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Zoom G11 Multi-Effects Processor with Expression Pedal Demo

Guitar Multi-effects Processor with 4-in/4-out USB 2.0 Audio Interface, Amp Modeling Panel, 5 Stomp Switches, 5" Touchscreen, Expression/Volume Pedal, 70 Pre-loaded Cabinet IRs, 130 User IR Slots, 5-minute Looper, 68 Rhythm Patterns, Tuner, 2 FX Loops, and MIDI In/Out

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The Culmination of Zoom’s Engineering and Passion

The Zoom G11 is the culmination of 30 years of engineering and passion. This multi-effects pedal pulls out all the stops, with six custom-crafted amp models and three decades' worth of classic dynamics, modulation, delays, reverbs, and more. You also get five additional effects: two electrifying distortions and three otherworldly modulations. There’s plenty of DSP on tap, enabling you to chain up to nine effects, along with an amplifier emulation. The G11’s 70 preloaded cab IRs are spot-on, while 130 user IR slots accommodate your third-party impulse responses. Navigating the G11 is a breeze, thanks to its customizable workflow, an intuitive 5-inch touchscreen, familiar amp modeling panel and stompbox footswitches, and an expression/volume pedal for real-time manipulation of your effects. The G11 pedal is brimming with player-essential features, such as a 5-minute looper, 69 built-in rhythm patterns, two stereo effects loops, MIDI I/O, and an integrated 4-in/4-out USB audio interface. The Zoom G11 is a top-shelf multi-effects pedal. It’s pro-level all the way.

Six Custom-crafted Amp Models

Ear-tingling sonic textures right under your feet

The G11 boasts six custom-crafted amp models, putting exciting, ear-tingling sonic textures right under your feet. These models evoke the best tonal qualities of the greatest guitar amplifiers in history then combined them to give you a whole bevy of tonal palettes to experiment with.

  • Krampus combines the brightness of an ‘80s British amp with the extended lows of a modern high-gain amplifier.
  • Redloom merges the tone of an early guitar amp with the rich overtones of a ‘60s tube amp — ideal for sweet-sounding rhythms.
  • Velvet is aptly named — its smooth character balances the dynamic response between your wound and plain strings. If you play Hendrixian lead/rhythm phrases, this is the model to use.
  • Muddy (as in Waters) is a vintage amp sound that’s perfect for gritty blues leads.
  • 7 Heaven was tailor-made for 7- and 8-string guitars, combining tight lows with an expanded dynamic response.
  • Pollex was built for extreme drop tuning. If you slap or djent, use this one.
Tony PulizziLA-based guitarist Tony Pulizzi.
Eli MenezesBrazilian multi-instrumentalist, Eli Menezes.

Electrifying Distortion and Modulation Effects

Unlocks endless worlds of tonal possibilities

The G11 is jam-packed with classic Zoom effects — dynamics, modulation, delays, reverbs, and more — the same killer sounds we’ve enjoyed for decades. In addition to that, this multi-effects pedal includes electrifying distortion and modulation effects that unlock endless worlds of tonal possibilities.

  • Razor Drive delivers novel distortion textures, employing comb filtering to control saturation by boosting the filter, and consequently distortion, at each frequency point of resonance.
  • Wave Shaper yields a harmonic-laden sound by applying a cutting-edge algorithm to shape your waveform.
  • PolyShift is a modern pitch-shifting effect that adds subtle sound variances over a 2-octave range.
  • Geminos is a real-time doubling effect that adds thickness and width by triple-overdubbing your dry signal. This produces huge-sounding chords and sustaining solos.
  • SwellVibe isn’t your run-of-the-mill vibrato. Instead of modulating your signal from the start, this inimitable effect applies pitch modulation with a time lag affecting only the sustain of your sound. It will completely transform your ambient pads.

High-resolution Cabinet Emulations

70 preloaded IRs plus 130 user IR slots

The G11 is jam-packed with 22 cabinet emulations to complement its amp models, along with 70 preloaded impulse responses that were captured by placing the microphone in three different positions. Each cabinet includes an impulse where the mic was placed 1 inch away, one where the mic was placed 12 inches away, and one where the mic was placed in the room. This ensures that you have a wide arsenal of cabinets to choose from. A lot of the guitarists here at Sweetwater have our own third-party IRs. After all, we’re tone fiends! But that’s not a problem for the G11. Thanks to its 130 user IR slots, you’re covered.

