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NS Design CR6 Radius Fretless Bass Guitar - Amber Satin

6-string Fretless Electric Bass with Maple Top, Maple Body, Maple Neck, Ebony Fingerboard, 2 Humbucking Pickups, and Piezo Bridge Pickup - Amber Satin
$4,069.00

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NS Design CR6 Radius Fretless Bass Guitar - Amber Satin
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Comfortable, Versatile 6-string Bass

The CR6 Radius Fretless Bass from NS Designs offers advanced design elements that technical players will surely appreciate. This bass features a convex-backed maple body and gentle contours for an incredibly comfortable playing experience. The maple neck sits securely in your hand, and the 15-inch-radius ebony fingerboard encourages lightning-fast playing. The CR6 Fretless Bass is powered by a pair of EMG humbucking pickups with a bridge piezo system and active circuitry for extra tonal versatility. Bassists at Sweetwater highly recommend you try the NS Designs CR6 Radius Fretless Bass. Once you experience the supreme balance of the headless design, you won't want to go back to your old bass!

Designed for performance

When you take in the CR6 Radius Fretless Bass for the first time, it's clear that the instrument is built for performance. The maple body and eye-catching flame maple top lend a bright and spirited tone that sets the instrument's sonic foundation. The concave back contours to your body, making long sets more comfortable than ever. The headless maple neck helps balance the instrument, eliminating neck dive and alleviating playing fatigue in your fretting hand. Painstakingly built in the Czech Republic, the CR6 Radius Fretless Bass is ready to re-define what a bass can be.

Purpose-built electronics

NS Designs collaborated with EMG to give the CR6 Fretless Bass the versatility that players demand. The bass is loaded with a pair of EMG humbucking pickups with a piezo system located in the bridge. The magnetic pickups offer plugged-in tones that can cover anything from clean jazz lines to heavy, snarling breakdowns. There's also a piezo blend control, treble and bass cut/boost, and EQ switch. All the electronics run through an onboard 18-volt preamp for exceptional headroom. The sonic range that the CR6 Fretless Bass can cover is virtually endless.

The latest Steinberger masterpiece

Ned Steinberger breathed new vision and life into stringed instruments when introducing the L2 bass at Summer NAMM in 1979. Innovatively designed without headstocks, the L2s astonished the music world. Prototypes were quickly sold to such esteemed players as John Entwistle of The Who, Tony Levin of King Crimson, and Andy West of The Dregs. Since then, Steinberger basses and guitars have continued to impress musicians and engineers across the world. Their cutting-edge Headless Tuning systems have introduced a stability that was previously considered impossible. Meanwhile, their Radius body shape, Fusion necks, and EMG humbucking pickup systems allow for an extensive range of tonal possibilities.

NS Designs CR6 Radius Fretless Bass Features:

  • 6-string fretless bass built for performance
  • 2 EMG humbucking pickups deliver a wide range of tones
  • Piezo bridge pickup creates acoustic-like tones
  • 18V preamp provides optimal headroom
  • Diradial body design offers exceptional balance and comfort
  • Fretless ebony fingerboard plays quick and feels incredibly smooth
  • Headless maple neck prevents neck dive
  • Advanced controls let you sculpt whatever tone you need
  • NS Patented Tuning system is ultra-stable and easy to use
  • Crafted in the Czech Republic

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Tech Specs

  • Number of Strings: 6
  • Left-/Right-handed: Right-handed
  • Body Shape: CR Doublecut
  • Color: Amber
  • Body Material: Solid Maple with Flamed Maple top
  • Body Finish: Satin
  • Neck Material: Maple
  • Radius: 15"
  • Fingerboard Material: Ebony
  • Fingerboard Inlay: Simulated Pearl Dots
  • Number of Frets: Fretless
  • Scale Length: 34"
  • Nut Width: 2"
  • Nut Material: Aluminum
  • Bridge/Tailpiece: NS Tuning System
  • Tuners: NS Tuning System, 50:1 ratio
  • Neck Pickup: EMG Humbucker
  • Bridge Pickup: EMG Humbucker, NS Piezo
  • Controls: 1 x master volume, 1 x mag/piezo blend, 2-band Active EQ, 3-way toggle Piezo EQ switch, 3-way toggle pickup switch
  • Strings: D'Addario, .031-.130
  • Case Included: Gig Bag
  • Manufacturer Part Number: NS CR6-BG-AMS-FL-LE

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Customer Reviews

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Rated 5/5

Best bass I've ever owned

I have owned a number of basses both fretted and fretless including a couple of upright double basses over the years. This bass by far has the best fretless growl of any of the basses I've owned including the uprights. NS had it set up perfectly out of the box. I didn't have to adjust the truss rod or action and it has a really deep/beautiful growl evenly across all strings even the low B string which was really surprising to me.

The other 6 string fretless I owned the B string was largely vestigial because it had no growl at all even though the other strings sounded nice. The low B sounded like it was from another bass so I'd only use it if I needed to hit a note below the low E for some reason. With the CR-6 Radius, since it has such a nice growl on the B string which is very evenly matched with the E string, I find I use it all the time and tend to play in the 5th to 12th fret range using the low B liberally where previously I would stick to the E string for notes E through A. Maybe this isn't such a good thing because it lets me be lazy and play vertically across the fingerboard instead of horizontally moving from the nut toward the bridge and back constantly.

Between the EMG and piezo pickup blending and the on-board treble/bass boost you can achieve a pretty huge variety of tones from the bass itself. The setting I landed on has a very woody acoustic tone that sounds like a Fender Jazz bass and an upright had a baby. It would be great for jazz/big band/ballads/motown style funk (maybe not slap so much) probably country and a myriad of other styles. Granted, I am primarily a fretless player so I am a bit biased in the tones I want to hear out of my bass. The electronics are very clean and crisp with zero hiss, hum, or distortion even at full volume.

Another thing that surprised me about this bass is even with the thick, punchy, growly tone I like, without changing a single setting the harmonics ring out clear as a bell on all strings. If you wanted to bust out a quick rendition of Portrait of Tracy in the middle of your bass solo you wouldn't need to mess with any of the bass settings or hit a foot pedal or something. I credit the piezo pickups for this. My other basses I would have to adjust the pickups maximize the bridge pickup and dial in some treble boost to get the same effect.

I do still pull out the fretted bass for slap. I don't want to put that kind of wear and tear on my fretless fingerboard if nothing else, and I want that more metallic pop/slap you get from frets if that's what the piece requires which this bass is simply not going to do. Other than that this is a really flexible, dynamic, extremely well constructed instrument capable of being a pro-level bassist's go-to fretless. I absolutely love it and play it every day. It's my therapy.
Music background: Played off and on since I was 13 years old. Some professional gigging in college. Currently hobbyist level player.
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