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Mesa/Boogie Mark VII 90-/45-/25-watt Tube Amp Head - Black

90/45/25W Tube Amplifier Head with 3 Channels, 9 Modes, Simul-Class Power Amp, Graphic EQ, FX Loop, CabClone IR, and Reverb - Vintage Bordaux Bronco90/45/25W Tube Amplifier Head with 3 Channels, 9 Modes, Simul-Class Power Amp, Graphic EQ, FX Loop, CabClone IR, and Reverb - Black
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Mesa/Boogie's Crowning Achievement

The Mesa/Boogie Mark VII is the "Magnum Opus" of Randall Smith's five-decade career in visionary guitar amplifier design. This tube amp head includes three channels with three selectable modes per channel, enabling you to re-create the full gamut of classic Mesa/Boogie tones, including two modes new to the Mark VII. Each channel sports independent Gain, Treble, Mid, Bass, Presence, and Master controls, and you get a 5-band EQ for extra sound-shaping power. Beyond that, Multi-Watt power reduction and a Simul-Class power section offer three distinct characters across three wattage ranges. You also get a built-in CabClone IR, a Bias Select switch, a serial effects loop, onboard reverb, MIDI switching, and a 6-button footswitch. The Mark VII is truly Mesa/Boogie's crowning achievement. It revisits beloved classics, introduces new realms of modern high-gain, and offers across-the-board improvements over its predecessors. Discerning players looking for the ultimate Boogie Mark amplifier can stop holding their breath. The Mesa/Boogie Mark VII has arrived.

Three channels of sublime sonic possibilities

Loaded with three channels and nine modes, the Mark VII is a do-it-all tone machine. Channel one includes Clean, Fat, and Crunch modes, producing everything from crystal-clear cleans to hard-rock crunch. Channel two includes Fat, Crunch, and Mark VII modes, yielding various shades of thick, throaty distortion. Channel three features Mark IIB, Mark IIC+, and Mark IV modes, churning out all the high-gain tones you can handle. Two of these modes are new to the Mark VII: the Mark IIB mode, which is a throwback to the early-'80s tones of the amplifier it's named after, and the Mark VII mode, which is a modern high-gain sound chock-full of character and attitude. From Woodstock psychedelia to Bay Area thrash — and beyond — the Mark VII re-creates recognizable tones from Mesa/Boogie's past and supplies you with the tonal building blocks to craft new ones of your own.

Mesa/Boogie's ultra-flexible graphic EQ

While the Mesa/Boogie Mark VII gives you standard tone controls, you also get a 5-band graphic EQ for even more sound-shaping power. By using the Mark VII's graphic EQ in conjunction with a high-gain sound, you'll be able to nail the classic "V" curve that became a staple of heavy-metal guitar in the 1980s. Each of this tube amplifier head's channels is fitted with a mini-toggle to turn the graphic EQ on or off, plus you can make the EQ footswitchable. Many high-gain aficionados here at Sweetwater rely on Mesa/Boogie amplifiers for their high-level distortion-sculpting power, and we're blown away by the Mark VII — it's easily the most powerful Mark Series amp yet!

Multi-Watt and Simul-Class power

The Mark VII lets you alter the amount (wattage) and type (configuration) of power each individual channel will be coupled with, giving you unprecedented control over the character and personality of your amp. Lowering the wattage of the Mark VII decreases its headroom, making it easier to push it into overdrive. This guitar amplifier is also wired so that it's capable of operating in both a Class A triode configuration and/or a Class A/B pentode configuration, depending on which wattage you select. You can use two power tubes to operate the Mark VII in Class A Triode mode at 25 watts, or you can use two tubes running in Class A/B Pentode mode at 45 watts. The best part, however, is that you can use four tubes running in both Class A and Class A/B modes simultaneously at 90 watts, giving you the best of both worlds.

Achieve awesome tones without a speaker cab

Parked in front of a live audience or DI'd into your DAW, the Mesa/Boogie Mark VII enables you to dispense with microphones and all the complications that come with them, by virtue of its built-in CabClone IR. This reactive load box and IR cabinet simulator allows individual assignment of eight Rectifier and Boogie cabinets per channel, plus it gives you the ability to upload third-party IRs. With the Mark VII, you'll benefit from limitless cab combinations for unprecedented tone crafting. Take it onstage to dial up cranked amp tones at venue-appropriate volumes. Use it in the studio to get perfect-sounding guitar recordings. Or, plug into the Recto's headphones output for silent practice sessions that sound like a mic'd amp.