KappaBrooklyn-based rocker, Kappa.
Color TouchscreenThe Zoom G11's 5" color touchscreen.

Touchscreen and Stompbox Controls

Customizable, easy-to-navigate workflow

No matter how complex your effects chains are, the Zoom G11’s easy-to-use, application-driven technology makes navigating them a breeze. A 5-inch color touchscreen enables you to drag, drop, and swipe your way to new sounds. If you can use a smartphone, you can use the G11. An amp modeling panel allows you to tweak amp settings with LED-backlit knobs that mimic the controls on a real-world amplifier. And stompbox footswitches supply you with familiar pedal-style effects switching. Best of all, the G11 offers three customizable workflows. Play by Patch lets you scroll through your patches. Play by Effect — which is great for studio work — supplies you with a visual representation of your custom effects chain. And Play by Bank — ideal for live work — organizes your patches in song lists for quick access to every sound for every song.

Jam-packed with Player-essential Features

Looper, two effects loops, MIDI I/O, and built-in audio interface

The G11 boasts a myriad of player-essential features. Add layers to your solo performances with a 5-minute looper. Choose your groove from 68 built-in rhythm patterns that run the full gamut of genres and time signatures. Integrate your stompboxes and external effects with two stereo effects loops. Synchronize with and trigger other devices via MIDI. You can also use the G11 as a full-blown 4-in/4-out USB 2.0 audio interface, empowering you to record directly to your Mac or PC.

G11 Back Pane.The Zoom G11 boasts a myriad of player-essential features.

What the Pros Are Saying About the Zoom G11:

Carl VerheyenCarl Verheyen.

“The G11 with its amplifier models and unique effects is a guitar player’s dream for home recording. The stereo outputs interface perfectly with my home recording rig and provide so many more creative sound options." — Carl Verheyen, Guitarist (Supertramp, LA Session Musician)

“The G11 has an infinite combination of sounds. As a busy professional, it's important that I can easily access what I need. With the G11, I'm able to quickly create essential customized patches for all my playing situations.” — Michael O’Neill, Guitarist (George Benson, Barbra Streisand, Al Jarreau)

Michael O’NeillMichael O’Neill.

Zoom G11 Multi-effects Processor Features:

  • 6 custom-crafted amp models put exciting, ear-tingling sonic textures right under your feet
  • Jam-packed with 30 years of classic Zoom effects: dynamics, modulation, delays, reverbs, and more
  • 5 additional effects: 2 electrifying distortions and 3 otherworldly modulations
  • Chain up to 9 effects, along with an amplifier emulation
  • 70 preloaded cabinet impulse responses with various microphones and mic positions
  • 130 user IR slots accommodate your third-party impulse responses
  • 5-inch color touchscreen enables you to drag, drop, and swipe your way to new sounds
  • Amp modeling panel mimics the controls on a real-world amplifier
  • 5 stompbox footswitches supply you with familiar pedal-style effects switching
  • Expression/volume pedal offers real-time manipulation of effect parameters
  • 3 customizable workflows for editing, studio, and stage
  • 5-minute looper for adding layers to your solo performances
  • 69 built-in rhythm patterns run the full gamut of genres and time signatures
  • 2 stereo effects loops for integrating your stompboxes and external effects
  • MIDI I/O for synchronizing with and triggering other devices
  • Integrated 4-in/4-out USB 2.0 audio interface for direct-to-computer recording
  • Remote iOS connection for using Guitar Lab via Bluetooth adapter (sold separately)
  • Download additional effects with Zoom Guitar Lab

What is Demo Gear?

At Sweetwater, we're so picky that what we call a "demo" is actually better than what most music retailers sell as "new" gear! Our gear hasn't endured hundreds of people a week plunking away at all the keyboards, fumbling through Stairway to Heaven on every guitar or playing with every fader and knob on a mixer or control surface.

What demo means to us is that we've had it out of the box, or maybe it was in a customer's hands for a few days and isn't "factory fresh" as a result. Every demo item we sell has Sweetwater's 2-year Total Confidence Coverage™ warranty, and has been tested and verified up to "new" specs by our factory-authorized technicians to make sure it's in perfect working order before we ship it to you.

