besides collectors value. The mic is very mid forward. So much so, I can't help but feel if I were to need to use this over my 121, i would need to do a little work to make it sit right. I havent had the opportunity to use it on horns yet, but i do have a feeling this would actually work really well on sax or trumpet or trombone even. The bottom end is not strong. The top end rolls off a little early for my tastes. But, again mid-range for days.

Music background: Professional Engineer 20+ years

When Royer Labs got their Technical Grammy in 2013, they couldn't wait to come to Sweetwater to show it off. One thing they impressed on us was how much our amazing relationship helped to get the word out about their products. Of course, getting the word out about their amazing ribbon mics was easy - we've never regretted recommending them. In fact, it wouldn't be immodest to say that Royer was one of the biggest forces behind the ribbon mic's recent return to popularity. In addition to providing greater clarity and transparency to the classic ribbon sound, Royer's designs dramatically reduced the bulk and weight of these mics. That's made it easy for the engineers at Sweetwater Studios to use Royer ribbons for close-miking amps and getting deep into drum kits and acoustic pianos. We absolutely love them, and we're sure you will too.

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