Mesa/Boogie's warranty: the best in the business

Your new Mesa/Boogie amp is protected by Mesa/Boogie's transferable warranty: five years on the electronics, three years for speakers, and six months for tubes.

Mesa/Boogie Mark VII Tube Amplifier Head Features:

  • 90/45/25W guitar amp head re-creates classic Mesa/Boogie tones with the building blocks to craft new ones
  • 3 channels with 3 selectable modes supply a versatile array of tones
  • Independent Gain, Treble, Mid, Bass, Presence, and Master controls per channel
  • 5-band graphic EQ supplies extra sound-shaping power
  • Multi-Watt power reduction makes achieving cranked-up tones at bedroom levels easy
  • Simul-Class power section offers 3 distinct characters across the amp's 3 wattage ranges
  • Built-in CabClone IR with 8 cab IRs, plus third-party IR support, offers limitless cab combinations
  • Bias Select switch allows the use of either 6L6 or EL34 power tubes
  • Tube-buffered series effects loop for your pedalboard and other external processing
  • Reverb adds space and dimension to your playing
  • MIDI switchable/programmable via Control Change and Program Change messages
  • 6-button footswitch for channel switching, reverb, FX loop, and graphic EQ
  • Slipcover included

Important Notice for International Customers: Mesa/Boogie products sold by Sweetwater are intended for use within the United States. We are unable to ship any Mesa/Boogie products outside of the US.

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Tech Specs

  • Type: Tube
  • Number of Channels: 3
  • Total Power: 90W (45W/25W settings)
  • Preamp Tubes: 5 x 12AX7
  • Power Tubes: 4 x 6L6
  • Reverb: Spring Reverb
  • EQ: 3-band EQ, 5-band Graphic EQ
  • Inputs: 1 x 1/4"
  • Outputs: 4 x 1/4" (2 x 8 ohm, 2 x 4 ohm), 1 x 1/4" (line out), 1 x XLR (cabinet simulator)
  • Headphones: 1 x 1/4"
  • Effects Loop: Yes
  • MIDI I/O: In/Out/Thru
  • USB: 1 x Type B (IR loading)
  • Footswitch Included: Yes, 6-button footswitch
  • Computer Connectivity: USB
  • Construction Material: Black Vinyl with Baltic Birch Cabinet
  • Power Source: Standard IEC AC cable
  • Height: 9.25"
  • Width: 18.75"
  • Depth: 10.875"
  • Weight: 40 lbs.
  • Manufacturer Part Number: 2.MK7.AB

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Customer Reviews

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Rated 5/5

ROCKIN MARK SEVEN!

After having had all the Marks 1 through 5...this is all of them wrapped up into 3 Channels.
What this amp does best, is produce every Driven Tone without any FIZZ!
Yes it will do metal, but found out it does ALL the Rockin Tones you like.
(not a metal guy)...Rock is where it's at!
Music background: 40+ yrs...with Boogies
Rated 5/5

MKVII?

Wow...had no clue there was to be another Mark. Well, actually I figured Mesa would eventually come up with something past MKV, but haven't given much thought with sale of company to Gibson. I got a random email from Mesa one day intro to the MKVII.

Figured what the hell, this might be Randall's last Mark creation before he kicks the bucket. This and the California Tweed 4:40 will be my last Mesa's. I have no faith in Gibson carrying on Mesa's principals as they've ruined themselves more than once.

As far as the MKVII I can't add anything new to anybody elses it's all so subjective anyway. I've already got 2 MKIV Rev A's and one of the last production runs on the MKV. I love them all and overlook the typical Mesa marketing hype as there is no way in hell the legacy Mark approximations can sound like the originals. I ignore the MKI, II, IV mode names and just go by what sounds good/different. I'm pleased with them all mostly because I have no expectations of it sounding like something it's not.