When you buy a Demo item at Sweetwater, you get:
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Warranty Info

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Tech Specs

  • Pedal Type: Multi-FX with USB Interface
  • Analog/Digital: Digital
  • Presets: 240 User Patches, 100 Preset Patches
  • Effects Types: 9 x Simultaneous FX: Razor Drive, Wave Shaper, PolyShift, Geminos, SwellVibe, Delay, Fuzz, Octave, Wah, Rotary and more
  • Amp Modeling: 24 x Amp Models, 24 x Cabinet Models
  • Impulse Response: 70 x IR Emulations, 130 User Slots
  • Looper: 5 minute Stereo Looping
  • Inputs: 1 x 1/4" (instrument), 1 x 1/8" (aux in), 2 x 1/4" (return 1/2)
  • Outputs: 2 x 1/4" (L/mono,R), 2 x 1/4" (send 1/2)
  • MIDI I/O: In/Out/USB
  • USB: 1 x Type A 2.0, 1 x USB-C 2.0 (4 x 4)
  • Headphones: 1 x 1/4"
  • Other I/O: 1 x Remote Jack (optional BTA-1 wireless adapter)
  • Expression Control: Built-in Pedal, 1 x 1/4" TRS (control in)
  • Features: 5" Touchscreen, 68 x Rhythm Patterns
  • Power Source: 12V DC power supply (included)
  • Height: 2.52"
  • Width: 19.48"
  • Depth: 9.96"
  • Weight: 6.17 lbs.
  • Manufacturer Part Number: ZG11

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Customer Reviews

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Rated 5/5

Why I Bought A Zoom G11

It's no secret that among the current crop of premium multi-FX/modeling devices, the Zoom G11 is controversial. There's really nothing else quite like it on the market. From its retro-future, 'carbon fiber' appearance, to its 'limited' number of amp models, dedicated (un-assignable) controls, lack of XLR outputs, and emphasis on touch screen editing/workflow, Zoom seem content to carve out their own niche with this unit...heck, even its 'in-between' price point seems to be a point of controversy within the guitar community. So why did I decide to pick one up - at full price? Well, as a professional guitarist with ~20 years of experience gigging, recording, and teaching with modeling gear, I'm here to tell you: the G11 is a legit, pro-level unit that's well worth the asking price.

It's true that the G11 'exists in its own space' among premium modeling devices. When you take into consideration its aesthetic, features and price point, where does it really sit? Is it competing with the Helix LT, or the POD Go? The Boss GT1000 or the GX100? Is it a viable alternative to something more pricey, like the Fractal FM3 or Neural Quad Cortex? In my opinion, the answer is "all and none of the above at once". It really comes down to your priorities as a musician.

The reasons I LOVE the G11 - intuitive user interface, simple touch-screen editing, dedicated (hard-assigned) switches and controls, and limited but *fantastic* selection of amp/cab models and IRs - may not be a priority for you. If you're a "tweak-aholic", demanding page after page of editing functionality for you amp's sag, bias, output voltage, specific cab/mic placement, etc. this is probably not the unit for you. If you demand the ability to reassign the function of every footswitch or encoder per patch, have nested 'scenes upon snapshots upon channels' per preset, or three sets of parallel chains running at once, this is not the unit for you. But in terms of creating high-quality, usable, flexible tones quickly with minimal fuss, I don't think there's anything better on the market...and if you *want* to create massive soundscapes with cascading reverbs, ping-pong multi-delays and LFO filters, you're only limited by the very generous DSP and the total number of available blocks per patch (10).

Here's a few awesome things you might not know about the G11:

1) It has a *5 minute* stereo looper with syncable drum machine
2) Patch switches are instant and seamless - no need for "scenes", "channels", "snapshots" or other 'features' that are actually gap workarounds in disguise
3) Five of the footswitches (and their respective knobs) are always dedicated to "pedals in the chain", allowing for real-time adjustment of any/all parameters with no menu diving - just like on a real pedalboard!
4) A recent firmware update *doubled* the amount of patch memories (now 500), added a number of bass amps, cabs & effects, and a bunch of great additional factory presets
5) The BIG feature no one (including Zoom!) is talking about: You can use the twin external FX loops as *discrete outputs* with separate send levels and the ability to decide which, if any effects you want to send to those outputs. In essence, this give you up to THREE separate outputs: stereo main outs to FOH, and either stereo send split between two additional amps/sources, or mono sends to two additional amps/sources. For me, this is a Big Deal, as it allows enormous flexibility for: wet/dry/wet rigs, FOH + amp(s) and/or FRFR cabs, 4-cable method, and more. In my view, these dual FX loops and their fully assignable/controllable nature make the lack of XLR outputs a moot point.

