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Zoom G3n Multi-effects Processor

Pedalboard-style Guitar Multi-effects with 5 Amp Models, 5 Cab Models, and 68 Effects Models
19 Write review Item ID: G3n
$199.99

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Powerful Multi-effects Plus Pedalboard Convenience

With the power of an advanced multi-effects unit combined with the convenience of a pedalboard, the Zoom G3n guitar effects and amp simulator pedal is your go-to all-purpose guitar tone tool. Three large LCD displays and footswitches give you a genuine stompbox experience, and individual controls for effects and amp modeling make the G3n an invaluable live tool. Other features, such as an onboard tuner, looper, and rhythm patterns are especially handy for private practice. Dual outputs allow you to send stereo effects to your recording device or PA system directly from the Zoom G3n.

Related Videos: G3n Multi-effects Processor

Faithfully models 5 tube amps, 5 cabs, and 68 classic effects for endless options

Guitarists who have dreamed of owning a studio full of great guitar gear or taking a backline of amps out on the road will love the flexibility of the G3n. This pedal lets you choose head and speaker impulses to approximate up to 25 different amp combinations — like tweed 2 x 12" combos, British half-stacks, or American high-gain combos — and tweak them in real time. Further color your sound with 24-bit reverb, overdrive, phaser, and many other onboard FX — up to seven effects simultaneously. Then save up to 150 effects chains to lock in your settings for stage and studio use.

Onboard stereo looper and tuner for solo performers

A built-in 80 second looper makes the G3n an exceptional value for acoustic players and solo artists. Experiment with different rhythms, melodies, leads, and chord shapes in practice — then take your riffs and tones to the stage. Staying in tune between songs is easy with a discreet onboard tuner, and guitarists at Sweetwater appreciate not having to keep a separate tuner handy.

Zoom G3n Multi-effects Pedal Features:

  • Powerful amp modeler and multi-effects unit
  • Mix and match 5 tube amps and 5 speaker cab impulses
  • Hardware knobs for real-time tweaking
  • 68 digital FX including reverb, chorus, flanger, and overdrive to color your sound
  • Onboard 80-sec stereo looper for creative stage work
  • Built-in tuner for convenience
  • Headphone out for silent practice
  • Includes AC adapter and user manual

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Tech Specs

  • Pedal Type: Multi-FX
  • Number of Effects: 68 DSP effects plus looper and rhythm pedal
  • Effects Types: Distortion, Delay, Reverb, Flange, Phase, Chorus, EQ, Compression
  • Amp Modeling: 5 amp emulators, 5 cabinet emulators
  • Looper: 80 seconds
  • Inputs: 1 x 1/4" (instrument), 1 x 1/8" TRS (aux in)
  • Outputs: 2 x 1/4" (main out, headphones)
  • MIDI I/O: USB
  • USB: 1 x Micro-B
  • Expression Control: 1 x 1/4" (control in)
  • Software: Zoom Guitar Lab patch manager
  • Compatibility: Mac, Windows
  • Power Source: 9V DC power supply (included)
  • Height: 2.3"
  • Width: 9.2"
  • Depth: 7.1"
  • Weight: 2.8 lbs.
  • Manufacturer Part Number: ZG3N

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Customer Reviews

4.5 out of 5

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A great value, and good performer

I actually have the PREVIOUS version of the G3, NOT the G3n. I'm sure there's some differences/improvements, but I haven't researched it - I'm happy with mine. In fact, I think it's tougher-built than the current version.

Basically, I think it's a terrific unit. If you're not a pro or a tone-snob or pedalboard-diddler, you'll be happy with this.

I will point out that - as is often said - the distortions are servicable, but really pretty awful. But - the vast majority of the absolutely dizzying selection of FX are pretty dang good.
It has a very good tuner, and a pretty decent looper too. I haven't used the rhythm/drum machine much, but it sounds good.

And by FAR the most profoundly awesome feature of this unit is it's flexibility/customizability.
You can shuffle/re-order the FX any way you like; every effect has tons of controllable parameters; the ability to combine FX and/or amp models in a single patch is nothing short of awesome. In fact, I have several patches where I simply use the unit as a pedalboard, turning various FX on/off as needed...I can have a whole set of stomps at the ready to use as needed; it's not like any patch has a single sound you're stuck with. Very versatile.
1/2 star off for crummy distortions; but if you accept that it's a weak point for this unit, it's otherwise top-notch, and certainly an amazing value.
by Adam Sherman from Ridgway, CO on
Music background: Experienced novice

Great As A Stand-alone Unit

I hate the sound of amp modeling. It just never sounds right. I use this unit in front of my old Peavey Studio Chorus 210 amp. It works great. The secret is using the RC Booster always on with just a little gain. It really fattens up the sound of my Strat. Make a few presets, arrange the stomp pedals as you need them, then use in Stomp Mode. It really work great.
One last thing, this unit does not work well with other pedals. But, you don't need any other pedals.
by Sweetwater Customer from KY on