I've been a Mesa fan many years. Too bad they are slowly and slightly cheaping out on materials. The footswitch and cable connections are flimsy and slightly fragile compared to MKIV components (even early production runs of MKV for that matter). No more metal spring preamp tube covers but cheap cover with rubber o-ring between it and chassis.....sad.

Hoping my MKV and MKVII will be as durable and dependable as my 30 plus year old MKIV Rev A's.....not counting on it.

Time will tell.
Rated 5/5

Mesa Mark V11

Folks I have owned many amps in my 58 years and I have to tell you Mesa nailed it with the Mark V11. I also had the Mark V and JP2C and although they are great amps on their own the form factor and flexibility of tones on this amp make i something special. We all know once we find out sound on each channel thats pretty well where we keep it for life. Its not suppose to sound like a rectifier or any other amp so when I read comments about people comparing I take them with a grain of sult. The Mark V11 is its own amp and sounds absolutely awesome. You may say to yourself you dont need all the features but I am here to tell you having all those feature allow you to dial in exactly what you like. As far as the price tag, yes its allot of money and if spending that money effects your life or if you are the type of person that thinks you can get just as good of amp that will keep you happy for $ then buy the cheaper amp. I am here to tell you if you buy this amp you will not regret it one bit. Its so ispirational, and its not just a heavy metal amp. It does everything well.Do it right and just buy this amp, its incredible!!
Music background: All types of Music
Rated 5/5

Great update to the Mark V

My first "pro" amp was a .50 caliber in the early 90's so kinda grew up on that sound. Did a lot of recording with it. Later owned dual rec's and went through that journey. Later turned more to the Marshall vibe with Bogners and Friedmans. They are all great and unique. And I have kept most of them for reference.

I got a Mark V last year for nostalgia but didn't vibe with it. Loved the cleans but the various gain modes were too "vocal" for my taste.

Decided to re-up on the Mark VII...and very happy I did. Same great cleans, love the Mark IIB as middle ground, the Mark VII mode is still a Mark sound, but takes a little of the "honk" out. Agree with other review that Mark IIC+ and Mark IV are pretty much the same (and good).

I find the touch sensitivity and overtones to be more tactile on this amp than my previous Mark V...just my experience. Also, read the manual...the EQ dials are way more involved on this than other amps...you do have to tweak it but I like the sensitivity....Same with the 5 band....gotta dial with care!

Also like the reverbs being on the front face and no add'l master volumes/solo etc. Simpler to dial in.

I have my late 80's nostalgia tone back!!!
Music background: Semi pro, collector, hobbyist, playing 25+ years
Rated 3/5

Falls short

So the amp sounds good. The Mark seven mode is definitely a fatter Mark sounding type of thing. You have to really eq it to get a sound like a rectifier which it does but it is not convincing as a real rectifier.
Mark 2C plus mode is really good and the feel is really really nice. It's basically the 2C plus mode from the mark five with little less compression/harshness and sounds better at lower volumes. The mark four mode is pretty close to an actual mark four believe it or not.
But for the price, it's not worth keeping. Also you can tell Gibson really skimped out on some of the parts on the amp. The faders feel like rubber and flimsy. The faders don't have the sweep that other marks have.

Mark IIB is mark I mode from the mark V with less bass inherently and a little more gain. Clean channel is awesome but not as good as the mark V.

They did really well with iic+ and mark IV mode on this amp. Those are the highlights.

Overall gain is less than other marks as well. You have to really push the gain and treble to get it what some
may be used to. Not worth the price of admission IMO.

Mesa could have done so much more with the amp for the price. If you are debating this or a mark V, go with the mark V or JP2C.
Music background: 20 plus years

It's hard to imagine a more quintessentially modern guitar amplifier than a Mesa/Boogie, and when Sweetwater guitarists want high-gain tone, Mesa is where they start. One thing we love about these amps is their sheer versatility, such as the massive range of tone you get from each channel, the freedom to use the tubes you love, onboard CabClone cabinet emulation, and MIDI control. And it's not just guitar amps - Mesa/Boogie's bass amps and pedals are equally cool. What's more, thanks to our incredibly close relationship with Mesa, you can even customize your own amp right here on Sweetwater's website! Get the sound and style you want from your next amp, with a Mesa/Boogie from Sweetwater.

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