Bottom line: The Zoom G11 is powerful, flexible, incredibly easy-to-use and has a number of surprising and 'sneaky' features which set it apart from its peers. Well worth the money!
Music background: Professional Performing/Recording/Teaching Musician
Rated 5/5

Zooming

Stopped using stomp boxes in the 1980's and switched to multi-effect processors. Mostly Boss, but some Digi-tech and most recently GT 100, GT 1000, Line 6 Pod Go and Helix. Resold or returned all of them. Always the same issues, volume settings and most presets have way too much of everything leading to spending hours upon hours trying to find or create a good, use able sound. Purchased a Zoom G-11 on a whim as I had never owned a Zoom product before and as stated above I had tried everything else and they sounded bland. I've also used power amps (tube and solid state) with speaker cabs, the original Tech 21 Power engines, Head Rush powered speakers and I was still unhappy with my overall sound. The Zoom G-11 provides a clean, realistic sounding modeling platform and it is easy to tweak given the operating system. I am running through two Tech 21 Power Engine Deuce amps and play in a Classic Rock band. From the minute I turned it on and started fiddling about,I was happy and relieved as I had finally found the sounds that I have been looking for in the Zoom G-11.
Music background: Lead guitarist
Rated 5/5

Zoom G11 has won me over!

The question you are asking, why would I buy the G11 when I could save a little money and buy the Pod Go? The most important thing with any of these is the tone and sound quality. If you have played a Helix and weren't happy with the tones, (or it took you endless tweaking to get what you wanted), then you should give the Zoom a try. This is all subjective, but to my ears, the Zoom retains your playing dynamics, and it is strong in all categories, from clean, to mild drive, to high gain. There are several new "flagship" models on the G11 that take 30% of the processing power. They sound like they have more air or "space" around them which you may notice when playing without effects.

The other major reason to consider the G11 is the touch screen! Before buying this, I didn't care about having a touch screen, but it makes naming and organizing patches a breeze. Its not a gimmick. You can type in patch names like its a smart phone. You can drag/drop patches between slots, you can also drag/drop banks. This is absolutely the easiest MFX processor I have ever used. You will have your banks/patches named and organized exactly how you want without having to connect to a computer, without even reading the manual. You will literally have this set up and ready to use at gigs within a day of owning it.

Another thing the G11 does that most others do not, is it allows you to load/mix multiple IRs in a patch. While it doesn't have tone matching on board, its possible to use your computer to develop a tone match EQ, then load that into your patches. You can have multiple IRs and cab sims active at the same time.

Another reasons to spend a little extra for the G11, it support nine FLEX blocks plus amp. All the effect slots can be used exactly how you want. You can have multiple delays, boosts, or whatever you want. The Pod Go only has a few flex blocks. Each effect tells you exactly how much processing power it takes, although unless you are running multiple IRs, you will reach the nine effect limit before you hit the processing limit. (This is my only real complaint, it seems like it could support another 1-2 effect slots.) While the G11 doesn't have "scenes" or "snapshots", patch changes are very fast.

The G11 supports 5-pin midi I/O, has two independent FX loops, bluetooth app control, great sounding drum machine, five minute looper, and of course the killer feature: dedicated amp controls and five stompboxes with four encoders each.

There is absolutely zero learning curve. You drag/drop everything how you want it, and if you need to edit, there is no menu diving, everything has its own encoder. Its hard to describe the overall experience other than to say this is the most "Feng Shui" of all guitar modelers. Being a long-time Boss GT user, I was strongly considering exchanging this for a GT1000, but then I realized I wasn't willing to give up the touch interface and dedicated amp/stompbox controls for all the Boss "tweaker" features. The G11 is about the overall experience, it frees your mind to enjoy the creative process.
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