Great sounds in an affordable package

I have owned and regularly used this for 2 years now, and I can honestly say that it has neveret me down. The build quality is rugged (made of metal) and can take a beating. The stock presets that it come with this unit are so-so, but it is not difficult to make your own. If you have done research on Google and YouTube for reviews on this type of unit, you have probably heard people claim that it is difficult to navigate. It's really not that hard. Anytime you buy a multi-effects processor, there is going to be a bit of a learning curve as you learn to navigate the menus. My single favorite thing about this unit is that you get the ability to reorder effects in any type of signal chain you want. A lot of other multi-effects pedals have a pre-set order that you can't change, but you can have any order of any effect you want in one patch. The strongest effects (in my opinion) are the delays and reverb (there's probably around 10 varieties of each of these). This would be a great option for somebody who already has a great amp and drive sound, but just wants some effects to plug into an effects loop. I don't use it that way because I don't have an actual amp (just a powered speaker), I use the amp models as well, which are actually pretty decent.
by Sam on

Zoom G3n

Great effects pedal. Zoom has always made great stuff, at an affordable price. The possibilities with this pedal are limitless. Quality sounds and built well. Will take me some time to utilize all the possibilities, but that's not a pedal problem! LOL! Thanks to Ed Nystrom and his team at Sweetwater, I made a great choice. Thanks again guys! Ricky
by Ricky Nichols from Georgia on
Music background: 30 plus years

Super quality converters, fast processors and LOW NOISE

The little known fact about ZOOM products is their super low noise floor. (-102 dB!)
Noise is the enemy of music.

Yes, noise gates help, especially on those ridiculously distorted and processed metal sounds that all our inner children embrace. But you will need LESS noise gating when you build from a clean low floor. Less gating = more realistic response + better tones.

Another fact about ZOOM: they have very fast processors and high-quality converters.
Any digital audio can only be as good as the converters: both A to D and D to A.

No matter how good the translation from A to D and back again, unless you have the processing speed, there will be artifacts: glitches, aliasing, phase decoherence. Those artifacts are particularly nasty when a stereo signal is summed to mono, as many players do.

ZOOM processors are purpose-built for audio, unlike many other LINEs who use cheap off-the-shelf generic processors in their entry level products. The ENTIRE ZOOM line uses the same quality converters and processors, even in their least expensive models.

ZOOM keeps prices low by purchasing a Zillion high-quality processors for the entire line, instead of using cheap chips in cheap pedals.

Just because I love the musicality and quality of ZOOM stuff, does not mean I am a shill for their brand, or that I have no criticism. For instance, in the lower end models, you get similar quality, but it is more hassle to access and edit parameters. That's OK if you only use their presets and want just a few effects. But if you want more control and "tweakability," then you need at least this G3 or the very versatile G5.

So although the SOUND is good in the lower end Zoom stuff, you have to work more to find it. They (necessarily) use more plastic in the lower end stuff too, but that's a small compromise for the value.

In other words, what you are paying for with the higher end ZOOM stuff is convenience and flexibility. If you don't need all that, then you don't have to pay for it. You'll get good sound either way.

That's why I like THIS particular model for most gigs. It's small and lightweight, yet has fast access to editing without a computer. I typically only need two or three main sounds, so this is perfect.

For other gigs where I must cover MANY styles and eras, then I use the larger G5. Then I can easily program whole banks for set-lists, special effects, volume or wah when needed.

In general, all zoom audio stuff is high-quality, regardless of price-point. Super low noise. Super fast processors. Few if any artifacts. And they all sum to mono beautifully. Obviously the best way to use any effect is in stereo, but not every gig justifies carrying the extra gear. So that summing feature is CRUCIAL.

For most, this middle range model is more than enough. If you need a wah or volume pedal, consider one of the higher models. But no matter which you get, you will still get superb quality, low noise effects.

Reliability? I have THREE ZOOM pedals, (G5, this G3n and the little box) This and the little box get used five days a week for lessons. After a year of daily stomping by adrenaline-fueled teens, so far no failures. I have even loaned my Zoom pedals to students for gigs, seminars and contests. They are still working despite tyro torture. That's darn good for any stomp box in this range.

Further proof I am not a shill: If you want superb quality and decades-long reliability, then choose Carl Martin or Boss pedals. I have also had good long-term reliability from all Tech 21 products. Q.E.D.

The G5 gets used only for sessions or certain cover gigs. I don't let kids stomp on it, but I use it almost every day. That said, my G5 has been stable and steady for over three years now with zero problems.

When I was a session player in LA, I would have KILLED to have something this powerful, portable and great sounding. Now, anyone can get pro tone without a second mortgage. Thanks ZOOM!
by Geo from Late-Stage, Amurika on
Music background: Old Pro
See also: multieffects , Zoom, Zoom Multi-effects Pedals
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